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Cinematography
JMR Electronics Helps Douglas Trumbull Push HFR Limits

JMR Electronics Helps Douglas Trumbull Push HFR Limits

Douglas Trumbull wanted to make UFOTOG, a 10-minute short, to showcase his vision of immersive movie-going: 120 fps at 4K in 3D, on a curved screen. To shoot and present a movie in a never-before-seen format, he turned to JMR Electronics to design and build a server and storage system that could collect, manage, playback and edit the huge amounts of image data generated by 120 fps, 4K and 3D. In this story, we learn how Trumbull created an innovative pipeline and worked with JMR Electronics to come up with a tailored solution to his very demanding production needs.

Editorial, Feature, People / Interview
JMR Electronics Features Douglas Trumbull
Art of the Edit
Now You See Me: Modus FX Helps Create the Magic

Now You See Me: Modus FX Helps Create the Magic

Modus FX created 227 visual effects shots in Now You See Me, a movie starring Jesse Eisenberg, Mark Ruffalo, Morgan Freeman, Woody Harrelson and Isla Fisher about four young magicians who appear to rob banks during their performances, distributing the spoils to their audiences, while the FBI and Interpol pursue them. Launched in 2007 by co-founders Marc Bourbonnais and Yanick Wilisky, Modus FX is located in a 12,000 square foot facility just outside Montreal. Modus was charged with many of the film's CG-heavy sequences, including the 5Pointz segment, which was almost entirely CG. In this article Modus FX visual effects supervisor Wayne Brinton takes Creative COW readers behind the scenes of the company's VFX magic.

Editorial, Feature, People / Interview
Wayne Brinton
Sony Vegas basics
Sony Vegas Pro Basics FOUR: Media Bins and Importing Assets

Sony Vegas Pro Basics FOUR: Media Bins and Importing Assets
  Play Video
In this tutorial, we look at how to import and organise assets inside our projects and how to use and create a custom bin structure so we can easily find our assets when we begin editing.

Tutorial, Video Tutorial
Andrew Devis
Sony Vegas basics
Sony Vegas Pro Basics THREE: Creating, Saving & Organising

Sony Vegas Pro Basics THREE: Creating, Saving & Organising
  Play Video
In this tutorial, Andrew Devis shows how to organise your media assets on your hard drive and what to do when Sony Vegas Pro can't find an asset because it has been moved. Andrew also goes on to show how to open new empty projects and save your project - which is not the same as 'exporting' your projects which would be the final process to create your final video file (covered later on in this series).

Tutorial, Video Tutorial
Andrew Devis
Sony Vegas basics
Sony Vegas Pro Basics TWO: The User Interface

Sony Vegas Pro Basics TWO: The User Interface
  Play Video
In this overview tutorial, Andrew Devis goes over the User Interface (UI) of Sony Vegas Pro, showing how to customise the UI, save new UI layouts (called workspaces) as well as showing how to add events to the timeline, trim them and create simple transitions very quickly.

Tutorial, Video Tutorial
Andrew Devis
Sony Vegas basics
Sony Vegas Pro Basics ONE: Introduction

Sony Vegas Pro Basics ONE: Introduction
  Play Video
In this introductory tutorial to the new Sony Vegas Pro Basics series on Creative COW, Andrew Devis talks about purchasing options for Sony Vegas Pro and the advantages of using Creative COW to view and download the tutorials as well as to access world-leading forums for Sony Vegas Pro.

Tutorial, Video Tutorial
Andrew Devis
Adobe After Effects Techniques
Advanced AECC Techniques: ONE - Extruding Text in CINEMA 4D

Advanced AECC Techniques: ONE - Extruding Text in CINEMA 4D
  Play Video
In this lesson, Kevin P McAuliffe gets you up and running quickly inside of Cinema 4D lite by showing you how easy it is to not only extrude text, but texture it and give it a quick animation, and get it back into After Effects before your client even knows you left!

Tutorial, Video Tutorial
Kevin P McAuliffe
Apple Motion
Learn Apple's Motion: Lesson 14 Text Part 1

Learn Apple's Motion: Lesson 14 Text Part 1
  Play Video
In this lesson, Kevin P McAuliffe begins his look at creating basic text inside of Apple's Motion 5. This lesson is essential as most of the work you do inside of Motion 5 will have some kind of text element in it, and it's important to have the fundamentals down, before tackling your first project.

Tutorial, Video Tutorial
Kevin P McAuliffe
AVID
Learn Media Composer Lesson 84: Creating DVDs Part 2

Learn Media Composer Lesson 84: Creating DVDs Part 2
  Play Video
In this lesson, Kevin P McAuliffe talks about encoding your exported Media Composer timelines using Apple's Compressor. This lesson is specifically focused on Editors who have made the switch from Final Cut Pro/Studio to Avid's Media Composer, but still want to get the most out of the applications in the bundle, and not have to use a new third party encoding application. Compressor has some huge workflow enhancements like Droplets, that will make the encoding process a breeze.

Tutorial, Video Tutorial
Kevin P McAuliffe
Film History & Appreciation
Star Trek Into Darkness & the Dolby PRM-4200 Monitor

Star Trek Into Darkness & the Dolby PRM-4200 Monitor

On Star Trek Into Darkness, VFX producer Ron Ames was concerned about standardizing color information between production company Bad Robot and the VFX companies ILM and Pixomondo as well as DI facility Company 3. The solution was installing Dolby's PRM-4200, a professional reference monitor that can be calibrated so that every one shows the exact same color. In this article, Ames and Pixomondo VFX supervisor Ben Grossman talk about how the Dolby Professional Reference Monitor improved the workflow and gave them the confidence that everyone was seeing the same thing.

Editorial, Feature, People / Interview
Debra Kaufman
Art of the Edit
How Editors Shaped The Story of Star Trek: Into Darkness

How Editors Shaped The Story of Star Trek: Into Darkness

The old saying is that the edit is the final version of the script. For editors Mary Jo Markey, A.C.E. and Maryann Brandon, A.C.E, their work on Star Trek: Into Darkness began far earlier than that -- when they were asked for their advice on how to shape the script in the first place! In conversation with Debra Kaufman, they describe the role they play in the storytelling process itself, in a way that far transcends the cutting of scenes.

Editorial, Feature, People / Interview
Debra Kaufman
Broadcasting
WorldStage Collaborates with ESPN Studios for LED Displays

WorldStage Collaborates with ESPN Studios for LED Displays

WorldStage, of New York City, has recently designed and integrated 'First of It's Kind' Live, Moving LED display installation for ESPN's premier show, the KIA NBA Countdown, recorded at the Los Angeles Production Center. This article describes the design and integration requirements implemented by WorldStage, including a unique systems design process and subsequent hardware and software integration coincident with a new studio upgrade for ESPN's studios at the Los Angeles Production Center in Los Angeles, California.

Editorial, Feature, People / Interview
Nicholas Chase
Apple Motion
Learn Apple's Motion: Lesson 13 The Canvas Part 8: Particles

Learn Apple's Motion: Lesson 13 The Canvas Part 8: Particles
  Play Video
In this lesson, Kevin P McAuliffe gives you an introduction to Particles inside of Motion 5, and shows you how, with a little bit of forethought, you can create 3D particle elements in your compositions. Normally this type of element is created with a third party plug-in, but everything you see in this lesson was created with only the tools you have when Motion 5 is installed.

Tutorial, Video Tutorial
Kevin P McAuliffe
AVID
Learn Media Composer Lesson 83: Creating DVDs Part ONE

Learn Media Composer Lesson 83: Creating DVDs Part ONE
  Play Video
In this first of a multi-part tutorial series, Kevin P McAuliffe takes a look at setting up your Media Composer or Symphony timelines for creating SD DVD's. He covers formatting issues you need to keep in mind, as well as the proper way to export your sequence in three important, but very different ways.

Tutorial, Video Tutorial
Kevin P McAuliffe
Film History & Appreciation
Prime Focus Brings The Last Emperor into 3D

Prime Focus Brings The Last Emperor into 3D

Rumors had buzzed for two years that director Bernardo Bertolucci was interested in converting his masterpiece The Last Emperor to 3D. That became a reality when the 3D version debuted at the Cannes Film Festival. The sensitive job of handling the conversion went to Prime Focus in London, which dedicated hundreds of rotoscope artists, proprietary tools and artistic intention to uphold the intention of the original version. The verdict? Bertolucci called it "beautiful and magical."

Editorial, Feature, People / Interview
Debra Kaufman
Film History & Appreciation
Behind the Lens: Rachel Morrison Receives Kodak Vision Award

Behind the Lens: Rachel Morrison Receives Kodak Vision Award

Cinematographer Rachel Morrison, who photographed the Sundance Grand Jury Prize and Audience Award winner Fruitvale Station, was presented with the Kodak Vision Award at the 2013 Women In Film (WIF) Crystal + Lucy Awards in Los Angeles on June 12. The award is given annually to a female filmmaker with outstanding achievements in cinematography who also collaborates with and assists women in the entertainment industry. Fruitvale Station, directed by Ryan Coogler, tells the story of the 22-year-old Oscar Grant, who is killed by a Bay Area Rapid Transit (BART) policeman on the Fruitvale Station platform.

Editorial, Feature, People / Interview
Rachel Morrison
Film History & Appreciation
Restoring Richard III: VistaVision to 4K

Restoring Richard III: VistaVision to 4K

When The Film Foundation decided to restore Richard III, the non-profit film preservation organization approached Grover Crisp, Sony Pictures Executive Vice President, Asset Management, Film Restoration & Digital Mastering, Sony Pictures Entertainment. The job was to return the film as close as possible to its original version, which involved restoring over 100 shots. Cineric in New York dug up the missing trims and provided the 4K wet-gate scan, and Crisp brought in MTI Film for much of the restoration, including creating missing frames. Sony Pictures' DI and restoration facility Colorworks finished the job with a careful DI, and the film -- which has been released on BluRay by Criterion -- is expected to have a theatrical release through Janus Films.

Editorial, Feature, People / Interview
Debra Kaufman
AVID
Learn Media Composer Lesson 82: Consolidate/Transcode

Learn Media Composer Lesson 82: Consolidate/Transcode
  Play Video
In this lesson, Kevin P McAuliffe answers a common question, and that is "What is the difference between Consolidating and Transcoding?". Not only does he explain the difference and show you how easy both are to use, but he also discusses Batch Importing, and how what might seem like the best way to work, isn't.

Tutorial, Video Tutorial
Kevin P McAuliffe
Film History & Appreciation
Behind the Lens: Peter Suschitzky & After Earth

Behind the Lens: Peter Suschitzky & After Earth

British cinematographer Peter Suschitzky, BSC, ASC has shot an astonishing number of films that have become iconic: Privilege (the film that inspired George Lucas to ask him to shoot Star Wars), Star Wars Episode 5 - The Empire Strikes Back, The Rocky Horror Picture Show and every David Cronenberg film since Dead Ringers. He got his career start as a child, fascinated by the dark room work of his father, cinematographer Wolfgang Suschitzky, who shot Get Carter among his other credits, and as a very young man shooting documentaries in Latin America. Most recently, Suschitzky was the first to get his hands on Sony's new F65 cameras, to shoot After Earth.

Editorial, Feature, People / Interview
Peter Suschitzky ASC BSC
Film History & Appreciation
The Great Gatsby VFX: Iloura's Valley of the Ashes

The Great Gatsby VFX: Iloura's Valley of the Ashes

In director Baz Luhrmann's The Great Gatsby, one of the more dramatic locations is the Valley of Ashes, a bleak, depressing rubbish dump that the characters pass through on their way between Manhattan and Long Island. Nearly everything there was created by Iloura, an Australian VFX company. Iloura Visual Effects Supervisor Julian Dimsey and Compositor Matt Omond speak with Creative COW about the work they did to create the Valley of Ashes.

Feature, People / Interview
Debra Kaufman
Film History & Appreciation
The Great Gatsby VFX: Animal Logic Sets the Scene in 3D

The Great Gatsby VFX: Animal Logic Sets the Scene in 3D

Award-winning, Sydney-based VFX and animation company, Animal Logic delivered 590 shots for the gilt, luxurious and captivating film adaptation of The Great Gatsby. 175 people worked on Gatsby over the course of a year and a half. VFX Producer Ingrid Johnston and VFX Supervisor Andy Brown talk to Creative COW about their work on The Great Gatsby.

Editorial, Feature, People / Interview
Debra Kaufman
AVID
CatDV Connects with Avid

CatDV Connects with Avid

Square Box Systems' has just unveiled a CatDV asset management system for integration with Avid nonlinear editors. Pegasus is a premium CatDV client that is based on the CatDV Enterprise product and, in addition to integration with Avid Media Composer, also offers metadata support for RED Epic. With this addition, CatDV now offers support for Avid Media Composer, Adobe Premiere and Apple Final Cut Pro.

Editorial, Feature
Debra Kaufman
Blackmagic Design
Arrested Development at Shapeshifter

Arrested Development at Shapeshifter

Shapeshifter in Los Angeles most recently color-corrected and added VFX to ten of the new 15 episodes of the cult TV show Arrested Development. The job came to the full-service post facility almost accidentally, when colorist Randy Coonfield advised the production on how to best round-trip between the company's Avids and its DaVinci Resolve from Blackmagic Design. Since all 15 episodes were released at once, Randy had his hands full, often color-correcting two episodes at a time to make the final push, turning out an entire season in a matter of days. Here, Randy Coonfield talks to Creative COW about what it took to get this new on-demand season out and streaming.

Editorial, Feature, People / Interview
Randy Coonfield
Apple Motion
Learn Apple's Motion: Lesson 12 - The Canvas Part 7

Learn Apple's Motion: Lesson 12 - The Canvas Part 7
  Play Video
In this lesson, Kevin P McAuliffe continues his talk about navigating around the canvas by looking at the Replicator, and how you can use it to not only create video walls quickly and easily, but also to create awesome 3D text right inside Motion, with no 3rd party plug-ins required.

Tutorial, Video Tutorial
Kevin P McAuliffe
Autodesk 3ds Max
Particles in 3ds Max 2014: Adjusting Size

Particles in 3ds Max 2014: Adjusting Size
  Play Video
In this Autodesk 3ds Max 2014 tutorial, Creative COW leader Michael Hurwicz uses the Data operator to adjust the size of particles on the surface of a sphere, based on the separation between the particles.

Tutorial, Video Tutorial
Michael Hurwicz
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