Should you use Final Cut Pro or Color?
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A Creative COW Apple Color Video Tutorial
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Tutorial Focus:
Should you use Final Cut Pro or Color? In this short video tutorial, Walter Biscardi demonstrates some of the differences and why you might use one program over the other. This is a basic level tutorial.
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| Comments | | | |  | Re: Should you use Final Cut Pro or Color? by Josh Paulson 24355636 |
Wow, I am just looking into getting into Color and this made me really excited to dive in. I am very familiar with the 3 way CC in FCP but have often wondered how it compares to Color. The side by side and the ease of getting the Color one has pretty much made my mind up on how to grade my next big video project. Thank you!
An editor's work is never complete. It is only abandoned when time has been exhausted. - paraphrase from Leo da Vinci | | | | |
| | | | Hi Michael,
Color is actually very easy to use once you understand how the interface works. This is exactly what my DVD is all about. 2 hours dedicating to waking you through the interface. | | | | |
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Apple Color | Tracking Vignettes Play Video In this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman teaches how to use tracking to have vignettes follow a person around the screen to simulate a spotlight effect.
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Apple Color | Saturation Curves in Color Play Video In this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman create the Pleasantville effect in Apple Color. Using the secondary curves, specifically the saturation curve, to isolate just the yellow in a taxi cab everything else in the video clip can then be desaturated to create this popular effect.
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Apple Color | Custom Shapes in Color - Final Cut Help Play Video In this Apple Color tutorial Richard Harrington and guest Robbie Carman will use user defined shapes to form vinettes to perform a secondary color correction. Learn about where primary and secondary color correction really occurs in Apple Color and other tips and tricks.
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Apple Color
One Team. Three Network Shows. Every Week.
Creative Cow Contributing Editor Zed Saeed has helped create pioneering Final Cut Pro workflows for major feature films and episodic TV production. This year, he and the team at DigitalFilm Tree faced their biggest challenge yet: posting 3 major shows, for 3 different networks, every week -- with the same small team that used to do just one. How do they do it? World-class workflow management.
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 | Introducing: Stop Staring and Start Grading with Apple Color
Allow us to introduce one of the most eagerly anticipated DVDs in Creative Cow Master Series history, Walter Biscardi's overview of Apple Color. Building on nearly 20 years of professional editing experience, as well as years of experience with Apple Color (and FInal Touch HD before it), he's got the perfect perspective to make working in Color easier than you imagined. It's the disk he wished he had when he started using Color.
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Apple Color | Apple Color: Building Vignettes in the ColorFX Room Play Video Apple Color offers a variety of tools for custom effects, each with different features. Answering a commonly asked question, broadcast editor and Creative Cow leader Walter Biscardi shows you how to take advantage Colors node-based compositing to create a vignette in the ColorFX room.
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