Articles by Gare Cline

	COW Library : Gare Cline

	Cinematography PREVISUALIZATION Part TWO: Why Previs? In part two of Gare Cline's ongoing series on Previsualization, readers are transported to examples of cinematic genius such as George Lucas and Alfred Hitchcock to truly understand the compelling reasons as to why previs is crucial to conceptualizing and demonstrating your storyline. Editorial, Feature

	Cinematography PREVISUALIZATION Part THREE: How Previs Works In this chapter of Gare Cline's series on previsualization, the art form for conceptualizing a project, we focus on how the process of previsualization works. We begin by finding the look for the picture, and then proceed through blocking, coverage and finally end with determining the time and cost expenditure. Editorial, Feature

	Cinematography PREVISUALIZATION Part FOUR: When to Use Previs In this fourth chapter of Gare Cline's tutorial series on Previsualization, we focus on when is the best time to hire a previsualization artist. We begin by looking at the various stages of filmmaking and then concluding with making the decision as when is the best time to hire a previs artist. Editorial, Feature

	Cinematography PREVISUALIZATION Part ONE: What is Previs? Previs. You may or may not have heard of it. If you have, you may have heard conflicting or more often muddled definitions. Many assumptions have developed around this often misunderstood word. Join Gare Cline, Previsualization Storyboard Artist, in this series of articles as he defines what previs is and isn't, what it can do for you, why you should use it, and how it works. Editorial, Feature