Creative COW SIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on Twitter
LIBRARY:TutorialsVideo TutorialsReviewsInterviewsEditorialsFeaturesBusinessAuthorsRSS FeedTraining DVDs

Transitions: Voices on the Craft of Digital Editing -- a review by Marisu Fronc

COW Library : Art of the Edit : Marisu Fronc : Transitions: Voices on the Craft of Digital Editing -- a review by Marisu Fronc
Transitions: Voices on the Craft of Digital Editing -- a review by Marisu Fronc



A Creative COW "Real World" Book Review



Transitions: Voices on the Craft of Digital Editing -- a review by Marisu Fronc
Marisu Fronc
Marisu Fronc
Milner-Fenwick, Inc.
Timonium, MD USA
©2002 Marisu Fronc and CreativeCOW.net. All rights reserved.

Article Focus:
Marisu Fronc takes a look at
Transitions: Voices on the Craft of Digital Editing published by Friends of Ed.


Transitions: Voices on the Craft of Digital Editing written by Erik Andersen, Stuart Bass, Ben Bryant, et al.

If you’re like most editors, you probably spend the lion’s share of your time working in the dark, and by yourself. This lack of interaction with other practitioners of our craft is one of the reasons this book so appealing. Fifteen editors, of features, television and animation, discuss different areas of our craft - some in broad generalities, others with a macro view down to specific keyboard commands. The material often centers around the differences between editing solely on non-linear systems and coming up “through the ranks” from film, through linear video and now to non-linear and, which ever path you’ve followed in your career, it’s eye opening to take in the other points of view.

Okay, now that you have the idea, I must stop here and quote A Chorus Line and say my rating is “dance 10 - looks 3". The material is wonderful, intelligent, articulate, witty but, unfortunately, burdened with being “over art designed” to the point of head-banging illegibility. Someone failed to inform the publishers that editors NEED to actually USE their eyes to work, and printing black on charcoal and expecting that this particular audience will accept severe eyestrain and actually read the book, is assuming a whole lot. Many of the pages are virtually impossible to read without bringing on a migraine, and even the ones with a fairly good contrast between print and background are burdened with a confusing layout of articles, sidebars, headers and footers - all of which scream for your attention and make it difficult to decide which to read, and in what order.



If your eyes are young and you can handle the layout, the book is well worth the read.

I would certainly recommend it to anyone who is just starting out.

I give it 3 COWS.

If your eyes are young and you can handle the layout, the book is well worth the read. I would certainly recommend it to anyone who is just starting out, I only wish they made a “visually impaired” (or at least, not visually impairing) version for the rest of us. While nothing can substitute for actual human interaction, this book can help make all of us “mushroom farmers” feel more in touch, and in tune, with our profession and those who practice it.




Click here to visit Creative COW's user forums and many other articles if you got here by a direct link to this page



  Art of the Edit Tutorials   •   Art of the Edit Forum
Reply   Like  


Related Articles / Tutorials:
Art of the Edit
Company 3 Partners with FutureWorks

Company 3 Partners with FutureWorks

Company 3 - a Digital Intermediate powerhouse in Santa Monica, CA - joined forces with FutureWorks, a Mumbai-based post-production facility, in order to offer its color grading services to Bollywood's feature film and commercial clients.

Feature
Art of the Edit
Opening My Mind Has Opened Doors

Opening My Mind Has Opened Doors

Richard Harrington describes how he reached the decision to switch from Final Cut Pro to Adobe Premiere Pro and why part of his post-production department is running on Windows.

Feature, People / Interview
Art of the Edit
The Discovery Process

The Discovery Process

John Lawrence and his team at Image Work Communications are helping clients discover their own stories -- and discovering for themselves how the speed of HP workstations can make a difference when editing on both Mac and Windows.

Feature, People / Interview
Art of the Edit
The Power of Many or No Waiting Required: Adobe After Effects vs. Apple's Motion

The Power of Many or No Waiting Required: Adobe After Effects vs. Apple's Motion

You've heard the best and the worst about the compositing applications out there, and if you've struggled with the decision of which one is best for you, take a look at some of the advantages of both to assist you with your choice.

Editorial, Feature
Art of the Edit
Giant Dinosaurs, Tiny Budgets

Giant Dinosaurs, Tiny Budgets

Spielberg? Dinosaurs? Every effects house wanted in -- until they saw the budget. Terra Nova VFX Supervisor Kevin Blank takes us back in time, to the laying of their VFX plans.

Feature
Art of the Edit
Reference Monitors: Busting Myths and Looking Ahead

Reference Monitors: Busting Myths and Looking Ahead

As toolsets have gone digital, from production through delivery, ensuring image integrity from acquisition to final display is more critical than ever. While the use of reference monitors on set is increasingly common, there is still disagreement over elements as basic as white point. How should producers be accounting for the gaps between monitor sizes, characteristics, and physical settings they’re being viewed in, when so much is still up for grabs?

Feature
Art of the Edit
HBO's Digital Transition

HBO's Digital Transition

HBO holds the highest reputation for television image quality, often based on an aesthetic very closely tied to their use of film. The stakes as they move toward digital pipelines are especially high as they very carefully consider their next steps, for both production and post.

Feature
Art of the Edit
Managing Broadcast Assets with Adobe Bridge

Managing Broadcast Assets with Adobe Bridge

If you've been complaining about your NLE's asset and project management, you either haven't been using Adobe Premiere, or you haven't been exploring Adobe Bridge.

Feature
Art of the Edit
Now What? It's a Question We've Been Hearing a Lot Lately.

Now What? It's a Question We've Been Hearing a Lot Lately.

"As always, we're happy to provide answers from the people actually making the hard decisions about the products and technologies in which they'll be investing their money, their time, and their expertise." Tim Wilson muses on the "End of Film" issue of Creative COW Magazine.

Editorial
Art of the Edit
Marquise Technologies unveils real-time image restoration

Marquise Technologies unveils real-time image restoration

Marquise Technologies is introducing what they say is the world's first fully featured color grading solution with real-time image degrain/denoise, stabilization and dust/scratch concealment features. RAIN version 2.5 provides real-time color grading and image restoration of 2D and Stereo 3D material from RED One, RED Epic, ARRI Alexa and DPX.

Feature
MORE


FORUMSTUTORIALSMAGAZINESTOCKYARDVIDEOSPODCASTSEVENTSSERVICESNEWSLETTERNEWSBLOGS

Creative COW LinkedIn Group Creative COW Facebook Page Creative COW on Twitter
© 2012 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]