Creative COW SIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
LIBRARY:TutorialsVideo TutorialsReviewsInterviewsEditorialsFeaturesBusinessAuthorsRSS Feed

John Hartney reviews: Producing Great Sound for Digital Video, Second edition

COW Library : Audio Professionals : John Hartney : John Hartney reviews: Producing Great Sound for Digital Video, Second edition
John Hartney reviews: Producing Great Sound for Digital Video, Second edition
A Creative COW "Real World" Book Review



John Hartney reviews: Producing Great Sound for Digital Video, Second edition
John Hartney
John Hartney
werks.tv
Elgin, Illinois, USA

©2003 John Hartney and CreativeCOW.net. All rights reserved.

Article Focus:
John Hartney examines Producing Great Sound for Digital Video, Second edition by Jay Rose and published by CMP Books. John concludes with, ''Folks, this book is a treasure chest. Jay has written a delicious compilation of tips and tutorials that I can honestly recommend to anyone looking to produce great sound for digital video.''


Click here to order this book from amazon.comDon't call Producing Great Sound for Digital Video, Second edition by Jay Rose an audio primer or even a reference source, it's much more. In fact, it offers such a wide range of usable information about hands-on digital audio production, that by reading it, the reader is empowered with production skills and enlightened by an appreciation of how the experience of audio enriches video. It's like taking a class taught by a caring, affable, pro.

Jay Rose is a master at creating new worlds of sound and in this book he walks the reader through the tools and techniques used in digital audio production for video.

The book covers all phases of production from acquisition to the post production mix.

Chapter one is titled, "Help! It Doesn't Sound Right!" If you're having immediate problems with a production, chances are you'll find the answer here.

Layout of the book is well planned, making for an easy read by breaking the subject matter into four basic sections.

The first covers the science of audio basics including how sound works and how it translates to digital audio. "Don't be scared about the science part. The math is mainly stuff you learned in elementary school, and the physics is common sense." Jay writes. He follows through making difficult subject matter understandable for the reader to assimilate and use.

The second part of the book focuses on topics such as; planning for sound, budgeting & scheduling. Time requirements and location scouting are well covered.

Part Three focuses on production including explanations of microphones & room acoustics, mic techniques, recording (settings, mixers, preamps etc.), and capturing voice-overs and effects.

In section four you'll find great coverage of the post production process with thorough coverage of hardware, levels & digitizing, editing voices, working with music, sound effects, signal processing and mixing.

In the post production hardware section, he diagrams and teaches how to make a telephone coupler with paper clips and cellophane tape! With it, you can record telephone conversations.

While good audio centers in science, Jay makes it understandable to all, "The 'Art' of this book," he writes, "is the tricks, shortcuts, and industry practices that have been developed over 75 years of talking pictures... There's a lot to be shared after years of creating tracks..."

The writer's intimate and accessible style is what makes this book a great value for anyone interested in audio. He peppers the book with practical production tips that can only come from hands on experience. For example, in the chapter on checking locations and controlling sound comes this gem, "If you're turning off a refrigerator, put your car keys in it first. This guarantees you won't go home without remembering to turn it back on." Or how about taping a toy stuffed tiger on a shotgun mic when doing voiceover with a child! The child talks to the tiger.

Whether you're just starting in the field of digital audio/video production, or are a seasoned pro, you'll find information in this book that will improve your end product.

Also tucked in the back of the book, there's a CD which Jay Rose has produced featuring platform-independent diagnostics, demonstrations, and tutorial tracks that you can use to polish production skills. Play it on a good stereo and load the tutorials into your computer.



Conclusion
Folks, Producing Great Sound for Digital Video, Second edition is a treasure chest. Jay has written a delicious compilation of tips and tutorials that I can honestly recommend to anyone looking to produce great sound for digital video.

I give it 4.5 cows... Jay's done a good job of making difficult subject matter accessible and interesting. So many books on audio engineering are too technical and dry.


---John Hartney



Click here to visit Creative COW's user forums and many other articles if you got here by a direct link to this page



  Audio Professionals Tutorials   •   Audio Professionals Forum
Reply   Like  
Share on Facebook


Related Articles / Tutorials:
Audio Professionals
Soundelux's Wilhoit Recreates Sonic World for End of Watch

Soundelux's Wilhoit Recreates Sonic World for End of Watch

Michael D. Wilhoit, supervising sound editor at Soundelux, collaborated with director David Ayers on the sound track for End of Watch, a critically acclaimed police thriller that takes viewers into the lives of two policemen who become the targets of a dangerous Mexican drug cartel. The movie is stylistically "found footage," and Wilhoit's challenge was to create a soundtrack that matched the movie's gritty immediacy and realism.

Feature, People / Interview
Audio Professionals
Drive garners Oscar Nom for Soundelux's Lon Bender and Victor Ennis Garner

Drive garners Oscar Nom for Soundelux's Lon Bender and Victor Ennis Garner

Oscar nominated Soundelux Supervising Sound Editors Lon Bender and Victor Ray Ennis & team take the audience of "Drive" on an aural trip.

Feature, People / Interview
Audio Professionals
A Look at Alan Parsons Art & Science of Sound Recording

A Look at Alan Parsons Art & Science of Sound Recording

If you are one of the many people working in film and broadcast that has been wanting to sharpen your skills in audio production -- or just become more aware of its principles and dynamics -- Creative COW's Ronald Lindeboom points to a series that is near to guaranteed to expand your working knowledge of audio.

Review
Audio Professionals
sE Electronics' USB2200a and Reflexion Filter

sE Electronics' USB2200a and Reflexion Filter
  Play Video
Sam McGuire demonstrates the quality and effectiveness of two sE Electronics' products. The USB2200a is a USB/XLR hybrid microphone which is extremely low noise (I didn't believe it until I heard it.) The "Reflexion Filter" is an acoustics baffle used to create a studio environment in any room. For a combined price of under $600 this is a relatively affordable, portable, and high quality solution for all of your VO needs.

Review, Tutorial, Video Tutorial
Audio Professionals
Sound Design for the Web

Sound Design for the Web

The creative minds behind the web's existential comedy series "Coma, Period." talk about their craft and the challenges of designing the sounds heard inside a character's subconscious.

Editorial, Feature, People / Interview
Audio Professionals
The Journey To A Nepali Recording Studio

The Journey To A Nepali Recording Studio

There aren't many straight lines leading to Nepal, and not many once you arrive, either. Here is an inside look at the challenges and triumphs of running an A/V studio in the Himalayas.

Feature, People / Interview
Audio Professionals
ADR: Hollywood Dialogue Recording Secrets

ADR: Hollywood Dialogue Recording Secrets

Correcting dialogue is one of the most important parts of the old saying, fix it in post. They're part of a process called ADR -- Additional Dialogue Recording, or Automated Dialogue Replacement -- that has been going on since movies had audio, and is still being done today, from the smallest indie films to the biggest blockbusters. Here's an overview of the world of ADR, some of the Cows who are working in this field, and where to go when you are ready to ADR to your own productions.

Feature
Audio Professionals
Real-world Mixing with the PSC DV ProMix 6

Real-world Mixing with the PSC DV ProMix 6

PSCs DV ProMix 6 has everything you need for multi-channel audio mixing, even on a DV-sized budget. Brandt Sleeper takes you through its ins and outs, and shows how it stands up to the rigors of real-world production.

Review
Audio Professionals
Recording Multi-cam AudioRecording Multi-cam Audio

Editing multi-cam audio is a hot NLE feature. Maybe youre ready to shoot the video -- but are you ready to capture multiple audio sources for your multi-cam shoot? Brandt Sleeper offers tips for multi-cam audio shoots, from ENG to the front row.

Tutorial
Audio Professionals
Audio Mixing for DV and HDV: PSC DV Promix 3Audio Mixing for DV and HDV: PSC DV Promix 3

Brandt Sleeper shows how PSCs DV ProMix 3 will help your DV and HDV recordings sound better than ever -- bars and tone, calibration, for one or several cameras. Could this be the field mixer youve been waiting for?

Review
MORE


FORUMSTUTORIALSFEATURESVIDEOSPODCASTSEVENTSSERVICESNEWSLETTERNEWSBLOGS

Creative COW LinkedIn Group Creative COW Facebook Page Creative COW on Twitter
© 2013 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]