Particle Illusion Fusion Volume 1, Hosted by Aharon Rabinowitz
Particle Illusion Fusion Volume 1, Hosted by Aharon Rabinowitz
|
| A Creative COW Product Review |

 |
Jim Harvey
JHV Digital
New York, USA
©Copyright 2005 Jim Harvey and Creativecow.net. All Rights Reserved |
Article Focus:
In this article, CreativeCOW.net contributing editor Jim Harvey reviews: Particle Illusion Fusion Volume 1, Hosted by Aharon Rabinowitz and says, "It's a good thing that you can pause a DVD, because Aharon Rabinowitz packs so much information into a small space that you're going to be pausing this DVD frequently ... The DVD is packed to the rafters with content. You won't be getting that What the heck did I pay for? feeling with this DVD.
|
It's a good thing that you can pause a DVD, because Aharon Rabinowitz packs so much information into a small space that you're going to be pausing this DVD frequently. His rapid delivery is more a function of him knowing the subject so well rather than Aharon having had too much coffee (Although there were a couple of points where I wasn't sure one way or another). This is one training DVD that you're going to have to pay attention to lest you miss some key points. (Hence the pause key) It does make it an adventure to follow him along. I had the slight feeling that he had me by the hand dragging me through the program with my feet barely touching the ground. That's not a bad thing, however, as Aharon doesn't miss a beat. No stutters, miscues or hesitation, it's climb aboard and full speed ahead.
The DVD is packed to the rafters with content. You won't be getting that What the heck did I pay for? feeling with this DVD. Thoughtfully, Aharon has included both high and low quality QuickTime movies so that even those of us with less than optimal systems can view and learn the subject. And honestly, if you need to run the lower resolution files, stop right now and go upgrade your equipment. I would state for the record that calling the alternate QuickTime files low quality is a misnomer. The quality of the lower res mov's is almost indistinguishable from those of the HQ files. So maybe you can hold off on that new system purchase I was yelling at you about.
I liked all the little tricks that Aharon turns us on to in the course of his presentation. Tips like turning off your background layer when rendering for use in After Effects. A small point, but something that is easily overlooked. Step by step instruction that will enable you to get the most from Particle Illusion is jammed into every nook and cranny of this DVD. You'll be referring to it over and over again, and each time you watch, you'll pick up something new.
Throughout the program little cut scenes will pop up referencing something that Aharon has discussed. These little cartoons aren't really necessary, but only a cranky sot would find them objectionable. It's nice that Aharon takes the time to give us all a breather with the little cut scenes. Otherwise, they'd have to furnish oxygen with this set.
The outside of the package states that the DVD is packed with 2 full hours of video training. At the speed with which Aharon takes us, it might be 3 hours! Seriously, this DVD DOES pack in the training, and it really is fun to watch. That's because the production value is so high. Clear and to the point, excellent movie files and an instructor who is extremely well versed in the subject, makes this a no-brainer if you want to learn how to extract the most from Particle Illusion
©Copyright 2005 Jim Harvey | Creative Cow
All Rights Reserved
|
| Related Articles / Tutorials: |
| | | |
Adobe After Effects
GenArts Sapphire 7: Must-Have VFX Plug-ins for AE & Avid
Frequent COW Contributing Editor Kevin P. McAuliffe reviews the latest version of GenArts Sapphire plug-in effects filters for both Adobe After Effects and Avid AVX versions, with ratings for current and new Sapphire users. Kevin also observes Sapphire's ability to plug into other NLEs and finishing systems, and takes a closer look at its licensing options, including purchasing, monthly rental and site licenses. You'll definitely want to see the latest and greatest of what this must-have software package has to offer.
Review, Feature
|
| | | | |
| | | |
Adobe After Effects
AE - RE:MATCH Non-matching Cameras in After Effects Play Video In this tutorial, Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in After Effects.
A typical approach to dealing with say a white balance issue would be to apply Color Finesse 3 and work with that which can be a slightly convoluted process, while RE:Match deals with the whole thing in a couple of clicks!
This very powerful effect can save a great deal of time for an everyday problem and so earn its cost back very quickly as well as giving excellent and fast results.
There is another tutorial showing how this effect works in Premiere Pro as there is a slightly different way the two applications deal with reference images.
Tutorial, Video Tutorial
|
| | | | |
| | | |
Adobe After Effects
IK Character Animation: Walk to the Beat 1: Finding the Beat Play Video This tutorial is both a follow-on tutorial to Andrew's previous tutorials on IK controllers in After Effects and a helpful stand-alone tutorial showing how to define a beat range to use as a guide to animation in After Effects.
To start with Andrew shows how to use a simple expression to deal with a potential problem of controllers scaling your objects. Then Andrew shows how to find and download sample music which can be used to base your animation on. He goes on to discuss the difficulty of matching frame rates with audio sample rate and then shows how to get a reasonably close 'loop' in both After Effects and especially in Audition.
Tutorial, Video Tutorial
|
| | | | |
| | | |
Adobe After Effects
Pushing AE - And Myself
Bill O'Neil helps celebrate 20 years of Adobe After Effects with his story. Bill reveals his secret, "I learned how to use AE by making promises to my clients I didn't know I could keep."
Editorial, Feature
|
| | | | |
| | | |
Adobe After Effects
AE: Inverse Kinematic Character Animation Play Video Standard character animation in After Effects uses a process called 'Forward Kinematics' in that we animate down a linked chain - for example, upper arm linked to forearm linked to hand. To get animation we need to move the items down the chain one at a time. Inverse Kinematics creates a link back up the chain such that moving the hand would also move the forearm and the upper arm without breaking that link. This is a simpler and easier to control form of animation often used in 3D programs such as C4D and 3ds max etc. and allows us to control the animation for the complete chain through a single controller.
Tutorial, Video Tutorial
|
| | | | |
| | | |
Adobe After Effects
AE: Inverse Kinematic Character Animation PT 2 Play Video Standard character animation in After Effects uses a process called 'Forward Kinematics' in that we animate down a linked chain - for example, upper arm linked to forearm linked to hand. To get animation we need to move the items down the chain one at a time. Inverse Kinematics creates a link back up the chain such that moving the hand would also move the forearm and the upper arm without breaking that link. This is a simpler and easier way to control animation and is often used in 3D programs such as C4D and 3ds max etc. and allows us to control the animation for the complete chain through a single controller.
Tutorial, Video Tutorial
|
| | | | |
| | | |
Adobe After Effects
Advice To Editors: LEARN AE!
Kevin McAuliffe's experience has been that all editors need to know Adobe After Effects at least as well as their NLE. His own experience has been that anything less than intermediate to advanced knowledge makes it impossible to actually get anything done. Even working with the compositing power of Avid Symphony, Kevin is in AE all day, every day. Here's the story of how he got there.
Editorial, Feature
|
| | | | |
| | | |
Adobe After Effects
Prisoner To My Passion
"I don't know if it's addiction or adoration, but one way or the other, I'm hooked on her," says Creative COW's Rob Mize. "The signs are all there: the obsession with After Effects, the inability to function without After Effects there next to me on my laptop, waiting to be clicked. And the torment of each moment spent suffering any separation from my cherished compositor. Is it any wonder that I, a once innocent naïf in an analog world, now find myself enraptured by this non-linear, digital Delilah?"
Editorial, Feature, People / Interview
|
| | | | |
| | MORE |
| |
|