Removing Chromatic Aberration
Removing Chromatic Aberration
| A CreativeCOW After Effects Video Tutorial |
 |
Carl Larsen St. Cloud, Minnesota
©2008 Carl Larsen and Creativecow.net. All rights reserved. |
Article Focus:
In this tutorial, Creative Cow contributing editor Carl Larsen shows you how to remove chromatic aberration from your footage using Adobe After Effects. If you are wondering what chromatic aberration is, don't worry he explains that too.
|
|
Comments | | | | This was a super useful tutorial. Thank you! | | | | |
| | | | that was a simple but most helpful tutorial i have seen so far. thanks! | | | | |
| | | | Very Cool. Thanks for the update, Todd. | | | | |
| | | | Thanks, Carl. I just added a comment to the "Change To Color effect" section of After Effects Help to point to this video tutorial.
http://help.adobe.com/en_US/AfterEffects/9.0/WS3878526689cb91655866c1103a9d3c597-7b69a.html | | | | |
| | | |  | Removing Chromatic Aberration by Bud Solem 91302026 |
Another great tutorial. Thanks. | | | | |
| | | |  | Removing Chromatic Aberration by Alex Bruce 92159725 |
learned something new today carl, but it also gave me pause for thought, you see the way you attacked the problem addressed the most visible issue of chromatic aberration (yay im using my new found terminology too!) The fringing as you put it, but thats not actually whats going on here right?
As lightsources of various intensities strike the lens and refract at different angles, the refraction and therefor offset of the color in composition must be a relative amount, not predictable so much as scalable to eachother, that is the greens and the blue and the reds shift along the same direction in different amounts right? It sounds like a better strategy would be to SHIFT all the pink (or maybe even red) values to the point where there is no fringing visible, since all of the color data, not just the edges are off this will give you a more accurate results... Or maybe I'm wrong. It sounds like shots with these problems might be more salvageable then we might credit them for. Just a thought. | | | | |
| Related Articles / Tutorials: | | | | |
Adobe After Effects
Virtual 3D Sets with After Effects Play Video Rob Mize demonstrates techniques for creating a virtual set in 3D space. He shows how you can build sophisticated, detailed environments, where your actors appear to interact with their 3 dimensional surroundings. Build the set of your dreams using nothing more than After Effects, a few textures and your creativity.
Tutorial, Video Tutorial
|
| | | | |
| | | |
Adobe After Effects
Lite Bite for After Effects: How do I create a simple Light Wrap? Play Video "Lite Bites" are short no-frills tutorials giving quick answers for busy people. In this first AE Lite Bite tutorial, Andrew Devis shows how to make a quick 'light wrap' effect for a keyed item so that the edge or alpha channel of the keyed item includes some of the pixels from the background element so that it starts to look as if the two items really belong together.
Tutorial, Video Tutorial
|
| | | | |
| | | |
Adobe After Effects
Using the Scribble & Stroke Effects Play Video The "Scribble" and the "Stroke" effects are often overlooked due to the fact that it isn't immediately obvious how they work as they won't work unless applied in a very particular way. In this in-depth tutorial, Andrew Devis explains how to apply these effects and then goes through the many options in each effect which can make them very powerful and able to produce a surprisingly large variety of results.
Tutorial, Video Tutorial
|
| | | | |
| | | |
Adobe After Effects
Adobe Creative Cloud Offers Applications, Services, Community
With Creative Cloud, Adobe is switching from a model of software as a product to Software as a Service (SaS). By early 2012, Adobe Creative Cloud is expected to include such applications as After Effects, Premiere and Photoshop. Creative Cloud includes a hub for viewing, sharing and syncing of files, and a subscription with 20GB of cloud storage.
Feature, People / Interview
|
| | | | |
| | MORE |
| |
|