Creative COW SIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on Twitter
LIBRARY:TutorialsVideo TutorialsReviewsInterviewsEditorialsFeaturesBusinessAuthorsRSS FeedTraining DVDs

Liquid silver makes Boise editor a big frog in a remote, little pond

COW Library : : Erich Korte : Liquid silver makes Boise editor a big frog in a remote, little pond
Liquid silver makes Boise editor a big frog in a remote, little pond
A Pinnacle Liquid Silver Success Story

Liquid silver makes Boise editor a big frog in a remote, little pond

What is a videographer/editor in Boise, Idaho doing producing video for The History Channel, The Discovery Channel, H.J. Heinz/Ore-Ida Foods, and Oprah?

Erich Korte of Laughing Dog Productions has been in the business for 25 years, so he has the talent and the contacts. All he needed when he decided to pursue his dream of being able to run his business from a chairlift at a ski resort was an editing system he could afford without a huge corporate budget or being tied down by technology. One that other freelance editors could easily adopt, and a system that provided the high production quality his clients expect. What he chose was Pinnacle Systems’ Liquid silver.

A lot of my national accounts need mostly just shooting, said Korte. I can give a producer the tapes on the spot. Or, I can keep them one extra day and do all the color shading and format conversions for them. Their editors don’t necessarily know what color the world-famous Idaho sagebrush really is or just how blue our northern sky can be or even the subtle colors on the side of a 20-pound Steelhead trout. I give them a virtually lossless product that’s color-perfect, sounds great and it puts some extra dollars in my pocket too. An editor once commented on the fact that the color balance of my Ikegami camera was the finest he had ever seen. I told him that it was a combo of Ike, Liquid silver and my eyes.

Among Liquid silver’s latest enhancements is a highly advanced CX color corrector option that includes primary color correction with RGB and luminance values separately controlled for Gain, Gamma and Black-level. CX also includes secondary or selective color correction. This enables the editor to define color areas with a Color Picker or color vectors and then manipulate those areas at will. All work can be monitored using a selection of full frame adjustable vectorscopes.

Korte’s national work has included segments for the History Channel’s Modern Marvels about wilderness runways and women fighter pilots, a seven-part health and safety series for Heinz/Ore-Ida Foods and a feature for Dr. Phil on Oprah. Korte shot the Dr. Phil segment and used Liquid silver to color balance it so that the tape he sent met the show’s high quality standards.

Liquid silver is really great for the outfit that is small but wants to remain competitive. That’s a very significant side of it, said Korte. There is more to life than work 24-7. When I’m doing other things my freelancers can polish my projects using Liquid silver. I can pretty much have my cake and eat it too!

Korte uses freelancers to polish the work once he has edited the framework of the project. He moves onto other activities while the freelancers complete the work on Liquid silver, allowing him to keep the business coming in and the projects flowing smoothly. Liquid’s customizability makes it easy for any editor to step in and feel comfortable with the system.

Korte explained, The ability to have various editors come drop by and have the system set up way they want to use it is really nice. Everyone has their own way of setting the system up. Editors can come right in and work on the assignment in the editing style they like. I have skilled backup editors and that’s very important to me.

The fact that he keeps his prestigious clients happy is proof that the Liquid silver is doing its job. His network of editors has also provided confirmation that he made the right choice when he chose Liquid silver.

Freelancers work on both Liquid and Avid platforms. Each platform has its own particular advantage, said Korte. But, when I asked them what they would buy if they were to go out on their own in this market, every one of them said they’d buy the Pinnacle product because of the price point and the editing horsepower of the system.

For his part, Korte initially chose the product because the video quality and the turnkey package were so good. There were also other features that made the silver particularly attractive.

I liked the integration of the character generator into the product as well as the ability to take non-video materials like Photoshop files and incorporate them, recalled Korte. And its ability to do other things such as CDs and DVDs enable me to offer clients value-added support that to me is money and to them it’s more products that they can use.

Liquid silver offers full DVD authoring capabilities including direct MPEG-2 IBP capture, integrated DVD image creation and DVD burning from within the application. The included Pinnacle Impression software augments the built-in tools for authoring advanced titles, chapter points and interactivity.

By choosing to live where he does while maintaining a top-notch client list, he can keep his business small yet still stand out against a few, good, local competitors. Being a big frog in a little pond can be pretty nice.

He also says that he can’t stress enough the importance of his local vendor in helping him make the decision to go with Liquid silver and in helping him ensure that his system, and, therefore, his business, runs without a hitch. Paul Franklin at Custom Recording and Sound goes way beyond the call of duty and understands the system like nobody I know, said Korte. The only down side is that we no longer get those fruit baskets at Christmas from him. I guess he figures we can buy our own with the money we make off the system.

# # #


 
Reply   Like  


Related Articles / Tutorials:
Customer Intimacy & the HP Z800

Customer Intimacy & the HP Z800

Jeff Wood, VP of Global Marketing, Commercial Solutions Unit for HP, describes the demands that film and video pros place on their workstations, how HP is meeting those demands, and how they will continue to listen to you to deliver reliable and powerful solutions.

Feature, People / Interview
High-frame rate projectors a highlight at ShowEast

High-frame rate projectors a highlight at ShowEast

High-frame rate cinema is coming, and Digital Cinema system manufacturers are getting ready. In an industry focused on the challenges and issues surrounding 3D capture and distribution, high-frame rate cinema opens up a new arena of research and discussion.

Feature
Barco and China Film Group to develop digital cinema market in China

Barco and China Film Group to develop digital cinema market in China

Creative COW spoke with Wim Buyens, Senior Vice President Barco N.V. and General Manager Entertainment Division, to learn more about the plans for Digital Cinema expansion in China.

Feature
The more things change... the more they change!

The more things change... the more they change!

One project took four years, and included unprecedented interactivity, Java-enabled delivery of new material to network-connected Blu-ray players, and auto updating interfaces. This is not a problem solved by a $1000 software suite.

Editorial
The Truth About 2K, 4K and The Future of PixelsThe Truth About 2K, 4K and The Future of Pixels

John Galt, Panavision Senior Vice President of Advanced Digital Imaging, led the team that created the Genesis camera, was responsible for the F900 Star Wars camera, and continues to play a leading role in guiding future digital cinema technologies. In this Creative Cow Magazine Extra, join us for a wide-ranging conversation, as John cuts through what he calls the intentional obfuscation of marketing pixels, and considers the range of options that are becoming available to digital filmmakers.

Feature
What's Cutting Edge in Hollywood Today, Will Be In Your Hands Tomorrow...

What's Cutting Edge in Hollywood Today, Will Be In Your Hands Tomorrow...

In this Creative COW Magazine interview, Creative COW talks with SpectSoft's Jason Howard, a systems engineer, about technologies that are changing Hollywood forever.

People / Interview
Carrara5 Pro Handbook by Mike de la Flor

Carrara5 Pro Handbook by Mike de la Flor

In this article, CreativeCOW.net leader, Ringo Monfort reviews Carrara 5 Pro Handbook (Graphics Series) written by Mike de la Flor, and published by Charles River Media, 512 pages, January 2006, ISBN: 1584504633, and feels that, the book falls short.... Read the full review for Ringos point of view...

Review
Carrara 5 Sub-Surface Scattering for Poser 6 models

Carrara 5 Sub-Surface Scattering for Poser 6 models

Thanks to the new sub-surface scattering in Carrara 5, Poser imported models now can have realistic looking skin. In this tutorial, CreativeCOW leader Ringo Monfort details step by step how to use Sub-Surface scatting for realistic skin.

Tutorial
A Talk with SpectSoft's Jason Howard about Linux & Film Production

A Talk with SpectSoft's Jason Howard about Linux & Film Production

Creative Cow's own Jason Howard, is helping bring Starship Troopers 2 to the big screen. His company, SpectSoft, has been working with the famed Tippett Studios to integrate SpectSoft's new RaveHD system into Tippett's workflow. Faced with creating a system that allowed customers like Tippett to work with many different formats and systems -- like accessing both Sony CineAlta's 1080p24 format and Panasonic VariCam's 720p60 -- and performing well with the very latest HD decks, etc. How well has RaveHD worked for Tippett over the last eight months of its use? Well, famed Tippett Studios used it for the HD editing workflow for Starship Troopers 2. Here's the story...

People / Interview
Pinnacle Liquid Edition 5.5

Pinnacle Liquid Edition 5.5

Throughout his review, George Avgerakis looks at many features that make Liquid Edition a powerful, yet reasonably priced system for professional editors. Of one of his favorite features, George observes: 'Let's face it, most of us are trying to get busy enough to keep one machine busy, let alone a network, but Liquid Edition is equipped for this important step in your growth. One machine may be set up as the key editing bench, while others can act as animation or compositing stations. Using Liquid Edition on each machine, the resources on the main desk can be accessed, changed and stored back from any networked machine. Even on a humble 100 base T system, you can obtain 2 simultaneous streams of video and a stream of graphics.' What are some of his other favorite features? Read on..

Review
MORE


FORUMSTUTORIALSMAGAZINESTOCKYARDVIDEOSPODCASTSEVENTSSERVICESNEWSLETTERNEWSBLOGS

Creative COW LinkedIn Group Creative COW Facebook Page Creative COW on Twitter
© 2012 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]