Creative COW SIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US :: FAQ
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
LIBRARY:TutorialsVideo TutorialsReviewsInterviewsEditorialsFeaturesBusinessAuthorsRSS Feed

Time Remapping in After Effects

COW Library : Adobe After Effects Tutorials : Bryan Preston : Time Remapping in After Effects
Share on Facebook
Time Remapping in After Effects


from CreativeCow.net's ''25 Cool Things about After Effects 5.5'' Series


IF I COULD TURN BACK TIME… Using AE's Time Remapping
Bryan Preston Bryan Preston
The Space Telescope Science Institute,
Max-Q Digital, Baltimore, Maryland, USA
email Bryan Preston


©2002 by Bryan Preston and CreativeCow.net. All rights are reserved.

Article Focus:
Have you ever looked at your rendered animation and just thought, 'Something just wasn't right?' In this tutorial, Bryan Preston demonstrates the use of AE 5.5's Time Remapping Filter to control the speed of an animation.



Download Movie Project file Download Stuffit Expander for Windows


IF I COULD TURN BACK TIME…

Sometimes you get a rendered animation or video clip that, for whatever reason, just doesn’t do it for you—or more importantly, for the client. The lighting looks great, the characters or other elements are fine, but there’s just something that needs changing. Turns out it’s the timing—the clip is too long, or too short, or would just work better if it could run at one speed, then suddenly take off faster, or slow down, stop, then run in reverse. Animations can always be sent back to the 3D guys for another expensive and time-consuming render, but video clips more often than not can’t be re-shot, and even if they can it may not do you any good, since you can’t say to the talent “Okay, start off at normal speed. At two seconds, ramp up to double, then at four pause, hold for two seconds, then do everything in reverse.” Well, you could say that, but you’re not likely to get anything you can use on broadcast television.

After Effects’ Time Remapping filter can do all these things and more. As the name implies, time remapping allows you to change the flow of time for a layer. Applying time remapping is a snap—select the layer, then head to Layer=>Enable Time Remapping (Alt+Ctrl+T). Controlling time remapping is a little trickier, but worth the effort.



One of the more obvious uses for time remapping is to put a hold frame on the beginning or end of a clip. Enable time remapping on ElbowDrop.mov and twirl down the transform mode arrow next to its name. Time remapping is the first value you can manipulate, and enabling time remapping automatically adds a keyframe at the beginning and end of the clip.



To add a hold frame at the beginning, just move the first key frame to a point in the timeline where you want action to start.



Do a RAM preview, and notice that the animation now holds until it reaches that first keyframe, and then starts playing. If you move the end keyframe in, you’ll see that the animation now holds once it’s through playing. You’ve probably noticed that the animation is now playing at a faster rate than its original render speed. That’s the tricky part of time remapping—using it can have unintended consequences, such as invalidating the original duration and playback rate of the layer it’s applied to. Put the keyframes back in their original positions, and the hold frames go away while the clip plays at its original speed again.

You can also use time remapping to reverse playback of a clip. Twirl down the time remapping arrow and notice that a line ramping up toward the right connects the keyframes in the Value: Time Remapping window of the timeline.



To reverse playback, just swap the beginning and ending keyframes—put the first keyframe in the position of the end and the last keyframe in the position of the first. Now the ramp slopes down from the left, and the clip plays backward.



Now, how about making the clip pause in the middle of playback, then play in reverse, then play forward to finish? No problem—reset your keyframes back to their original positions and grab the end handles of the animation. You can slide that puppy out to add length, and time, to the clip. Then go to, say, 20 frames in and set a keyframe. Now set two more keyframes—one at 25 frames and one at 1:10. When you did all that, little blue tics appeared on the ramp, and they allow you to manipulate the playback rate. Grab the tic at :25 and pull it down until the line between it and :20 is flat. That adds a pause in the playback. Grab the tic at 1:10 and pull down as far as you can. Now do a RAM preview—and the clip plays, pauses, then plays in reverse before quickly finishing. If you grab the handles on the tics in the Velocity: Time Remap window you can add bezier curves to the keyframes and smooth out the playback. And since you’re remapping the playback of the clip, you can spread out the keyframes as much as you want and not run out of frames. You might run into jerky playback since you’re forcing After Effects to make frames last longer than they should, but you won’t run out of frames. You can also smoothen playback some by enabling frame blending.



Time remapping also works on audio clips, and can create some interesting and useful effects. Combined use of time remapping on video and speech can make it easier to lip synch animations. Time remapping music clips can turn you into a house DJ.

Load up the cymbal.wav file. It’s just a garden-variety cymbal crash, but with time remapping you can make one of those weird Beatle-esque crashes-in-reverse, by enabling time remapping and then swapping the beginning and ending keyframes just like we did with the bodyslammers.

You can also turn this one innocent cymbal sound into a techie-sounding, other-worldly sound sequence. Doing this requires, even demands, that you play around. Put your keyframes back in their original positions, then add a bunch of keyframes in the timeline. Grab those little blue tics in the Value section and flatten, raise, lower and generally mess around with them. Do a RAM preview and listen to your madness—if you tweak it a bit, you can build your own rhythm section from one little cymbal sound. Here’s what I did to it:



Time remapping speech can add stutters and stops, and time remapping music tracks can let you add scratching, warping and other fun effects.

Time remapping is one of the most useful filters in After Effects, and knowing how to use it can turn any AE user into a power user. Time remapping can save you time and your client money, and can make you look like a genius in the process. Not bad for a free filter that comes with AE’s Standard version. (And yes, I know—I should be beaten with a sock full of quarters for making an obscure reference to a Cher song in this tutorial’s title. Sorry….)



--Bryan Preston

Have questions? Or want to discuss this technique? Visit CreativeCOW's After Effects forum.





Please visit our forums and view other articles at CreativeCOW.net if you found this page from a direct link.


  Adobe After Effects Tutorials   •   Adobe After Effects Forum
Reply   Like  
Share on Facebook


Related Articles / Tutorials:
Adobe After Effects
Zero VFX: Why Some Effects Are Better Unseen

Zero VFX: Why Some Effects Are Better Unseen

Kyle Andal and Gerard Andal, lead compositors at Zero VFX, bring invisible post-production magic to several films - including 2014 Academy Award-winning "American Hustle," in which the team helped transform 2013 Boston to 1978 New York - and also several commercial shots with mocha Pro.

Editorial, Feature, People / Interview
Adobe After Effects
LightGrid Script and Demo Tutorial Part TWO with New Feature

LightGrid Script and Demo Tutorial Part TWO with New Feature
  Play Video
LightGrid Script creator Brian Charles demonstrates his newly modified After Effects script for rigging lights in grids and circles. The modified script with the new feature, which adds the ability to enable individual light colors through a checkbox in the effect control panel, is available as a free download in the Project Files folder.

Tutorial, Video Tutorial
Adobe After Effects
Green Screen Billboard Compositing

Green Screen Billboard Compositing

This After Effects tutorial demonstrates how to simulate augmented reality centered around a city billboard by compositing green screen footage and editing it into the scene.

Tutorial
Adobe After Effects
After Effects Handwriting Tutorial

After Effects Handwriting Tutorial

This tutorial will show you how to create an animation of a marker writing out a logo or a few words, followed by a slick reveal to an actual logo.

Tutorial
Adobe After Effects
LightGrid Script and Demo Tutorial

LightGrid Script and Demo Tutorial
  Play Video
LightGrid Script creator Brian Charles demonstrates his After Effects script for rigging lights in grids and circles. The script is available as a free download in the Project Files folder.

Tutorial, Video Tutorial
Adobe After Effects
mocha Tracks The Wolf of Wall Street

mocha Tracks The Wolf of Wall Street

With multiple VFX Oscars (Hugo and Titanic, plus a nomination for Apollo 13) plus a couple of Emmys (Star Trek: The Next Generation and Star Trek: Deep Space Nine) under his belt, the most remarkable thing about Rob Legato's latest VFX extravaganza is that it doesn't appear to have any VFX at all! Martin Scorsese's The Wolf of Wall Street is a masterpiece of what has become known as invisible effects, and this article from our friends at Imagineer, highlighting Rob's work with mocha, is a real eye-opener.

Editorial, Feature
Adobe After Effects
Klip Collective Pushes Film Into New Spaces At Sundance

Klip Collective Pushes Film Into New Spaces At Sundance

Projection mapping installation relies on Adobe Creative Cloud tools to create stunning visuals for the Sundance Film Festival entry, "What's He Building in There."

Editorial, Feature, People / Interview
Adobe After Effects
Joseph Kosinski’s Film “Oblivion” Showcases Elegant Effects

Joseph Kosinski’s Film “Oblivion” Showcases Elegant Effects

World‐class user interface designers, graphic artists, and animators create crisp, timeless visual elements for the sci-fi film starring Tom Cruise and Morgan Freeman, Oblivion. Kosinski turned to Bradley G. Munkowitz (GMUNK), whom he'd previously worked with on Tron Legacy. As lead interface graphic designer, GMUNK then pulled a team together that included Interface Graphic Designers Joseph Chan (Chanimal) and Jake Sargeant, and Interface Animators Alexander Perry (AP), Navarro Parker (Nav), and David Lewandowski (D-Lew). They were happy to reunite to share how much fun they had creating the 2D effects for the film using an Adobe workflow.

Editorial, Feature, People / Interview
Adobe After Effects
VFX & Motion Graphics on Star Trek: Into Darkness

VFX & Motion Graphics on Star Trek: Into Darkness

Andrew Kramer of Bad Robot and author/owner of the site Video Copilot was tapped to create more than 30 title sequences for the resurrection of the classic science fiction franchise with Star Trek: Into Darkness, while the OOOii team created stunning graphics and heads-up displays for the blockbuster film. OOOii CEO Kent Demaine, Lead Designer Jorge Almeida and Andrew Kramer shared their great experiences working on the latest seminal Star Trek film.

Editorial, Feature, People / Interview
Adobe After Effects
Delivering Content for TV's Top Shows

Delivering Content for TV's Top Shows

Delivering content for some of television's top shows, including House of Lies, Grey's Anatomy, and, of course The Walking Dead, Stargate Studios continues to break the mold of how feature films, television series, electronic games, and commercials are generated. In this article, read how Adobe Creative Cloud and automation create a competitive edge for the iconic production studio, Stargate Studios.

Editorial, Feature, People / Interview
MORE


FORUMSTUTORIALSFEATURESVIDEOSPODCASTSEVENTSSERVICESNEWSLETTERNEWSBLOGS

Creative COW LinkedIn Group Creative COW Facebook Page Creative COW on Twitter
© 2014 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]