Article Focus: In this video tutorial, Creative Cow contributing editior Grant Swanson will take you step-by-step through the easiest and fastest (and extremely effective) way of creating the popular Sin City effect - colorized objects in a black and white world. You will learn basic techniques when working with color, and some useful masking/rotoscoping techniques.
This effect was also used extensively on the wonderful film "Pleasantville," 7 years before "Sin City"; and was used to reveal the emotional state of the characters, as a core theme of the film. You may want to watch it to see just how powerful this effect can be.
Also, as you pointed out, prep for shooting can really speed this effect along. One tip is, regardless of what spot color you want to feature in the final effect; have your talent wear a UNIQUE color on set (not necessarily the one you want) do the 'leave color' to THAT color, and then CC it back to the color you want.
Example: You want to have a blue shirt on talent and no other color, but on set you have walls and other wardrobe (jeans) with blue.
Have talent wear a bright red shirt when you shoot.
Do the 'leave color' to the red shirt.
CC the hue of the shirt (the whole shot actually - since it will only affect the shirt now) back to blue.
I see what you but I forgot a big part of the problem. All the footage was shot Black and White. Its cool tho becuase I ended up figuring it out in the end. I did one pass of the whole video, picking out one color from each shot, then I pre comped this and brought it back into the the comp and changed the Hue & Sat and masked off a different light source.
Thank you for replying man. Kep up the great tutorials. I really like this one.
Take it easy.
I see what your syaing but I forgot a big part of the problem. All the footage was
shot Black and White. Its cool tho becuase I ended up figuring it out in the
end. I did one pass of the whole video, picking out one color from each
Ross - The way I see it (from what you wrote), all you have to do is duplicate your RAW footage one more time, put this layer on the top, apply the effects to it (leaver color, and hue/saturation if you want to change the colors/adjust them, and change it's transfer mode to "Color"), and mask it off to street lamps.
Hey man got to say thats a great tutorial. Im in the middle of a music video and its really help me add that little bit extra. Cheers man.
I do have one question however. Like I said Im doing a video and using your tutorial but theres something I cant fugure out and I was wondering if you could help me?
The footage Im using your technique in is of a car going down a motorway (the camera is on the bonnet). I want the tial lights to glow red and the road lights to glow orange. to get all the cars lights to glow red I masked out each light and rotoscoped them but Im stuck as to how I can now change the road lights to orange because I've turn the Hue & Sat layer to red? If you know anything at all please let me know.
Michael - Yes, After Effects is an excellent program to color correct with. In fact I recommend to NEVER try any color correction in Adobe Premiere or Final Cut Pro. Every time you add a color-correction filter (or any other type of effect for that matter) in an NLE, it has to re-render out the footage in the codec that you're working in, which is never truly lossless.
Digg it
