Apple Shake Video Tutorial: An Introduction to Node-based Compositing
Steve Wright: An Introduction to Node-based Compositing
| A Creative COW Feature Article |
 |
Steve Wright
Los Angeles, CA US
©Steve Wright and CreativeCOW.net |
Article Focus:
Steve Wright is a visual effects veteran with 70 broadcast television commercials and over 60 feature films credits. He's also written and taught extensively on many aspects of effects creation. Here, using Apple Shake as an example, Steve introduces the ideas and methods behind node-based compositing.

|
Feel free to discuss this overview in the Creative Cow Apple Shake forum.
If you found this page from a direct link, please visit our forums or read other articles at CreativeCOW.net
|
| Related Articles / Tutorials: |
| | | |
Apple Shake
Smoothing DV Jaggies Play Video In this video tutorial, Creative Cow Leader Andrew Shanks demonstrates cleaning up DV/HDV chroma compression artifacts in Shake to allow for better keying.
Tutorial, Video Tutorial
|
| | | | |
| | | |
Apple Shake
Morphing in Shake Play Video IIn this third video in the series, Shake is Money, Creative Cow Contributor Michael Mench demonstrates a brief overview of the Morpher Node in Shake.
Tutorial, Video Tutorial
|
| | | | |
| | | |
Apple Shake
Slow Motion Play Video In this second video in the series, Shake is Money, Creative Cow Contributor Michael Mench demonstrates Slow Motion in Apple Shake.
Tutorial, Video Tutorial
|
| | | | |
| | | |
Apple Shake
Smooth Cam Node Play Video In this Apple Shake video tutorial, Creative Cow Contributor Michael Mench begins a series called Shake is Money in which he will discuss how Final Cut Pro editors can quickly learn how to integrate Shake into their workflow for added flexibilty in the studio. In this first video in the series, Michael demonstrates the Smooth Cam Node in Shake.
Tutorial, Video Tutorial
|
| | | | |
| | | |
Apple Shake
How to become a Feature Film Compositor by John Lafauce Jr.
Have you ever wanted to contribute to building a twenty thousand man army in "Troy", make a mouse fly a plane in "Stuart Little 2", or launch a doomed luxury liner in "Titanic?" You can achieve visual feats you never dreamed possible and accomplish them all through the magic of compositing. Read this article written by John Lafauce Jr., and see... How to become a feature film compositor. A note just to clarify: this article is about high-end 2d/3d compositing for long form media such as films, where the goal is to make the work seamless, integrated and "invisible". Not to be confused with compositing for motion graphics, where the objective is to make the object or design stand out and be "visible" to the viewer.
Tutorial, Feature
|
| | | | |
| | Recent Articles / Tutorials: | |
| | | |
Cinematography
Behind the Lens: The Kings of Summer with Ross Riege
Ross Riege just finished shooting his first feature film, The Kings of Summer. Currently working on a feature-length documentary with director Greg Kohs, Ross took some time out of his busy schedule to talk with Creative COW about his career path as a young cinematographer and his experiences shooting Kings of Summer.
Editorial, Feature, People / Interview
|
| | | | |
| | MORE |
| |
|