The Gatorade Effect Using Mocha: Part Two
The Gatorade Effect Using Mocha: Part Two
| A CreativeCOW After Effects Video Tutorial |
 |
Aaron Zander
Ventura, California, USA
©2007 Aaron Zander and Creativecow.net. All rights reserved. |
Article Focus:
In this part two video tutorial from Aaron Zander, we take a look at linking splines to other tracks, adjusting tracks and keyframes, and rendering.
Haven't seen part one? Click here
|
Feel free to post any questions on the Imagineer Software Forum at CreativeCOW.net.
Have fun!
If you found this page from a direct link, please visit our forums or read other articles at CreativeCOW.net
|
| Related Articles / Tutorials: |
| | | |
Mocha | Mokey | Monet | Motor
Stabilizing Camera Bounce with Mokey
This tutorial by Doug Bischoff describes a technique for reducing or eliminating vertical camera movement jitter or bounce using the Mokey software package. By examining the simple techniques involved, readers will learn the basics of Mokey's powerful tracking and stabilizing features.
Tutorial
|
| | | | |
| | Recent Articles / Tutorials: | |
| | | |
Apple Motion
Learn Apple's Motion: Lesson 14 Text Part 1
Play Video
In this lesson, Kevin P McAuliffe begins his look at creating basic text inside of Apple's Motion 5. This lesson is essential as most of the work you do inside of Motion 5 will have some kind of text element in it, and it's important to have the fundamentals down, before tackling your first project.
Tutorial, Video Tutorial
|
| | | | |
| | | |
Art of the Edit
How Editors Shaped The Story of Star Trek: Into Darkness
The old saying is that the edit is the final version of the script. For editors Mary Jo Markey, A.C.E. and Maryann Brandon, A.C.E, their work on Star Trek: Into Darkness began far earlier than that -- when they were asked for their advice on how to shape the script in the first place! In conversation with Debra Kaufman, they describe the role they play in the storytelling process itself, in a way that far transcends the cutting of scenes.
Editorial, Feature, People / Interview
|
| | | | |
| | | |
Film History & Appreciation
Star Trek Into Darkness & the Dolby PRM-4200 Monitor
On Star Trek Into Darkness, VFX producer Ron Ames was concerned about standardizing color information between production company Bad Robot and the VFX companies ILM and Pixomondo as well as DI facility Company 3. The solution was installing Dolby's PRM-4200, a professional reference monitor that can be calibrated so that every one shows the exact same color. In this article, Ames and Pixomondo VFX supervisor Ben Grossman talk about how the Dolby Professional Reference Monitor improved the workflow and gave them the confidence that everyone was seeing the same thing.
Editorial, Feature, People / Interview
|
| | | | |
| | | |
AVID
Learn Media Composer Lesson 84: Creating DVDs Part 2
Play Video
In this lesson, Kevin P McAuliffe talks about encoding your exported Media Composer timelines using Apple's Compressor. This lesson is specifically focused on Editors who have made the switch from Final Cut Pro/Studio to Avid's Media Composer, but still want to get the most out of the applications in the bundle, and not have to use a new third party encoding application. Compressor has some huge workflow enhancements like Droplets, that will make the encoding process a breeze.
Tutorial, Video Tutorial
|
| | | | |
| | | |
Broadcasting
WorldStage Collaborates with ESPN Studios for LED Displays
WorldStage, of New York City, has recently designed and integrated 'First of It's Kind' Live, Moving LED display installation for ESPN's premier show, the KIA NBA Countdown, recorded at the Los Angeles Production Center.
This article describes the design and integration requirements implemented by WorldStage, including a unique systems design process and subsequent hardware and software integration coincident with a new studio upgrade for ESPN's studios at the Los Angeles Production Center in Los Angeles, California.
Editorial, Feature, People / Interview
|
| | | | |
| | | |
Apple Motion
Learn Apple's Motion: Lesson 13 The Canvas Part 8: Particles
Play Video
In this lesson, Kevin P McAuliffe gives you an introduction to Particles inside of Motion 5, and shows you how, with a little bit of forethought, you can create 3D particle elements in your compositions. Normally this type of element is created with a third party plug-in, but everything you see in this lesson was created with only the tools you have when Motion 5 is installed.
Tutorial, Video Tutorial
|
| | | | |
| | | |
Film History & Appreciation
Prime Focus Brings The Last Emperor into 3D
Rumors had buzzed for two years that director Bernardo Bertolucci was interested in converting his masterpiece The Last Emperor to 3D. That became a reality when the 3D version debuted at the Cannes Film Festival. The sensitive job of handling the conversion went to Prime Focus in London, which dedicated hundreds of rotoscope artists, proprietary tools and artistic intention to uphold the intention of the original version. The verdict? Bertolucci called it "beautiful and magical."
Editorial, Feature, People / Interview
|
| | | | |
| | MORE |
| |
|
Reply
Like
