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Adobe Premiere Pro
Color Correction 2: Primary Colour Correction
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The fast color corrector is one of the main (and fastest to render) color correction tools in Premiere Pro's arsenal of color tools and an essential tool for all video editors to master. In this tutorial Andrew Devis will show you how to remove a color cast from a video clip manually and with automated tool. Andrew will then show you how to use the automated levels controls to get the right contrast balance for your clip.
Tutorial, Video Tutorial
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Adobe Premiere Pro
Color Correction 3: Vignette Techniques
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Vignettes help to focus the action and keep the audience looking where you want them to look. You can make them as obvious or as subtle as you like and once you know what they are and how to use them you will see them being used everywhere. In this short Premiere Pro tutorial Andrew Devis demonstrates two different vignette approaches in Premiere Pro to keep your audiences attention on the action rather than on the background.
Tutorial, Video Tutorial
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Adobe Premiere Pro
Color Correction 4: Secondary Colour Correction
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In this Premiere Pro video tutorial, Andrew Devis will show you how to apply color correction to a much more specific area. Starting with an explanation of the three-way color corrector, Andrew will then go on to show how to use the secondary colour correction function to specify a color range and reduce the saturation of that specific range rather than the whole shot. Whilst being a more advanced technique, secondary color correction can make all the difference to a shot when something just doesn't look right or stands out much more than it should
Tutorial, Video Tutorial
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Adobe Premiere Pro
RE:Match Non-matching Cameras in Premiere Pro
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In this tutorial Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro.
A typical approach to dealing with say a white balance issue would be to apply the fast color corrector and use the white balance picker, but this can be very hit and miss, while RE:Match deals with the whole image using another image or clip as the reference to match too.
This very powerful effect can save a great deal of time for an everyday problem and so earn its cost back very quickly as well as giving excellent and fast results.
There is another tutorial showing how this effect works in After Effects as there is a slightly different way the two applications deal with reference images.
Tutorial, Video Tutorial
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Adobe Premiere Pro
Premiere Pro CC: 108 Multi-Cam Synched by Audio
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In this tutorial, Andrew Devis looks at the next version of Premiere Pro and shows how it can now automatically synchronise footage in a bin by various options including timecode and AUDIO!
Andrew uses multiple clips and allows Premiere Pro to synchronise these clips using audio and shows us in real time how long this process takes based on a 48 min talk and 11 clips!
Andrew also goes on to show some of the changes that have taken place in the headers for video and audio tracks as well as a change in how to make multi-cam edits in the up-coming next version of Premiere Pro - valuable information for anyone working with multiple cameras.
Tutorial, Video Tutorial
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Adobe Premiere Pro
Premiere Pro CS6 Techniques: 90 Export 5: Media Encoder 2
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In this second tutorial on Media Encoder, Andrew Devis shows how to create preset groups for customers to ensure that you always export the same file types and minimize the risk of choosing the wrong presets when outputting multiple different sequences. Andrew also shows how to customize a preset to meet specific needs such as different frame rates or frame sizes etc and save that preset and add it to a preset group for the customer you created it for. Andrew then shows how to quickly select a smaller portion of the sequence so that you can test your output settings on a much smaller section of the sequence you want to export.
Tutorial, Video Tutorial
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Adobe Premiere Pro
Premiere Pro CS6 Techniques: 86 Export 1: Dynamic Link
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In this tutorial, Andrew Devis shows how to get a sequence from Premiere Pro into either Encore or After Effects using the 'dynamic link' function. Dynamically linking a sequence to either Encore or After Effects will mean that any changes made to the sequence in Premiere Pro will be automatically updated in the program it is linked to (Encore or After Effects). Andrew demonstrates both a simple 'drag and drop' as well as a menu driven approach to setting up dynamic link.
Tutorial, Video Tutorial
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Adobe Premiere Pro
Premiere Pro CS6 Techniques: 89 Export 4: Media Encoder 1
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In this tutorial, Andrew Devis shows how to use the Media Encoder to render out several different versions of a Premiere Pro sequence using easy to find and select presets. Andrew shows how to add sequences without even having to have Premiere Pro open and then change the preset to another one of your choice and add extra outputs to suit your customers' needs.
Tutorial, Video Tutorial
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