Color Correction 2: Primary Colour Correction

Adobe Premiere Pro Tutorial at Creative COW

Andrew Devis

©2010 CreativeCOW.net. All rights reserved.

Article Focus:
The fast color corrector is one of the main (and fastest to render) color correction tools in Premiere Pro's arsenal of color tools and an essential tool for all video editors to master. In this tutorial Andrew Devis will show you how to remove a color cast from a video clip manually and with automated tool. Andrew will then show you how to use the automated levels controls to get the right contrast balance for your clip.

This tutorial is also available as a podcast.

Comments

•

Re: Color Correction 2: Primary Colour Correction
by Andrew Devis

Hi Jay

Thanks for the comment and orry for the late reply - I've been away training!

This isn't in my hands to decide the name of the tutorials for the weblinks. However, I will ask the powers that be and see if they can do anything.

Kind regards
Andrew

... because it's all about stories ...

•

Re: Color Correction 2: Primary Colour Correction
by Jay Gladwell

Great tuts!

It would enormously helpful if the number of the tutorial (1, 2, 3, etc.) was included in the link's graphic title and placed in numerical order.

For example "#1 Color Correction: Brightness & Contrast"
Instead of "Color Correction: Brightness & Contrast"

Related Articles / Tutorials:

Adobe Premiere Pro

Color Correction 1: Brightness & Contrast
Play Video
The temptation is always to choose the easiest tool in the box when sometimes another tool will do an much better job! In this Premiere Pro tutorial Andrew Devis will show you how to avoid using the dreaded brightness & contrast tool and damaging your shot in the process! Andrew will show you the correct tool to choose so that the full dynamic range is preserved and your shot looks great when you need to brighten it or change the contrast.

Tutorial, Video Tutorial

Adobe Premiere Pro

Color Correction 3: Vignette Techniques
Play Video
Vignettes help to focus the action and keep the audience looking where you want them to look. You can make them as obvious or as subtle as you like and once you know what they are and how to use them you will see them being used everywhere. In this short Premiere Pro tutorial Andrew Devis demonstrates two different vignette approaches in Premiere Pro to keep your audiences attention on the action rather than on the background.

Tutorial, Video Tutorial

Adobe Premiere Pro

Color Correction 4: Secondary Colour Correction
Play Video
In this Premiere Pro video tutorial, Andrew Devis will show you how to apply color correction to a much more specific area. Starting with an explanation of the three-way color corrector, Andrew will then go on to show how to use the secondary colour correction function to specify a color range and reduce the saturation of that specific range rather than the whole shot. Whilst being a more advanced technique, secondary color correction can make all the difference to a shot when something just doesn't look right or stands out much more than it should

Tutorial, Video Tutorial

Adobe Premiere Pro

Premiere Pro CS 6.0: First Impressions

As a long-time Final Cut Pro user, David Lawrence has been looking for a new NLE, since FCPX isn't an option for his editing style and needs. When word leaked out of a CS6 trial release, David took Premiere Pro 6 for a spin. And WOW! is what his impressions were. Read on for more details.

Editorial

Adobe Premiere Pro

Bill Roberts, Director of Video Product Management, Adobe Systems & Adobe's Past, Present & Future

Bill Roberts, Director of Video Product Management, Adobe Systems talks about Premiere Pro CS5.5, the acquisition of IRIDAS, 3D, HDR and NAB 2012

Feature, People / Interview

Adobe Premiere Pro

Advanced Titler & Feathering a Track Matte as a Mask using Adobe Premiere Pro CS5.5
Play Video
This video tutorial presented by Jon Barrie details some of the uncommon knowledge about the Titler Tools and how to simulate a feathered mask using a Track Matter technique using Adobe Premiere Pro CS 5.5.1.

Tutorial, Video Tutorial

Adobe Premiere Pro

Premiere Pro Video Adrenaline: Editing Multi-camera Productions
Play Video
In this installment of Video Adrenaline for Premiere Pro, Richard Harrington goes over the process of setting up a multi-clip for editing and walks you through the essential steps.

Tutorial, Video Tutorial

Adobe Premiere Pro

How Premiere Pro Will Change the Way You Work

As we enter an age where our raw footage is either so compressed that recompression for an online edit seems like a very silly option, or so beautifully flexible that we shouldn’t be binding it with the permanence many budgets and minds associate with a transcode to ProRes, the stage is being set for raw workflows based in metadata. This is where Adobe Premiere Pro CS5 shines.

Review

Adobe Premiere Pro

Premiere Pro Video Adrenaline: Retiming Audio
Play Video
In this installment of Video Adrenaline for Premiere Pro, Richard Harrington explores the companion application to Premiere Pro -- Adobe Audition, included in CS5.5.

Tutorial, Video Tutorial

Adobe Premiere Pro

Premiere Pro: Matching Cameras & Composit Elements in AE
Play Video
In this colour correction tutorial, Andrew Devis shows how to use the tools in After Effects both to get excellent colour matching result in After Effects and also to provide information that can be copied into Premiere Pro to more quickly and intuitively achieve better colour matching in Premiere Pro than can easily be achieved with the present set of tool in Premiere Pro (recorded with CS5.5). Andrew shows how to use both the right tool and specific colour channel views to visually match the channels to achieve the best results quickly and effectively. Use this to match footage from different cameras as well as matching elements to be composited into your composition so that they look as if they really belong together.

Tutorial, Video Tutorial

MORE