Color Correction 5: Blend Modes
| Adobe Premiere Pro Tutorial at Creative COW |
 Article Focus: In this tutorial, Andrew Devis introduces the 'Blend Modes' available in Premiere Pro and shows how to use them with black video and color mattes as an alternative color correction technique which can give subtly different looks to your work. |
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Color Correction 1: Brightness & Contrast Play Video The temptation is always to choose the easiest tool in the box when sometimes another tool will do an much better job! In this Premiere Pro tutorial Andrew Devis will show you how to avoid using the dreaded brightness & contrast tool and damaging your shot in the process! Andrew will show you the correct tool to choose so that the full dynamic range is preserved and your shot looks great when you need to brighten it or change the contrast.
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Color Correction 2: Primary Colour Correction Play Video The fast color corrector is one of the main (and fastest to render) color correction tools in Premiere Pro's arsenal of color tools and an essential tool for all video editors to master. In this tutorial Andrew Devis will show you how to remove a color cast from a video clip manually and with automated tool. Andrew will then show you how to use the automated levels controls to get the right contrast balance for your clip.
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Adobe Premiere Pro
Color Correction 3: Vignette Techniques Play Video Vignettes help to focus the action and keep the audience looking where you want them to look. You can make them as obvious or as subtle as you like and once you know what they are and how to use them you will see them being used everywhere. In this short Premiere Pro tutorial Andrew Devis demonstrates two different vignette approaches in Premiere Pro to keep your audiences attention on the action rather than on the background.
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Adobe Premiere Pro
Color Correction 4: Secondary Colour Correction Play Video In this Premiere Pro video tutorial, Andrew Devis will show you how to apply color correction to a much more specific area. Starting with an explanation of the three-way color corrector, Andrew will then go on to show how to use the secondary colour correction function to specify a color range and reduce the saturation of that specific range rather than the whole shot. Whilst being a more advanced technique, secondary color correction can make all the difference to a shot when something just doesn't look right or stands out much more than it should
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Color Correction 6: The Filmic Blend Technique Play Video In this follow-on tutorial to Color Correction 5: Blend Modes, Andrew Devis demonstrates a technique that uses blend modes to help make video look a little more like film and so set your work apart. For almost no effort you can get some great results on individual clips, sequences or even whole projects.
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