| | | |
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 5 Workspaces
Play Video
In this tutorial, Andrew Devis shows what happens when you open a project saved in a previous version of Premiere Pro and how it changes the default workspace back to that of a previous version. He then goes on to show how to reset your workspace back to the default CS6 workspace. Andrew also shows how to customize your workspace, save a new workspace layout, delete a workspace and maximize panels both to include and exclude the showing of transport controls (to have a true full screen for say the source or program monitors).
Tutorial, Video Tutorial
|
| | | | |
| | | |
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 48 Color TWO: Color Waveform
Play Video
In this tutorial, Andrew Devis introduces the YC Waveform graph, showing how to select it and explaining what information it gives. Andrew also briefly discusses the IRE 7.5 setup and also shows the difference between NTSC and PAL measurement as well as how PAL mV are shown differently in Premiere Pro (incorrectly) compared to After Effects (correctly).
Tutorial, Video Tutorial
|
| | | | |
| | | |
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 52 Color SIX: Output Levels
Play Video
In this tutorial, Andrew Devis explains the level sliders in the 'Fast Color Corrector,' which help us to set up the contrast of a shot as well as change the brightness of a shot. This way of dealing with brightness and contrast is significantly better than using the 'Brightness & Contrast,' effect which tends to crush your luminance ranges and so degrade your shot. Andrew explains both the input and output sliders and show what a difference they can make to a poorly lit shot.
Tutorial, Video Tutorial
|
| | | | |
| | | |
Adobe Premiere Pro basics
Premiere Pro Techniques: 110 Preset & Custom Lumetri Looks
Play Video
In this tutorial, Andrew Devis goes through a new option that will be coming with the next release of Adobe Premiere Pro called Lumetri Looks - which gives you the option to apply .Look files created in Adobe SpeedGrade directly to your footage in Premiere Pro.
While this option at first glance seems to only offer the ability to apply presets already created, there is also a way in which you can create your own grades in SpeedGrade, save them as .Look files and then apply those custom grades to your footage or to an adjustment layer in Premiere Pro CS_Next.
In this tutorial, Andrew shows the new option and how it may be used with SpeedGrade CS_Next to create, save and apply your own custom looks.
Tutorial, Video Tutorial
|
| | | | |
|
Reply
Like
