Premiere Pro CS6 Techniques: 94 Time 3: Posterize Time
 The 'Posterize Time' effect can be used to set a frame rate for a piece of footage or a nested sequence. However, in this tutorial, Andrew Devis shows how to use it as a special effect to create dramatic looks for your footage or to give the impression that the footage was taken on an older camera which worked at a different (usually lower) frame rate. (Note: Although it is possible to animate this effect, it can cause unpredictable results and so any keyframes created will be hold key frames giving instant transitions rather than gradual changes). |
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Adobe Premiere Pro
Premiere Pro CS6 Techniques: 80 Audio 10 Stereo to Dual Mono
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In this tutorial, Andrew Devis deals with one of the most common problems when dealing with audio in Premiere Pro - how do you change a stereo clip into a dual mono clip? Andrew will show how to change your preferences so that any imported clip will be seen as being dual mono in Premiere Pro as well as how to change a clip that is already imported into your project. Please note that it is not easy to change a clip AFTER it has been put in the timeline. However, Andrew goes on to show one option for muting one channel of a stereo pair in your timeline which can in some cases be helpful.
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Adobe Premiere Pro
Premiere Pro CS6 Techniques: 81 Audio 11: Audition
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In this tutorial, Andrew Devis shows how to use Adobe Audition to separate the 2 channels of a clip already in the timeline so that they become 2 mono tracks. Although this is a potential work-flow for this problem of separating stereo to dual mono, it is not the best way of dealing with it and should only be done when there isn't really the option to go back and start with the clips from scratch once again.
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Adobe Premiere Pro
Premiere Pro CS6 Techniques: 82 Audio 12: Audition Tips
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In this tutorial, Andrew Devis shows some work-flows for processing audio from Premiere Pro in Adobe Audition. First, Andrew shows how to use powerful but simple EQ tools and then how to make sure that the volume is maximized whilst not going into 'the red'. Andrew then goes on to show how to match the volume of multiple clips with an automated function in Premiere Pro.
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Adobe Premiere Pro
Premiere Pro CS6 Techniques: 83 Audio 13: Gain Options
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In this tutorial, Andrew Devis goes through the right-click gain options for audio waveforms in Premiere Pro. These often overlooked options are very powerful when used to either maintain the relationship between clip volumes or break that relationship such that the volume of each of the clips in amplified to the maximum. Understanding these options will give you some quick and powerful tools for dealing with problem audio in your projects. Note: Gain should be sorted out before changes to volume for best results.
Tutorial, Video Tutorial
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Adobe Premiere Pro
Premiere Pro CS6 Techniques: 86 Export 1: Dynamic Link
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In this tutorial, Andrew Devis shows how to get a sequence from Premiere Pro into either Encore or After Effects using the 'dynamic link' function. Dynamically linking a sequence to either Encore or After Effects will mean that any changes made to the sequence in Premiere Pro will be automatically updated in the program it is linked to (Encore or After Effects). Andrew demonstrates both a simple 'drag and drop' as well as a menu driven approach to setting up dynamic link.
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Adobe Premiere Pro
Premiere Pro CS6 Techniques: 89 Export 4: Media Encoder 1
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In this tutorial, Andrew Devis shows how to use the Media Encoder to render out several different versions of a Premiere Pro sequence using easy to find and select presets. Andrew shows how to add sequences without even having to have Premiere Pro open and then change the preset to another one of your choice and add extra outputs to suit your customers' needs.
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