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Today's Top Tutorials

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Adobe Premiere Pro basics
Premiere Pro Techniques: 110 Preset & Custom Lumetri LooksPremiere Pro Techniques: 110 Preset & Custom Lumetri Looks

In this tutorial, Andrew Devis goes through a new option that will be coming with the next release of Adobe Premiere Pro called Lumetri Looks - which gives you the option to apply .Look files created in Adobe SpeedGrade directly to your footage in Premiere Pro. While this option at first glance seems to only offer the ability to apply presets already created, there is also a way in which you can create your own grades in SpeedGrade, save them as .Look files and then apply those custom grades to your footage or to an adjustment layer in Premiere Pro CS_Next. In this tutorial, Andrew shows the new option and how it may be used with SpeedGrade CS_Next to create, save and apply your own custom looks.

Tutorial, Video Tutorial
Andrew Devis
TV & Movie Appreciation
The Marvel of Guardians of the GalaxyThe Marvel of Guardians of the Galaxy

Big companies can't be nimble? Don't tell Sony Pictures Imageworks. They turned around 88 shots for Marvel's instant classic, Guardians of the Galaxy -- plus a complete digital character -- in just two months. VFX Supervisor Pete Travers says it's the fastest they've ever worked on a project like this, and a sterling example of both the creative advantages that come with scale, and the richness of the Marvel multiverse.

Editorial, Feature, People / Interview
Tim Wilson
Art of the Edit
Post Etiquette 4: Keep Calm and Carry OnPost Etiquette 4: Keep Calm and Carry On

Working under pressure is sometimes unavoidable in video production. Don't lose your cool!

Tutorial, Video Tutorial
Walter Biscardi
Motion Graphics
Neat Video: Removing Noise and Grain from your FootageNeat Video: Removing Noise and Grain from your Footage

In this video tutorial you will learn how to use the Neat Video plug-in for multiple applications. Although demonstrated in After Effects, the work-flow is essentially the same for all these applications: After Effects, Premiere Pro, Final Cut Pro, Motion, Nuke, Fusion, Vegas Pro, etc. This powerful but simple to use plug-in can clean up noisy footage by applying a sophisticated and advanced algorithm to work out what's noise and what's details in your footage and then remove just the noise. This is done by profiling the noise properties in an area of a video frame without visible features. Once the noise has been profiled, Neat Video is guided by this profile to reduce and eliminate noise while not touching the video details. Although mostly automatic, Neat Video still leaves you with total control over the amount of filtering you apply and even offers optional sharpening (without sharpening the noise) should you wish it.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Changing Audio From Stereo to Dual MonoChanging Audio From Stereo to Dual Mono

Sometimes when you record you use different microphones on each audio channel of your camera. But, when you get into Premiere Pro, you find that you have one stereo channel and not two mono channels and so you can't edit them as you would like! So how can you change a single stereo channel into two mono channels? In this quick tip tutorial, Andrew Devis demonstrates how to make that change into two mono channels or even two 5.1 channels, as well as how to change a mono track into a stereo track and how to use the preferences to make it automatic if you have lots of clips changing from one thing to another.Changing

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Pan & Zoom + Corner Pin in Premiere ProPan & Zoom + Corner Pin in Premiere Pro

In this Adobe Premiere Pro tutorial, Andrew Devis shows you how to pan and zoom in Premiere Pro like a professional, with proper key-frame interpolation so that everything is smooth. He will also show how to use the corner pin effect to put a separate image on to the footage you pan and zoom so that it remains really high quality even when zoomed in really close.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Balancing Audio Levels for Multiple ClipsBalancing Audio Levels for Multiple Clips

You have lots of clips in your timeline which are all different volumes. How do you quickly match the volume of all the clips so that they are all matched? This quick tutorial will show you the tricks to know in Premiere Pro and Soundbooth to get the job done!

Tutorial, Video Tutorial
Andrew Devis
Apple Final Cut Pro
Tapeless Workflow with Final Cut Pro 7Tapeless Workflow with Final Cut Pro 7

This tutorial gives an overview of the tapeless ingest workflow using Log and Transfer in Final Cut Pro 7. It encompasses a handful of the supported formats that FCP works with... including XDCAM EX, P2 AVCIntra, P2 DVCPRO HD, AVCHD, and Canon DSLR (5D, 7D).

Tutorial, Video Tutorial
Shane Ross
Adobe After Effects
Importing 3D models into Adobe's After EffectsImporting 3D models into Adobe's After Effects

Most people think that the only way to work with real extruded 3D elements or 3D models inside of After Effects, is by purchasing a 3rd-Party Plug-in. Well, that's just not the case. In this tutorial, Kevin P McAuliffe show's you how, with a little help from Adobe's Photoshop, you can import and work with .3DS models inside of Adobe's After Effects, and have the model be effected by the 3D cameras in your compositions.

Tutorial, Video Tutorial
Kevin P McAuliffe
Adobe After Effects
Creating & Using Masks in After EffectsCreating & Using Masks in After Effects

This tutorial was made as a direct request from a former user of Final Cut Pro who wanted to know how to mask in an efficient way in After Effects. Andrew demonstrates the tools to quickly create masks in After Effects along with the keyboard short cuts needed to make the process quick and efficient. Then, Andrew shows how to take the masks that have been created and use them on other layers so that only the masked areas are selected by using the exact same information as produced with the original mask. Note, this technique also respects any animation that may have been applied to the original mask while leaving the ability to change the mask's size, opacity and feathering as needed.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Spicing up your Titles in Premiere ProSpicing up your Titles in Premiere Pro

In this video tutorial Andrew Devis teaches how to format your text, add shapes and generally make your titles more interesting in Premiere Pro.

Tutorial, Video Tutorial
Andrew Devis
TV & Movie Appreciation
The Toaster and Tim's VermeerThe Toaster and Tim's Vermeer

The inventor of the NewTek Video Toaster was certain that he figured out the secret behind the uncanny realism of one of the world's greatest painters, and certain he could use the same methods to duplicate it. Really? Yes, really. Join us for a conversation with NewTek founder Tim Jenison on the unexpected intersection of art, technology, obsession and the Video Toaster in the wonderfully provocative documentary called Tim's Vermeer.

Editorial, Feature, People / Interview
Tim Wilson
Adobe After Effects
Time Remapping in After EffectsTime Remapping in After Effects

Have you ever looked at your rendered animation and just thought, 'Something just wasn't right?' In this tutorial, Bryan Preston demonstrates the use of AE 5.5's Time Remapping Filter to control the speed of an animation.

Tutorial
Bryan Preston
DaVinci Resolve
The Many Colors of A Modern FamilyThe Many Colors of A Modern Family

Sometimes it might seem that colorists are all about stylized treatments and extreme color correction, but Aidan Stanford's work on season five of Modern Family is all about maintaining realism and hiding all the tricks in the background. Making the jump from film color timing into digital hasn't been easy, but Aidan has found a way to utilize his film skills in the digital world, turning around episodes in a day using his favorite tools in DaVinci Resolve.

Editorial, Feature, People / Interview
Kylee Wall
Adobe After Effects basics
Morphing In After EffectsMorphing In After Effects

Morphing is a distinctive effect that is best known from the movie Terminator 2 as well as the Michael Jackson music video Black and White. In this tutorial, Chris Zwar demonstrates simple morphs with the Reshape filter in Adobe After Effects 5.5 -- which is a Production Bundle only effect found under the Distort menu.

Tutorial
Chris Zwar
Adobe After Effects basics
AE Basics 53: Motion Tracking Part 1AE Basics 53: Motion Tracking Part 1

AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 53: In this tutorial, Andrew Devis starts to demonstrate how to use the point tracker in Adobe After Effects. Andrew shows how to set up the tracker and talks through some of the considerations that need to be taken into account to help get as good a track as possible.

Tutorial, Video Tutorial
Andrew Devis
Adobe After Effects
Creating The 007 IntroCreating The 007 Intro

In this video tutorial, Creative Cow leader Michael Park shows you how to achieve that classic introduction to all of the James Bond films using only basic After Effects plugins.

Tutorial, Video Tutorial
Michael Park
TV & Movie Appreciation
Sink or Swim in Hollywood:Editor William Boodell & SharknadoSink or Swim in Hollywood:Editor William Boodell & Sharknado

When editor William (Bill) Boodell came to LA, he didn't expect to ever be associated with a shark tornado -- I mean, who is? And now Sharknado (the first one), is a part of mainstream pop culture even a year later and his best known work to date. If you talk to Bill for five minutes, you'll discover that he's a film connoisseur with a near-concerning catalog of directors, editors, and filmmaking theory in his head, and an up-and-coming editor with a unique post-film path to Hollywood that anyone can learn from.

Editorial, Feature, People / Interview
Kylee Wall
Art of the Edit
Post Etiquette 3: Attitude? Yep I Have OnePost Etiquette 3: Attitude? Yep I Have One

The way you interact with your client can help create a better environment for collaboration.

Tutorial, Video Tutorial
Walter Biscardi
DSLR Video
Is the New Blackmagic Cinema Camera the HDSLR Killer?Is the New Blackmagic Cinema Camera the HDSLR Killer?

Marco Solorio of OneRiver Media dissects Blackmagic Design's new Cinema Camera to see if it is in fact, the much-anticipated HDSLR-killer everyone's been waiting for over the years. But with a comparatively smaller sensor size and radical body design, does it fit the bill as the killer we all want?

Review, Feature
Marco Solorio
Adobe After Effects
Creating the Sin City EffectCreating the Sin City Effect

In this video tutorial, Creative Cow contributing editor Grant Swanson will take you step-by-step through the easiest and fastest (and extremely effective) way of creating the popular Sin City effect - colorized objects in a black and white world. You will learn basic techniques when working with color, and some useful masking/rotoscoping techniques.

Tutorial, Video Tutorial
Grant Swanson
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 1 IntroductionPremiere Pro CS6 Techniques: 1 Introduction

In this first tutorial, Andrew Devis introduces his new series on Adobe Premiere Pro Basics (CS6 & above) with a look at the CS6 user interface (UI) and a comparison with the CS5.5 UI, along with a brief comment on what to look for when capturing your own footage.

Tutorial, Video Tutorial
Andrew Devis
Art of the Edit
Saturday Night Live's Film Unit: Making TV FastSaturday Night Live's Film Unit: Making TV Fast

Saturday Night Live's film unit produces a pre-taped segment for every live show, with nearly all of production and post happening within a 48 hour period. Director of Photography Alex Buono and editor Adam Epstein rely heavily on communication, improvisational filmmaking skills and the flexibility of their toolset -- including Adobe Creative Cloud -- to hit their deadlines and bring film spots to air each Saturday night.

Editorial, Feature, People / Interview
Kylee Wall
CSNY 74: Crosby, Stills, Nash & Young's Epic Tour RevisitedCSNY 74: Crosby, Stills, Nash & Young's Epic Tour Revisited

Meet CSNY 74, wherein Messrs. Crosby, Stills, Nash & Young make a definitive 3-hour, 3-set, 40 song, case, supported by 8 video clips and 188 pages of written and photographic evidence, for being one of the world's very biggest and best rock and roll bands, working at the very top of their game. Creative COW's Tim Wilson explores the beautifully rendered, exceptionally satisfying experience of this historically epic tour.

Review, Feature
Tim Wilson
Adobe Creative Cloud
Take Creativity Wherever You Go:Adobe Creative Cloud UpdatesTake Creativity Wherever You Go:Adobe Creative Cloud Updates

Blending desktop apps and mobile devices for a "creativity on the go", Adobe announced the availability of 14 newly updated Creative Cloud desktop apps, four new mobile apps, and new Adobe-branded hardware tools for iPad.

Editorial, Feature, People / Interview
Kylee Wall
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