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Lighting Design Pros | Litepanels Sola ENG On-Camera LED Light
There are plenty of power-sipping LED lights that you can mount atop cameras, but very few have enough punch to fill up large spaces, or cut through daylight. Litepanels finally has such a light in the Sola ENG. It's powerful, controllable, and in some cases, a little loud.
Review Helmut Kobler |
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Lighting Design Pros | Shooting for Chromakeying
In addition to his tutorial on how to pull a usable matte from badly lit blue or green screens, Barend Onneweer has put together a list of things to consider when shooting for chromakeying.
Tutorial Barend Onneweer |
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Lighting Design Pros | Low Cost Professional Lighting Solutions
In this article, Leo Ticheli looks at some of the lower-cost options for acheiving beautifully lit professional lighting design for your shoots. These solutions aren't the 'G.E. bulb in a cardboard box' solutions that some try to point to as acceptable low-cost lighting -- but if you are looking for true professional lighting done on a budget, then Leo has some great information for you...
Tutorial, Feature Leo Ticheli |
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Lighting Design Pros | Lighting with Shadows
In this extended version of his article in the Creative Cow Visual Effects Issue, lighting expert and instructor Rick Wise draws on his decades of experience to illustrate how shadows can be the most important part of how a scene is lit. Learn how to control the direction and quality of your lighting design to add texture, dimension, and force to your images.
Feature Rick Wise |
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Lighting Design Pros | NAB 2012: Litepanels
At NAB 2012, Litepanels part of Vitec Videocom, a Vitec Group company, introduced the Croma on-camera LED lighting fixture, the Inca Series tungsten balanced LED Fresnel fixtures, the Sola 4 Daylight Balanced LED Fresnel and the Sola ENG Flight Kit. The company also offered a $100 rebate on the purchases of the Croma variable color temperature LED light and the Sola EMG LED Fresnel lighting fixture.
Feature Debra Kaufman |
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Lighting Design Pros | Westward Ho!
A wild ride of an edit: shot on film, projected onto five screens. In this Creative COW Magazine article Mike Sullivan discusses some of the problems such as lighting and color interaction he faced in a project he did for National Historic Trails Interpretive Center in Casper, Wyoming.
People / Interview Mike Sullivan |
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