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Creative COW Interviews

COW Library : Interviews
Film History & Appreciation
These Amazing Shadows

These Amazing Shadows

An editor's journey through the films that made America (or, how I stopped worrying and learned to love the B-Roll)

Feature, People / Interview
Doug Blush
Cinematography
Editing the Farrelly's The Three Stooges

Editing the Farrelly's The Three Stooges

In Atlanta to work on 'The Three Stooges,' the editor of 'There's Something About Mary' and 'Kingpin' reflects on comedy, timing, and editing as a team sport.

Feature, People / Interview
Sam Seig
Cinematography
The SciTech Award Goes to... the Stab-C Classic, Super-G & Stab-C Compact Stabilizing Heads

The SciTech Award Goes to... the Stab-C Classic, Super-G & Stab-C Compact Stabilizing Heads

At the 84th Annual Academy Awards for Technical Achievements, Nettmann Systems International's "versatile family of 5-axis camera and lens stabilizers" will be honored with a SciTech Award: to E.F. "Bob" Nettmann for the concept and system architecture, Michael Sayovitz for the electronic packaging and integration, Brad Fritzel for the electronic engineering, and Fred Miller for the mechanical engineering of the Stab-C Classic, Super-G and Stab-C Compact stabilizing heads.

Feature, People / Interview
Debra Kaufman
Cinematography
The SciTech Award Goes to... Side Effects' Andrew Clinton and Mark Elendt

The SciTech Award Goes to... Side Effects' Andrew Clinton and Mark Elendt

At the 84th Annual Academy Awards for Technical Achievements, Side Effects senior mathematician Mark Elendt and 3D graphics programmer Andrew Clinton will pick up a Technical Achievement Award (an Academy Certificate) for the invention and integration of micro-voxels in the Mantra software.

Feature, People / Interview
Debra Kaufman
Cinematography
Hugo and The Joy of Filmmaking

Hugo and The Joy of Filmmaking

In this expanded version of the article from Creative COW Magazine, VFX Supervisor and 2nd Unit Director Rob Legato shares some of the secrets of a tribute to the love of making and watching movies, and insights into two filmmaking masters. All of us at Creative COW congratulate Rob on his Academy Award nomination for his visual effects work on Hugo.

Feature, People / Interview
Rob Legato
Apple FCPX or Not: The Debate
What a Long, Strange Year It's Been!

What a Long, Strange Year It's Been!

Apple imploding. Adobe ascending. Avid opening up. Who could have seen it coming? Here's Walter's look at what happens when the blinders come off.

Feature, People / Interview
Walter Biscardi
Stereoscopic 3D
The Dog Days of 3D

The Dog Days of 3D

We've seen complicated rigs, higher budgets and audience skepticism deflate the hype of new movie-making technology before. What can the past tell us about 3D's future?

Editorial, People / Interview
Angela Gyetvan
DSLR Video
Plan It Like a Bank Heist

Plan It Like a Bank Heist

A DSLR shoot -- wait, make that two shoots including a couple of Panasonic AF100s -- that is a reminder to both plan for everything, and be ready for anything.

Feature, People / Interview
Stephen Menick
Audio Professionals
Drive garners Oscar Nom for Soundelux's Lon Bender and Victor Ennis Garner

Drive garners Oscar Nom for Soundelux's Lon Bender and Victor Ennis Garner

Oscar nominated Soundelux Supervising Sound Editors Lon Bender and Victor Ray Ennis & team take the audience of "Drive" on an aural trip.

Feature, People / Interview
Debra Kaufman
Apple FCPX or Not: The Debate
Real World Editing: From Avid to FCP and Back Again

Real World Editing: From Avid to FCP and Back Again

The inside story of reality TV giants Bunim/Murray Productions, and their trip from Avid Media Composer to Apple Final Cut Pro...and back again.

Feature, People / Interview
Mark Raudonis
Cinematography
Douglas Trumbull: A Writer-Producer-Director-Engineer-Inventor Looks Forward

Douglas Trumbull: A Writer-Producer-Director-Engineer-Inventor Looks Forward

While others reflect on his 45 years of achievement, Douglas Trumbull currently has five movies underway, and some strong ideas about saving the future of filmmaking.

Feature, People / Interview
Douglas Trumbull
Cinematography
Cutting Tinker Tailor Soldier Spy

Cutting Tinker Tailor Soldier Spy

Accomplished Swedish editor Dino Jonsäter follows the clues to edit the notoriously complicated story, "Tinker, Tailor, Soldier, Spy," his first Hollywood film.

Feature, People / Interview
Debra Kaufman
Indie Film & Documentary
Unexpected

Unexpected

The album promo that Jason Bergh was working on took an unexpected turn, across generations to South Africa, and then there was that unexpected release from Apple....

Feature, People / Interview
Jason Bergh
Customer Intimacy & the HP Z800

Customer Intimacy & the HP Z800

Jeff Wood, VP of Global Marketing, Commercial Solutions Unit for HP, describes the demands that film and video pros place on their workstations, how HP is meeting those demands, and how they will continue to listen to you to deliver reliable and powerful solutions.

Feature, People / Interview
Jeff Wood
Art of the Edit
The Discovery Process

The Discovery Process

John Lawrence and his team at Image Work Communications are helping clients discover their own stories -- and discovering for themselves how the speed of HP workstations can make a difference when editing on both Mac and Windows.

Feature, People / Interview
John Lawrence
Art of the Edit
Opening My Mind Has Opened Doors

Opening My Mind Has Opened Doors

Richard Harrington describes how he reached the decision to switch from Final Cut Pro to Adobe Premiere Pro and why part of his post-production department is running on Windows.

Feature, People / Interview
Richard Harrington
MAYA
Tintin VFX Supe Joe Letteri Talks 3D and Mocap

Tintin VFX Supe Joe Letteri Talks 3D and Mocap

Four-time VFX Oscar-winner Joe Letteri describes the advanced technology behind Steven Spielberg's The Adventures of Tintin, discussing his own adventures with virtual cameras, motion capture, 3D, and three years of pre-production with the team at Weta Digital.

Feature, People / Interview
Debra Kaufman
Cinematography
Karen Baker Landers and Per Hallberg: Supervising Sound Editors

Karen Baker Landers and Per Hallberg: Supervising Sound Editors

Karen Baker Landers and Per Hallberg are celebrating 23 years together as a supervising sound editor team at Soundelux in Hollywood, a collaboration that includes the 2008 Academy Award for their work on "The Bourne Ultimatum." Creative COW had the opportunity to speak with Karen and Per about their path to becoming top Hollywood supervising sound editors, how they work as a team and the challenges and joys of working in feature film sound.

Feature, People / Interview
Debra Kaufman
Cinematography
Behind the Lens: Steven Fierberg, A.S.C.

Behind the Lens: Steven Fierberg, A.S.C.

Steven Fierberg, A.S.C. is well known for the pilot for the new ABC hit Once Upon a Time, for Entourage, and the movies Love and Other Drugs and Secretary but this A.S.C. cinematographer was the artist behind the lens on many titles, including the pilot of How to Make it in America, A Nightmare on Elm Street 4, and Rage, the groundbreaking Sally Potter-directed cell phone movie. Look behind the lens with Creative COW.

Feature, People / Interview
Debra Kaufman
Cinematography
Behind the Lens: David Boyd A.S.C. Talks about 'The Walking Dead'

Behind the Lens: David Boyd A.S.C. Talks about 'The Walking Dead'

David Boyd, ASC has lensed 10 episodes of AMC's highly popular 'The Walking Dead,' and also directed the sixth episode of the second season, "Secrets." Creative COW's Debra Kaufman spoke with David about shooting style, lighting and lens choices, and staying out of the way.

Feature, People / Interview
David Boyd, ASC
Apple FCPX or Not: The Debate
Either/Or? BOTH.

Either/Or? BOTH.

Ramy Katrib helped design the first FCP workflows for features and TV, but with many new opportunities, DigitalFilm Tree refused to limit themselves.

Feature, People / Interview
Ramy Katrib
Cinematography
Douglas Trumbull Sees a Better Filmgoing Future

Douglas Trumbull Sees a Better Filmgoing Future

Douglas Trumbull first won acclaim with the visual effects for such groundbreaking features as "2001: A Space Odyssey," "Close Encounters of the Third Kind," and his own "Silent Running," but with the invention of Showscan in the late 1970s, he became the godfather of high-frame rate cinema. This pioneering innovator sees a better filmgoing future.

Feature, People / Interview
Douglas Trumbull
Cinematography
Solving Creative Problems Creatively

Solving Creative Problems Creatively

Pioneers of 5D workflows, Bandito Brothers is focused on workflow, period. What the client wants, the client gets, regardless of platform.

Feature, People / Interview
Jacob Rosenberg
Adobe After Effects
Adobe Creative Cloud Offers Applications, Services, Community

Adobe Creative Cloud Offers Applications, Services, Community

With Creative Cloud, Adobe is switching from a model of software as a product to Software as a Service (SaS). By early 2012, Adobe Creative Cloud is expected to include such applications as After Effects, Premiere and Photoshop. Creative Cloud includes a hub for viewing, sharing and syncing of files, and a subscription with 20GB of cloud storage.

Feature, People / Interview
Debra Kaufman
DSLR Video
Shane Hurlbut, ASC: Master Cinema Series DSLR Rigs

Shane Hurlbut, ASC: Master Cinema Series DSLR Rigs

Cinematographer Shane Hurlbut, ASC (Terminator: Salvation, Act of Valor) partners with camera accessory manufacturer Letus to release a line of rigs for DSLRs, designed to turn them into true motion picture cameras.

Feature, People / Interview
Debra Kaufman
Authors

Jason Bergh (1)
Walter Biscardi (1)
Doug Blush (1)
Angela Gyetvan (1)
Richard Harrington (1)
Ramy Katrib (1)
Debra Kaufman (12)
John Lawrence (1)
Rob Legato (1)
Stephen Menick (1)
Mark Raudonis (1)
Jacob Rosenberg (1)
Sam Seig (1)
Jeff Wood (1)


Other Tutorials

Adobe After Effects (607)
Adobe After Effects basics (393)
Adobe After Effects Expressions (55)
Adobe After Effects Techniques (88)
Adobe Audition, Soundbooth (19)
Adobe Dreamweaver (16)
Adobe Encore DVD (24)
Adobe Flash (62)
Adobe Illustrator (28)
Adobe InDesign (9)
Adobe OnLocation (11)
Adobe Photoshop (193)
Adobe Photoshop basics (32)
Adobe Premiere Pro (167)
Adobe Premiere Pro basics (95)
AJA io (9)
AJA Ki Pro (8)
AJA Kona - Mac (19)
AJA Kona - PC (8)
Apple Color (22)
Apple DVD Studio Pro (13)
Apple FCPX or Not: The Debate (41)
Apple FCPX Techniques (28)
Apple Final Cut Pro (185)
Apple Final Cut Pro basics (55)
Apple iPhone (10)
Apple Motion (45)
Apple OS X (14)
Apple Shake (13)
Apple Soundtrack (10)
ARRI (32)
Art of the Edit (62)
Audio Professionals (33)
Autodesk 3ds Max (42)
Autodesk Combustion (31)
AVID (97)
AVID Editing basics (9)
Blackmagic Design (30)
Blender (15)
Boris FX (79)
Broadcast Design (8)
Broadcasting (91)
Business & Marketing (82)
CalDigit (8)
Canon Cameras (19)
Cinema 4D (62)
Cinematography (148)
Compression techniques (21)
CoreMelt Plug-ins (15)
Corporate Video (43)
Creative COW Magazine feedback (10)
Creative COW podcasts (9)
DaVinci (15)
Digital Photography (13)
DSLR Video (51)
DVD Authoring (19)
Event Videographers (49)
Field Production (10)
Film History & Appreciation (60)
HD High-End (76)
HDV Format (40)
IBC Expo (21)
Indie Film & Documentary (114)
Leitch dpsVelocity (11)
Letters to the COW Team (45)
Lighting Design Pros (16)
Lightwave (10)
Live & Stage Events (35)
Matrox Video Systems (13)
MAYA (54)
Media 100 (34)
Media 100 844/X (10)
NAB Expo (39)
Nuke (10)
Panasonic AF100, DVX100, HMC150 (13)
Panasonic HVX - HPX (P2) (42)
Panasonic VariCam (20)
particle Illusion (16)
Podcasting (11)
RE:Vision Effects (50)
RED Camera (29)
Red Giant plug-ins (8)
SAN - Storage Area Networks (13)
Sony DV (10)
Sony EX Series XDCAM (22)
Sony F Series & PDW Series Cameras (16)
Sony NXCAM (12)
Sony SRW-5500, SRW-5800 (11)
Sony Vegas (54)
Sony Vegas basics (33)
Stereoscopic 3D (57)
Trapcode (22)
Web Design (20)
Web Streaming - Audio|Video (8)
Windows Hardware & Software (19)
Zaxwerks (21)
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