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Cinematography
The SciTech Award Goes to... the Stab-C Classic, Super-G & Stab-C Compact Stabilizing Heads
At the 84th Annual Academy Awards for Technical Achievements, Nettmann Systems International's "versatile family of 5-axis camera and lens stabilizers" will be honored with a SciTech Award: to E.F. "Bob" Nettmann for the concept and system architecture, Michael Sayovitz for the electronic packaging and integration, Brad Fritzel for the electronic engineering, and Fred Miller for the mechanical engineering of the Stab-C Classic, Super-G and Stab-C Compact stabilizing heads.
Feature, People / Interview Debra Kaufman |
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Cinematography
Hugo and The Joy of Filmmaking
In this expanded version of the article from Creative COW Magazine, VFX Supervisor and 2nd Unit Director Rob Legato shares some of the secrets of a tribute to the love of making and watching movies, and insights into two filmmaking masters. All of us at Creative COW congratulate Rob on his Academy Award nomination for his visual effects work on Hugo.
Feature, People / Interview Rob Legato |
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Stereoscopic 3D
The Dog Days of 3D
We've seen complicated rigs, higher budgets and audience skepticism deflate the hype of new movie-making technology before. What can the past tell us about 3D's future?
Editorial, People / Interview Angela Gyetvan |
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Indie Film & Documentary
Unexpected
The album promo that Jason Bergh was working on took an unexpected turn, across generations to South Africa, and then there was that unexpected release from Apple....
Feature, People / Interview Jason Bergh |
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Customer Intimacy & the HP Z800
Jeff Wood, VP of Global Marketing, Commercial Solutions Unit for HP, describes the demands that film and video pros place on their workstations, how HP is meeting those demands, and how they will continue to listen to you to deliver reliable and powerful solutions.
Feature, People / Interview Jeff Wood |
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Art of the Edit
The Discovery Process
John Lawrence and his team at Image Work Communications are helping clients discover their own stories -- and discovering for themselves how the speed of HP workstations can make a difference when editing on both Mac and Windows.
Feature, People / Interview John Lawrence |
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MAYA
Tintin VFX Supe Joe Letteri Talks 3D and Mocap
Four-time VFX Oscar-winner Joe Letteri describes the advanced technology behind Steven Spielberg's The Adventures of Tintin, discussing his own adventures with virtual cameras, motion capture, 3D, and three years of pre-production with the team at Weta Digital.
Feature, People / Interview Debra Kaufman |
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Cinematography
Karen Baker Landers and Per Hallberg: Supervising Sound Editors
Karen Baker Landers and Per Hallberg are celebrating 23 years together as a supervising sound editor team at Soundelux in Hollywood, a collaboration that includes the 2008 Academy Award for their work on "The Bourne Ultimatum." Creative COW had the opportunity to speak with Karen and Per about their path to becoming top Hollywood supervising sound editors, how they work as a team and the challenges and joys of working in feature film sound.
Feature, People / Interview Debra Kaufman |
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Cinematography
Behind the Lens: Steven Fierberg, A.S.C.
Steven Fierberg, A.S.C. is well known for the pilot for the new ABC hit Once Upon a Time, for Entourage, and the movies Love and Other Drugs and Secretary but this A.S.C. cinematographer was the artist behind the lens on many titles, including the pilot of How to Make it in America, A Nightmare on Elm Street 4, and Rage, the groundbreaking Sally Potter-directed cell phone movie. Look behind the lens with Creative COW.
Feature, People / Interview Debra Kaufman |
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Cinematography
Douglas Trumbull Sees a Better Filmgoing Future
Douglas Trumbull first won acclaim with the visual effects for such groundbreaking features as "2001: A Space Odyssey," "Close Encounters of the Third Kind," and his own "Silent Running," but with the invention of Showscan in the late 1970s, he became the godfather of high-frame rate cinema. This pioneering innovator sees a better filmgoing future.
Feature, People / Interview Douglas Trumbull |
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Adobe After Effects
Adobe Creative Cloud Offers Applications, Services, Community
With Creative Cloud, Adobe is switching from a model of software as a product to Software as a Service (SaS). By early 2012, Adobe Creative Cloud is expected to include such applications as After Effects, Premiere and Photoshop. Creative Cloud includes a hub for viewing, sharing and syncing of files, and a subscription with 20GB of cloud storage.
Feature, People / Interview Debra Kaufman |
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