Band Pro One World 2010 Trade Show
 These days, many video-oriented trade shows are struggling with declining attendance, reduced scopes and the nagging fear of irrelevance when customers can get so much information online. So how has the Band Pro One World managed to attract big-name vendors and over 500 attendees? Helmut Kobler attends and shares with COW members his experience at what felt like more of a "friendly mixer" where you can easily talk to vendors and friends, and see great products close up. |
Band Pro One World 2010 Trade Show
Band Pro Film & Digital is one of the biggest video resellers in the Los Angeles area (with offices in New York and elsewhere as well). Fifteen years ago, the company started an annual Open House tradition for customers, vendors and friends. There's nothing unique about a reseller holding an open house, except that Band Pro's open house has grown, year after year, into a miniature trade show.
Band Pro One World 2010 Open House
Band Pro's Open House has grown into a miniature trade show.
This year's show, called the Band Pro One World 2010 Open House, took place on December 16, and featured 30 vendors including the Sony, Canon, Fujinon, Litepanels, Anton Bauer, Dolby, etc. I've been to plenty of tradeshows recently, from Cinegear to HD Expo to NAB, and have to say, the quality of information and conversations with vendors felt as informed and productive as anywhere else.
These days, many video-oriented trade shows are struggling with declining attendance, reduced scopes and the nagging fear of irrelevance when customers can get so much information online. So how has the Band Pro One World managed to attract big-name vendors and over 500 attendees? I'd chalk it up to the show's smaller, intimate size. It felt like a friendly mixer, not a sprawling trade show. It was easy to talk to vendors without a long wait, you didn't have to yell to hear each other, and it was also easy to run into other people you knew. Of course, Band Pro's tradition of offering free admittance, and to offer free catered food and an open bar didn't hurt either.
Of course, given its smaller size, One World isn't where you'll find tons of new product introductions. But there were some noteworthy highlights, so read on…
| Related Articles / Tutorials: | | | | |
HD High-End
NAB 2012: Vinten
Vinten introduced its lightweight Vision blue5 pan and tilt head and tripod system, the latest member of its Vinten Vision blue family. Vision blue5 has a carrying capacity range of 12.1-lb to 26.5 lb (5.5kg to 12 kg) and offers a range of other professional features.
Feature
|
| | | | |
| | | |
HD High-End
NAB 2012: OConnor
Fluid head pioneer OConnor, part of Vitec Videocom, a Vitec Group company, unveiled a 30L carbon fiber tripod, O-Focus Dual Mini follow focus unit, and Universal Camera Baseplate at NAB 2012. Attendees also had the chance to experience hands-on the Ultimate 1030D and Ultimate 1030Ds fluid heads.
Feature
|
| | | | |
| | | |
HD High-End
Driving Toward Success
No matter how unexpected and varied the routes, the roads to success are often marked by customer service, attention to detail, and the imagination to see that success is even possible.
Feature, People / Interview
|
| | | | |
| | | |
HD High-End
HD Unleashed
In this review from The Creative COW Magazine, Charles Papert, SOC, sets his Steadicam free with wireless, uncompressed HD using the IDX CAM~WAVE.
Review
|
| | | | |
| | | |
HD High-End
HDCAM, XDCAM & DVCPRO HD: Some Questions Answered
Responding to questions in the Creative Cow "HD High End" forum, Cow leader and contributing editor Tim Kolb lays out key differences between Sony's XDCAM and HDCAM, as well as cameras using Panasonic’s DVCPRO HD. This look at some of the industry's hottest forums will help anyone looking to explore the world of HD production.
Feature
|
| | | | |
| | | |
HD High-End | Shane Ross Reports: IBC 2007
Creative Cow leader Shane Ross saved you a trip to Amsterdam -- further for some Cows than others, but pretty far for most. As always, you can count on Shane to tell you exactly what he thinks about what he saw: AJA, Sony XDCAM EX, Edit Share, and That Other Camera.
Feature
|
| | | | |
| | | |
HD High-End
Building a Modern Professional Editing Room
In this Creative COW magazine article Bob Zelin discusses what it takes to build a professional, modern, nonlinear editing machine room. Bob covers storage, monitors, scopes, audio mixers, routing, power, cables and more.
Tutorial, Feature
|
| | | | |
| | | |
HD High-End
LaCie d2 Big Disk Extreme
A few months back Walter Biscardi had the eye opening experience of testing one of the first Firewire 800 drives to come along. At that time, he did not believe all the hype about FW800 being able to run Uncompressed video with any reliability. But that test sure made a believer out of him. Now Firewire 800 is making the evolution from a single drive unit, to multiple drive units striped together in RAID format with LaCie introducing the d2 Big Disk Extreme series. In this article, Walter takes this new offering from LaCie for a test drive. Walter Biscardi is a leader in both our Final Cut Pro and Pinnacle CinéWave forum communities where Cow members have long appreciated his friendly and insightful input.
Review
|
| | | | |
| | | |
HD High-End
Laird Telemedia LTM
Walter Biscardi is a leader in both our Final Cut Pro and Pinnacle CinéWave forum communities where Cow members have long appreciated his friendly and insightful input. In this article, Walter gives us a quick irst look field review of Laird Telemedias new LTM-LCAM series of cameras. He says, These things ROCK! at a major cost savings. I love this thing and will be getting a second one shortly! Read the review to see what else he says about it.
Review
|
| | | | |
| | MORE |
| |
|