Creative COW SIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
LIBRARY:TutorialsVideo TutorialsReviewsInterviewsEditorialsFeaturesBusinessAuthorsRSS FeedTraining DVDs

Virtual 3D Sets with After Effects

COW Library : Adobe After Effects Tutorials : Rob Mize : Virtual 3D Sets with After Effects
CreativeCOW presents Virtual 3D Sets with After Effects -- Adobe After Effects Tutorial



©2012 CreativeCOW.net. All rights reserved.


Rob Mize demonstrates techniques for creating a virtual set in 3D space. He shows how you can build sophisticated, detailed environments, where your actors appear to interact with their 3 dimensional surroundings. Build the set of your dreams using nothing more than After Effects, a few textures and your creativity.



Play Video TutorialDownload Project Files


  View 5 Comment(s)

  Adobe After Effects Tutorials   •   Adobe After Effects Forum
Reply   Like  
+4
Share on Facebook
Comments

Re: Virtual 3D Sets with After Effects
by Camille Katz
so cool! thanks a lot! helped with my understanding of 3d depth and making scenes.
great tutorial!
Re: Virtual 3D Sets with After Effects
by Rob Mize
Hi, Sean...
Glad you found the tut useful; albeit, not entirely convincing. In order to really "sell the shot" there is, in fact, an additional level of time and detail that you would have to invest. I think some texture to the wall would help and maybe another light and a few other elements... (signage in the elevator, etc.) A lot will depend on the environment you want to create, elevator, class room, whatever.
It really comes down to the amount of time and effort you can devote to the creation of that shot... and although After Effects offers some 3D capability, it does have its limitations.
Regarding major motion pictures, it isn't thousands of dollars... it's millions!
Thanks very much for writing... I'd like to see what you come up with.

Rob Mize
Re: Virtual 3D Sets with After Effects
by Sean Morton
Hi Rob. Thank you for the tutorial. That was extremely helpful. Especially the parts on lining up the walls and moving the point of interest. I do have one critique and i am hoping you have some advice. It looked like you fairly reasonably recreated what a room might look like. However, the finished product still didn't fool me that it wasn't a fake room.
How are they able to accomplish this in the movies. (please don't say thousands of dollars, blah, blah, blah.) I understand that. What techniques could i add to my own room to fool someone even more???
Re: Virtual 3D Sets with After Effects
by amit levi
Great Tutorial
Great Teacher
Thanks
Re: Tutorial: Virtual 3D Sets with After Effects
by John Cuevas
Always impressed with your work Rob.

Johnny Cuevas, Editor
Thinkck.com

"I have not failed 700 times. I have succeeded in proving that those 700 ways will not work. When I have eliminated the ways that will not work, I will find the way that will work."
---THOMAS EDISON on inventing the light bulb.


Related Articles / Tutorials:
Adobe After Effects
Creative Fireworks in Adobe After Effects

Creative Fireworks in Adobe After Effects
  Play Video
Rob Mize shares his techniques for using After Effects to create a variety of fireworks displays. All you need is CC Particle World, a few expressions and a reason to celebrate and you can light up your world with dazzling pyrotechnic effects.

Tutorial, Video Tutorial
Adobe After Effects
GenArts Sapphire 7: Must-Have VFX Plug-ins for AE & Avid

GenArts Sapphire 7: Must-Have VFX Plug-ins for AE & Avid

Frequent COW Contributing Editor Kevin P. McAuliffe reviews the latest version of GenArts Sapphire plug-in effects filters for both Adobe After Effects and Avid AVX versions, with ratings for current and new Sapphire users. Kevin also observes Sapphire's ability to plug into other NLEs and finishing systems, and takes a closer look at its licensing options, including purchasing, monthly rental and site licenses. You'll definitely want to see the latest and greatest of what this must-have software package has to offer.

Review, Feature
Adobe After Effects
AE - RE:MATCH Non-matching Cameras in After Effects

AE - RE:MATCH Non-matching Cameras in After Effects
  Play Video
In this tutorial, Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in After Effects. A typical approach to dealing with say a white balance issue would be to apply Color Finesse 3 and work with that which can be a slightly convoluted process, while RE:Match deals with the whole thing in a couple of clicks! This very powerful effect can save a great deal of time for an everyday problem and so earn its cost back very quickly as well as giving excellent and fast results. There is another tutorial showing how this effect works in Premiere Pro as there is a slightly different way the two applications deal with reference images.

Tutorial, Video Tutorial
Adobe After Effects
IK Character Animation: Walk to the Beat 1: Finding the Beat

IK Character Animation: Walk to the Beat 1: Finding the Beat
  Play Video
This tutorial is both a follow-on tutorial to Andrew's previous tutorials on IK controllers in After Effects and a helpful stand-alone tutorial showing how to define a beat range to use as a guide to animation in After Effects. To start with Andrew shows how to use a simple expression to deal with a potential problem of controllers scaling your objects. Then Andrew shows how to find and download sample music which can be used to base your animation on. He goes on to discuss the difficulty of matching frame rates with audio sample rate and then shows how to get a reasonably close 'loop' in both After Effects and especially in Audition.

Tutorial, Video Tutorial
Adobe After Effects
Pushing AE - And Myself

Pushing AE - And Myself

Bill O'Neil helps celebrate 20 years of Adobe After Effects with his story. Bill reveals his secret, "I learned how to use AE by making promises to my clients I didn't know I could keep."

Editorial, Feature
Adobe After Effects
AE: Inverse Kinematic Character Animation

AE: Inverse Kinematic Character Animation
  Play Video
Standard character animation in After Effects uses a process called 'Forward Kinematics' in that we animate down a linked chain - for example, upper arm linked to forearm linked to hand. To get animation we need to move the items down the chain one at a time. Inverse Kinematics creates a link back up the chain such that moving the hand would also move the forearm and the upper arm without breaking that link. This is a simpler and easier to control form of animation often used in 3D programs such as C4D and 3ds max etc. and allows us to control the animation for the complete chain through a single controller.

Tutorial, Video Tutorial
Adobe After Effects
AE: Inverse Kinematic Character Animation PT 2

AE: Inverse Kinematic Character Animation PT 2
  Play Video
Standard character animation in After Effects uses a process called 'Forward Kinematics' in that we animate down a linked chain - for example, upper arm linked to forearm linked to hand. To get animation we need to move the items down the chain one at a time. Inverse Kinematics creates a link back up the chain such that moving the hand would also move the forearm and the upper arm without breaking that link. This is a simpler and easier way to control animation and is often used in 3D programs such as C4D and 3ds max etc. and allows us to control the animation for the complete chain through a single controller.

Tutorial, Video Tutorial
Adobe After Effects
Creating Reflections in After Effects WITHOUT Plug-ins!

Creating Reflections in After Effects WITHOUT Plug-ins!
  Play Video
In this tutorial, Steve will show you how to give your text or logos the appearance of having reflections that interact movement! And you can do all of this in After Effects without using any plug-ins!

Tutorial, Video Tutorial
Adobe After Effects
Advice To Editors: LEARN AE!

Advice To Editors: LEARN AE!

Kevin McAuliffe's experience has been that all editors need to know Adobe After Effects at least as well as their NLE. His own experience has been that anything less than intermediate to advanced knowledge makes it impossible to actually get anything done. Even working with the compositing power of Avid Symphony, Kevin is in AE all day, every day. Here's the story of how he got there.

Editorial, Feature
Adobe After Effects
Prisoner To My Passion

Prisoner To My Passion

"I don't know if it's addiction or adoration, but one way or the other, I'm hooked on her," says Creative COW's Rob Mize. "The signs are all there: the obsession with After Effects, the inability to function without After Effects there next to me on my laptop, waiting to be clicked. And the torment of each moment spent suffering any separation from my cherished compositor. Is it any wonder that I, a once innocent naïf in an analog world, now find myself enraptured by this non-linear, digital Delilah?"

Editorial, Feature, People / Interview
MORE


FORUMSTUTORIALSMAGAZINESTOCKYARDVIDEOSPODCASTSEVENTSSERVICESNEWSLETTERNEWSBLOGS

Creative COW LinkedIn Group Creative COW Facebook Page Creative COW on Twitter
© 2013 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]