| | | |
Apple FCPX - Final Cut Pro X
FCPX: What Pros Find Missing in Final Cut Pro X
June 21st, 2011, was met with the news that Final Cut Pro X was finally available and what a thrill ride it has been! Professionals all over the COW -- all over the world -- have been debating, scurrying to test and review Apple's newest app. One such pro, Walter Biscardi, ran straight to purchase FCP X with all the enthusiasm of a kid going to the circus or a great new comic flick, but did he find what he wanted? Read on the see what Walter has to say about FCPX.
Review Walter Biscardi |
| | | | |
| | | |
Apple FCPX - Final Cut Pro X
FCPX: Why We Can't Use Final Cut Pro X at Our Companies
After a day of reading the FCP and FCPX forums, tweeting, and scanning the blogosphere, two COW leaders had a lot to talk about. Rich and Walter are not casual Final Cut Pro users... they've used it since version 1 and literally built their businesses using Apple tools. For them, today was the end of an era (Final Cut Studio and Final Cut Server were removed from sale). While both hope for the future, they each have strong opinions why they can't implement Final Cut Pro X into their postproduction facilities as it stands at release.
Review, Editorial Walter Biscardi and Richard Harrington |
| | | | |
| | | |
Apple FCPX - Final Cut Pro X
FCPX: Ready or Not, Here it Comes...
We knew that Gary Adcock was the perfect person to deal with an app that aspires to meet the needs of the hardest-core, highest-end pros. Or does it? What if Apple told you that Final Cut Pro X wasn't meant for you? Gary goes beyond his own knee-jerk reaction to the release to get under the hood of FCPX, and he likes a lot of what he sees. In Part 1 of his look at FCP X, he starts with an area FCP has historically struggled most, yet that matters most to editing professionals: media management. For an additional look at the subject of this article, see FCPX: Hardware changes - PART Two.
Review Gary Adcock |
| | | | |
| | | |
AJA Ki Pro
AJA Ki Pro Mini
AJA started shipping its first ProRes-based video recorder, the Ki Pro, in the fall of 2009. Recording via HD-SDI in ProRes was impressive, but the Ki Pro was too big and heavy to be useful for much in-the-field work. Now AJA has shrunk the Ki Pro down to a fraction of the original’s size, added some features, taken a few away, and dropped the price in half. Viola, you have the new Ki Pro Mini.
Review Helmut Kobler |
| | | | |
| | | |
Boris FX
All That And Then Some.
COW Forum Host, Magazine Writer, Web Writer, Podcast Leader, Advisor, Contributing Editor and long time Boris Final Effects Complete user provides an enthusiastic overview of BCC 7's sophisticated and capable visual effects plug-in suite in this article.
Review Nick Griffin |
| | | | |
| | | |
HD High-End
Band Pro One World 2010 Trade Show
These days, many video-oriented trade shows are struggling with declining attendance, reduced scopes and the nagging fear of irrelevance when customers can get so much information online. So how has the Band Pro One World managed to attract big-name vendors and over 500 attendees? Helmut Kobler attends and shares with COW members his experience at what felt like more of a "friendly mixer" where you can easily talk to vendors and friends, and see great products close up.
Review, Editorial, Project Helmut Kobler |
| | | | |
| | | |
Adobe After Effects
Camera Tracker Review
Bill O'Neil offers his insight into The Foundry's CameraTracker, a powerful tool which allows the user to pull 3D motion tracks and matchmoves -- all inside of AE. Read as Bill dips his toes into the water and begins to experience the possibilities available. He includes three movie samples and screenshots.
Review Bill O'Neil |
| | | | |
| | | |
Field Production
Backing Up Solid-State Cards In The Field
If you shoot video to solid-state cards, two products from Nexto and Panasonic make it easy to back those cards up in the field. At over $2,000, these gadgets aren't exactly cheap, but they can save a lot of time and effort. The Panasonic in particular can make a solid-state workflow feasible for just about any project.
Review Helmut Kobler |
| | | | |
| | | |
CalDigit
CalDigit AV Drive with USB 3
Hard drives rarely feel fast enough, but CalDigit's new AV Drive ($258) is one of the first to use the new USB 3 interface, which is much faster than the USB 2, FireWire 800 and eSATA interfaces of yesteryear. You'll pay a little more for the AV Drive, but its speed easily makes up for the premium.
Review Helmut Kobler |
| | | | |
| | | |
ARRI
Digital Cinema Comes of Age
A long list of native features & supported formats are just a couple of the reasons Gary Adcock gives for believing that Digital Cinema Comes of Age.
Review, Feature, People / Interview Gary Adcock |
| | | | |
| | | |
ARRI
ARRI ALEXA: A Weekend with ALEXA
"It was just a date, she's not my girlfriend yet." After David Battistella spent a weekend with ARRI ALEXA, he ponders whether digital acquisition can overcome the nostalgia of "light hitting silver on a frame, from a roll of 35mm film." Read David's review for details of his experience with this whirlwind romance.
Review David Battistella |
| | | | |
| | | |
Cinematography
ARRI Alexa: Love at First Sight!
In one of the world’s first overviews of the new Arri Alexa digital cinema camera, Creative COW Contributing Editor Gary Adcock has been taking an early shipping unit for a ride this week -- and what a ride it has been! Read on for the details of what Gary has learned about the Alexa operation so far, where he sees it going, and why Gary believes that Alexa is a true game changer.
Review Gary Adcock |
| | | | |
| | | |
Broadcast Video
Blue Ribbon Broadcast Switchers
Integration is the name of the broadcast game, and both of these switchers generated traffic because of their integrated software that is changing the game. Read on for Creative COW's short review of two Blue Ribbon Award Winning Broadcast Switchers...
Review Tim Wilson |
| | | | |
|
|