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HP: New Dimensions in Creativity

COW Library : HP: New Dimensions in Creativity
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Creative COW Magazine Special Edition, "New Dimensions in Cross-Platform Power & Productivity with HP Workstations". Explore workflows for stereoscopic 3D moviemaking, episodic TV, color grading, large-scale motion graphics and more, with first-person success stories using HP workstations.
What Computer Should I Buy?
Jump!

Jump!

NitroCircus: The Movie's stylistic leap in 3D production used RED EPICs shooting 96 fps, for up to 4TB of files a day. They relied on HP workstations to deliver the film on time and on budget.

Editorial, Feature, People / Interview
Russell Lasson
What Computer Should I Buy?
No Time To Waste!

No Time To Waste!

Dylan Reeve, Post Supervisor & Finishing Editor for South Pacific Pictures pushes 250 episodes per year of New Zealand's #1 show, "Shortland Street" through the pipeline.

Editorial, Feature, People / Interview
Dylan Reeve
What Computer Should I Buy?
HP: Shooting on the Cutting Edge

HP: Shooting on the Cutting Edge

Shane Hurlbut's pioneering digital cinematography has helped change the industry. He's now transforming his own workflow with HP DreamColor displays and the 17-inch HP EliteBook Mobile Workstation.

Editorial, Feature, People / Interview
Shane Hurlbut
What Computer Should I Buy?
AlphaDogs Editorial: A Cross Platform House

AlphaDogs Editorial: A Cross Platform House

How adding HP workstations to a previously all-Mac shop has made better business sense for one of Burbank's premiere post houses.

Editorial, Feature, People / Interview
Terence Curren
What Computer Should I Buy?
Solving the Mystery of Getting Ahead

Solving the Mystery of Getting Ahead

With a BAFTA for audio in hand, Bang Post Production has a new game afoot for picture post in Wales.

Editorial, Feature, People / Interview
Glenn Collict
Windows Hardware & Software
Larger Than 4K: Larger Than Life!

Larger Than 4K: Larger Than Life!

Keen Live's Walter Soyka regularly works with files twice the size of EPIC's 4.5K - and how about a 120-foot video wall at 14,700 x 1200 - that's why he needs all the power he can get from his workstation.

Editorial, Feature, People / Interview
Walter Soyka




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