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MAYA
Iron Man 3: The Trixters Behind Tony Stark's Shiny New Armor
Seventy artists from Trixter worked an entire year to create a formidable 208 VFX shots for Marvel's Iron Man 3. Each new episode in the Iron Man saga details a slick new technology created by the ingenious Tony Stark, and the new installment does not disappoint! Combining the hard surface geometry of the Iron Man suit auto-assembly with the flexibility of the human body was one of the challenges that Trixter brought from previs to believable screen reality.
Editorial, Feature, People / Interview
Alessandro Cioffi |
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NAB Expo
NAB 2013: Adobe Introduces Adobe Anywhere
At NAB 2013, Adobe is introducing Adobe Anywhere, a collaborative workflow platform that centralizes projects and allows users to share and change project files. Also new are some powerful new features for Adobe Premiere Pro, including color grading and the ability to "link & locate" clips. A newly designed SpeedGrade also makes color grading tools more familiar to Adobe toolset users, and After Effects celebrates its 20th anniversary.
Editorial, Feature, People / Interview
Debra Kaufman |
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Adobe Premiere Pro
IBC 2012: Adobe Provides Broadcast & Media Solutions
Adobe came to IBC 2012 focused on the broadcast industry. The big reveal was its new Adobe Anywhere, a collaborative workflow platform that allows real-time collaboration for remote users of Premiere Pro, After Effects and Prelude. Adobe expanded its partnerships with broadcast solution companies, to over 200. At the show, Adobe also unveiled a new promotional offer for individuals and corporations interested in switching from Apple Final Cut Pro or Avid Media Composer to Adobe Production Premium or Adobe Creative Cloud.
Editorial, Feature
Debra Kaufman |
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Cinematography
Behind the Lens: Paul Cameron ASC on Total Recall
Paul Cameron, ASC, just finished work on the remake of Total Recall, directed by Len Wiseman and starring Colin Farrell, Kate Beckinsale and Jessica Biel with Bill Nighy, Bryan Cranston, and John Cho. Cameron was last featured in Creative COW for his work on Henry's Crime. His previous credits include director Michael Mann's Collateral and Tony Scott's Man on Fire.
Feature
Paul Cameron, ASC |
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NAB Expo
NAB 2012: Adobe CS6 Release
With the release of Adobe Creative Suite 6 Production Premium, Adobe's booth at NAB 2012 was packed every day of NAB 2012. Editors in particular came to check out all the dramatic changes made to Adobe Premiere Pro, including a redesigned interface that makes it friendly to users of other NLEs.
Feature
Debra Kaufman |
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Adobe After Effects
Adobe Creative Cloud Offers Applications, Services, Community
With Creative Cloud, Adobe is switching from a model of software as a product to Software as a Service (SaS). By early 2012, Adobe Creative Cloud is expected to include such applications as After Effects, Premiere and Photoshop. Creative Cloud includes a hub for viewing, sharing and syncing of files, and a subscription with 20GB of cloud storage.
Feature, People / Interview
Debra Kaufman |
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Adobe Premiere Pro
Adobe Systems offers path for FCPX editors to switch
As disgruntled Apple Final Cut Pro users search out options for professional video editing, Adobe Systems has been a major beneficiary of the big switch since FCPX hit the market. In her interview with Jim Guerard of Adobe Systems, Debra Kaufman finds the result of Adobe's offering for former FCP users to be a big uptick in pro video users.
People / Interview
Debra Kaufman |
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Adobe After Effects
Adobe Gives Sneak Peek at CS4 during IBC 2008
The Cows Eran Stern, one of the worlds most respected After Effects artists, was able to take a sneak peek at the Adobe Creative Suite, CS 4. He saw a lot to like: deeper integration across the Adobe family, new animation tools and effects, speech recognition and metadata features, and much more.
Feature
Eran Stern |
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Adobe OnLocation
Serious Magic DV Rack HD 2.0 reviewed
DV Rack and later, HDV Rack have proven to be valuable pieces of software for Emmy Award winner, Tim Kolb's field production activities, but like others, Tim is moving through the HD transition. Enter DV Rack 2.0. Tim determines that this version has some important improvements.. Read the rest of Tim's review.....
Review
Tim Kolb |
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HDV Format
HDV/DV Rack by Serious Magic
There are times when a piece of software or hardware comes along that changes your thinking about what tools are critical in your work. DV Rack was one of those pieces for Emmy Award winner, Tim Kolb. The ability to have accurate and comprehensive image and audio quality measurement via FireWire anywhere you can power a laptop changed the way Tim thought about acquiring video. With the arrival of the HDV Power Pak upgrade module, the same technical control is now available for those of us shooting HDV. Read the rest of Tim's review.....
Review
Tim Kolb |
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