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Adobe After Effects basics
AE Basics Extras: Butterfly Wing Text Animation Part TWO Play Video In the second part of this two part AE Basics Extra tutorial, Andrew Devis continues to build the butterfly in After Effects and then shows how to keep it 3D as it is formed.
Items covered in this tutorial include custom views, 3D and collapse transforms to keep items working in 3D once pre-composed, duplication and flipping layers, vertical type, text formatting, and complex animations with motion sketch. These tutorials will be valuable for anyone learning and developing text animation skills in After Effects.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects basics
AE Basics Extras: Butterfly Wing Text Animation Play Video In the first part of this two part AE Basics Extra tutorial, Andrew Devis starts to show how to create a butterfly wing with text.
The purpose of these tutorials is to give additional hints and tips for text animation in After Effects. Items covered in this tutorial include, using the pen tool, paths, copying mask paths to shape layers, text along a path and path option, 3D layers, animation of a wing, loopOut expression and viewing your composition in a different viewer.
In the second part of this tutorial Andrew will go on to complete the animated butterfly in 3D and show how to have it fly around your screen.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
AE: Inverse Kinematic Character Animation PT 2 Play Video Standard character animation in After Effects uses a process called 'Forward Kinematics' in that we animate down a linked chain - for example, upper arm linked to forearm linked to hand. To get animation we need to move the items down the chain one at a time. Inverse Kinematics creates a link back up the chain such that moving the hand would also move the forearm and the upper arm without breaking that link. This is a simpler and easier way to control animation and is often used in 3D programs such as C4D and 3ds max etc. and allows us to control the animation for the complete chain through a single controller.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
AE: Inverse Kinematic Character Animation Play Video Standard character animation in After Effects uses a process called 'Forward Kinematics' in that we animate down a linked chain - for example, upper arm linked to forearm linked to hand. To get animation we need to move the items down the chain one at a time. Inverse Kinematics creates a link back up the chain such that moving the hand would also move the forearm and the upper arm without breaking that link. This is a simpler and easier to control form of animation often used in 3D programs such as C4D and 3ds max etc. and allows us to control the animation for the complete chain through a single controller.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
The After Effects Virtual Scrapbook Play Video Rob Mize presents the After Effects Virtual Scrapbook... a novel technique for introducing pictures, graphics and video into your productions. This tutorial uses various shapes, integrated with other elements, to create animated objects. You will learn to use parenting to control multiple objects in After Effect’s 3D space for more dynamic motion graphics. There are a lot of useful techniques to discover in this relatively simple animation.
Tutorial, Video Tutorial Rob Mize |
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Adobe After Effects
3D Camera Tracking in After Effects Part TWO Play Video In this tutorial, Kevin P McAuliffe shows you, much like in the first tutorial, the ins and outs of the 3D Camera Tracker effect, but in this tutorial, he's using footage shot with an iPhone, as well as the underutilized Rotobrush tool, as well as a cool technique to make the graffiti blend into the background. This tutorial is more of what you would run into in an edit suite, with footage shot by an amateur videographer or DOP.
Tutorial, Video Tutorial Kevin P. McAuliffe |
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Adobe After Effects
3D Camera Tracking in After Effects Part ONE Play Video In this tutorial, Kevin P McAuliffe shows you - much like a lot of tutorials have - how great the After Effects 3D Camera Tracker is, but he takes his tutorial two steps further by adding a keyable object into the scene that interacts with text, as well as giving the elements in the scene a bit of finesse to make you think they were part of the scene from the beginning.
Tutorial, Video Tutorial Kevin P. McAuliffe |
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Adobe After Effects
3D CAMERA TRACKER Play Video Adobe After Effects CS6 has a camera tracker that can add a new dimension to your compositing. Rich Harrington shows you the best approaches to AE's new 3D Camera Tracker for a variety of techniques including object placement and completely relighting a scene.
Tutorial, Video Tutorial Richard Harrington |
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Adobe After Effects
Create a Rotating Counter ONE: Positioning 3D Layers Play Video In the first part of this 2 part tutorial, Andrew Devis shows how to create and place layers in 3d space such that they can be rotated as a single group to be used for a rotating counter. Andrew shows how to create and place the layers using both the math function of AE as well as a handy and simple expression that places layers a fixed distance or rotation from the previous layer. He then goes on the show how to create and use a controller for the multiple layers so that they act as a single group.
In the next tutorial, Andrew will show how to animate the rotation of this group of layers as well as how use and adjust an expression that ships with After Effects to have the layers bounce in place as they stop which can give the sense of the counter having some real mechanical properties rather than just a linear of easy-ease keyframe approach.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Panning Large Scenes Using Target Layers in 3D Play Video In this follow-on tutorial to his short series on working in 3D space, Andrew Devis shows how to use this simple technique to quickly and accurately pan around large layers/compositions to zoom in to the exact point required each time. You'll use target layers to get the exact coordinates needed for accurate panning - simple but effective!
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Working in 3D Part 4: Finessing Camera Animation Play Video In this final tutorial in a set of four on working in 3D space in After Effects, Andrew Devis builds on the quick and simple camera animation technique demonstrated in the previous tutorial by showing how to finesse your camera animation with various techniques so that you can end up with a professional result very quickly and with very little effort.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Working in 3D Part 3: Simple & Fast Camera Animation Play Video In this third tutorial in a set of four on working in 3D space in After Effects, Andrew Devis demonstrates a very quick and simple camera animation technique which ensures that your camera will always animate toward your layers in 3D space no matter where you have placed them. In the last tutorial in this series, Andrew will show how to finesse that camera animation for excellent results.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Working in 3D Part 2: Setting up a Static 3D Particle System Play Video In this second tutorial in a set of 4 on working in 3D space in After Effects, Andrew Devis shows how to set up a 3D particle system so that all the particles are static for the whole of the composition. The reason why this is done is that as the camera passes the static particles, it helps to enhance or volumize the 3D space adding both interest and parallax into your scene. In the last 2 tutorials, Andrew will show how to set up a very quick and simple camera animation technique and then show how to finesse the animation of that camera for excellent results.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Working in 3D Part 1: Setting up a 3D Scene Play Video In this first tutorial in a set of 4 on working in 3D space in After Effects, Andrew Devis shows how to set up your layers in 3D space and how to view all the layers without ruining your camera view. Andrew sets up 4 layers in 3D space, moving both their positions and rotations. In the next tutorial, Andrew will show how to set up a static 3D particle system which will enhance the 3D effect as the camera eventually animates through 3D space. In the last 2 tutorials, Andrew will show how to use a very quick and simple technique to animate the camera and then how to finesse the animation of that camera for excellent results.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Importing 3D models into Adobe's After Effects Play Video Most people think that the only way to work with real extruded 3D elements or 3D models inside of After Effects, is by purchasing a 3rd-Party Plug-in. Well, that's just not the case. In this tutorial, Kevin P McAuliffe show's you how, with a little help from Adobe's Photoshop, you can import and work with .3DS models inside of Adobe's After Effects, and have the model be effected by the 3D cameras in your compositions.
Tutorial, Video Tutorial Kevin P McAuliffe |
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Boris FX
BCC 8: Create Powerful Messaging with Lights and Particles Play Video In this video tutorial, Kevin P. McAuliffe creates an end page for a commercial focused on tennis rackets. A tennis ball is thrown in the air, and once it is struck by the tennis racket, it turns into a flaming ball with particles shooting out behind it, creating a powerful message for the racket manufacturer. Kevin shows you how it's done with Boris Continuum Complete 8 AE's new Film Glow, Particle Emitter 3D, and Lens Flare 3D filters.
Tutorial, Video Tutorial Kevin P. McAuliffe |
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Adobe After Effects
Virtual 3D Sets with After Effects Play Video Rob Mize demonstrates techniques for creating a virtual set in 3D space. He shows how you can build sophisticated, detailed environments, where your actors appear to interact with their 3 dimensional surroundings. Build the set of your dreams using nothing more than After Effects, a few textures and your creativity.
Tutorial, Video Tutorial Rob Mize |
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Boris FX
Create a Realistic 3D End Tag in Adobe After Effects Play Video In this Boris video tutorial, Kevin P. McAuliffe creates an end tag with Boris Continuum Complete 8 AE's new Stage Light effect. BCC Stage Light lets you create volumetric lighting from any light that you add to your After Effects composition. What would normally take a high-end 3D application to create can now be done in minutes inside of AE!
Tutorial, Video Tutorial Kevin P. McAuliffe |
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Trapcode
Particular Basic Training Session THREE: The 3D Starfield Play Video In this third installment of the Particular Basic Training series, Michael Park will show how to use Particular to create a realistic 3d star field for all of your animation needs. Along the way, he will use and explore some features of Particular including motion blue, high dynamic range, and the physics time factor. As always, the project is available for free download.
Tutorial, Video Tutorial Michael Park |
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Adobe After Effects
Creating the AE Cosmos: The Atom, Part 1 Play Video In this edition of Creating the AE Cosmos, Rob Mize turns his attentions to the quantum universe. Rob demonstrates how to create a dynamic 3D model of an atom using only nulls, expressions and CC Particle World. Part 2 of this tutorial will focus on refining the motion and control of the atom.
Tutorial, Video Tutorial Rob Mize |
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Adobe After Effects
Camera Mapping in After Effects Play Video In this tutorial, Andrew Devis shows how to create parallax with a single item. Parallax is when items in a image appear to move in different ways to other parts of the same image. For example, the foreground items in view appear to move at a different speed or perspective to the background items in that same view. This can also be used to create the illusion of depth as different parts of an image can be projected to appear in different planes to other items. By using camera mapping we can project the image or footage onto screens we have set up which are at angles such that some items in our image or shot are at a different perspective to other items. This means that when we add a camera move into our scene parallax is achieved as the screens move in a different perspective to each other. Although a little tricky to set up at first, once used a few times this effect can really bring flat images to life and give a real sense of depth to your work.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Creating the AE Cosmos: Galaxies Play Video Rob Mize continues his cosmic creation with the addition of a 3D galaxy. This tutorial also demonstrates the dynamics of the creative process by showing how parameters are adjusted to "tweak" the image to the desired result. All you need is CC Particle World and your imagination; though a galaxy created with Trapcode Particular is included in the project files. Future tutorials will add additional entities to the AE Cosmos!
Tutorial, Video Tutorial Rob Mize |
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Adobe After Effects
Creating the AE Cosmos: The Sun Play Video Rob Mize shows how to create a dynamic 3D sun in 3D space using only CC Particle World. He then demonstrates the versatility of this effect by adjusting the parameters to animate the sun into a supernova explosion. Look forward to more tutorials from Rob on creating other entities in the AE Cosmos!
Tutorial, Video Tutorial Rob Mize |
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Adobe After Effects
Shatter-Mation in After Effects Play Video Rob Mize introduces "Shatter-Mation", the use of AE's Shatter Effect to animate text, logos and other shapes. Rob demonstrates how the Shatter Effect's Force and Physics parameters can be adjusted to precisely control objects in 3D space for a wide variety of effects and transitions within Adobe After Effects.
Tutorial, Video Tutorial Rob Mize |
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Adobe After Effects
Particle World Transitions: Part 2 Play Video Rob Mize further develops the techniques demonstrated in Part 1 of this tutorial. He applies the Particle World Text to Sand effect to 3D text created using the Shatter Effect, and composites that onto a background. He then reverses the effect, changing sand into an onscreen character who finally, blows away as dust in the wind.
Tutorial, Video Tutorial Rob Mize |
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Nuke
Nuke Projection Maps 2D to 3D Play Video Dave Scandlyn presents this first of two camera projecting tutorials in Nuke, in which he'll take a flat image and turn it into a 3D camera flyby. This tutorial stands alone, but view David's second in the series for a more in-depth look at this technique.
Tutorial, Video Tutorial David Scandlyn |
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Adobe After Effects
3D tunnels in AE using FreeForm Pro: Part 1 Play Video Part 1 of this tutorial series on 3D tunnels in AE using FreeForm Pro explores the ability of the new FreeForm Pro plugin to create organic looking 3d tunnels in AE. Whether used for a scifi shot, a medical animated illustration or another fx shot, the tunnels created using FreeForm Pro give you the ability to move around them on the outside and fly inside.
Tutorial, Video Tutorial Tudor "Ted" Jelescu |
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Adobe After Effects
Extruding 3D Text & Shapes 4: Repousse Play Video In this final tutorial on extruding 3D text & shapes in After Effects, Andrew Devis has a look at using Repousse from Photoshop as a way of creating quite detailed 3D text. While having some serious drawbacks, if all you have is the Production Premium or Master Suite then this technique can certainly produce high quality results. However, if shadows are required this may just drive you mad!
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Extruding 3D Text & Shapes 2: The Shatter Method Play Video In this second tutorial on extruding 3D text and shapes in After Effects, Andrew Devis demonstrates how to use the shatter effect to create some stylish and fast rendering 3D text and shapes. In addition to this, Andrew also shows how to apply and animate textures to the extruded items as well as how to create shadows from your creation.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Extruding 3D Text & Shapes 1: The Duplication Method Play Video Extruding 3D text and shapes can be done in a number of different ways in After Effects using either native tools or 3rd party plug-ins. In this first tutorial, Andrew Devis shows how to use the duplication method which uses numerous layers of the same item to create the illusion of depth. Andrew shows the simple expression to use to make the job quick and easy as well as showing how to change the source layer to animate shapes.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Graphs and Charts in After Effects, Part 2 Play Video In Part 2 of Graphs and Charts in After Effects, Rob Mize shows how to use particles (both Trapcode Particular and Particle World) to expand your creative options when generating and animating Bar Graphs, Line Graphs and Pie Charts in 3D space. This tutorial is part two of a two-part series.
Tutorial, Video Tutorial Rob Mize |
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Adobe After Effects
Animating a Camera 3: Controllers & Point of View Play Video In his third tutorial on animating cameras in After Effects, Andrew Devis shows how to build a controller layer to simplify the process of animating the camera rig and what happens when you have the right settings but the wrong layer order. Lastly, Andrew shows how to use the controller layer itself as a way of changing and animating the point of view of the whole camera rig.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Animating a Camera 1: Camera Difficulties Play Video Cameras are notoriously difficult to get to grips with in After Effects. In this tutorial, Andrew Devis explains some of the behaviors and problems that are common to camera animation and then shows how to do a simple one dimensional animation, while pointing out why that solution cannot be used for more than one dimension (x,y or z rotation).
Tutorial, Video Tutorial Andrew Devis |
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Trapcode
Creating a 3d Winter Scene with Photoshop and Particular Play Video In this video tutorial, Michael Park spreads a little Holiday cheer by creating a stylized Winter scene, complete with true 3d text and a forest of trees. Along the way, Mike will demonstrate how to create 3d text inside of Photoshop, and then import and integrate and animate that text in After Effects. Unlike other methods utilizing only After Effects, this method creates true 3d extruded text using Photoshop's 3d capabilities inside of After Effects. In addition, Mike will show how to populate and custom color an entire forest with Particular in a manner of minutes. The only thing you need to bring is the hot chocolate.
Tutorial, Video Tutorial Michael Park |
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Adobe After Effects
3D from 2D Image Using Displacement Maps Play Video In this video tutorial Tudor "Ted" Jelescu shows how to create 3D / 2.5D movement from a 2D image using displacement maps in Adobe After Effects. He uses similar techniques as Mathew Fuller's "Advanced 2.5D Animation in AE" tutorial to pull depth from 2D images. Tudor uses FreeForm and displacement maps to be able to have a different camera move, one that rotates around the subject.
Tutorial, Video Tutorial Tudor Jelescu |
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Boris FX
Save the Shot by Removing Unwanted Objects Play Video You have a perfect clip for the project. The scene is right, the weather is perfect, the camera move is nice, but there is a clearly-recognizable person walking across the street. And you do not have a release from that person or time to ask for one. Not to fear: you can still save the shot with Boris Continuum Complete's Motion Key tool.
Tutorial, Video Tutorial Kevin P McAuliffe |
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Boris FX
Extrude Adobe Illustrator Logos and Graphics in Adobe After Effects Play Video Boris Continuum Complete 6 AE's Extruded EPS filter provides an easy way to import and extrude Adobe Illustrator layered vector logos and graphics in Adobe After Effects. The filter includes full integration with the After Effects 3D camera and lighting system and incorporates the same 3D material presets and free-form deformation properties of other BCC 6 AE 3D Objects filters. The filter is capable of tracking an EPS file using a Watch Folder, making the EPS file live should it be edited in Adobe Illustrator. A handy Keep EPS Color feature lets you preserve the original fill colors for each element as a diffuse color option of the material.
Tutorial, Video Tutorial Dirk de Jong |
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Adobe After Effects
Bessie Potter Play Video In this video tutorial, Creative Cow contributing editor Michael Park demonstrates how to make a dark, cloudy Title reveal similar to the one seen in the Movie Which Must Not Be Named. All textures and fonts are available in the project download as well as the final CS4 project file.
Tutorial, Video Tutorial Michael Park |
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Zaxwerks
Autumn Movies Play Video In this video tutorial, Creative Cow contributing editor Eran Stern designs a high impact motion graphics promo using Zaxwerks 3d serpentine plug-in.
Tutorial, Video Tutorial Eran Stern |
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Trapcode
Creating a Waterfall Play Video In this video tutorial, Creative Cow leader Michael Park demonstrates how to create a waterfall using After Effects and Trapcode Particular. This tutorial is in response to a couple of posts on the Trapcode Forum of CreativeCOW.net looking for this type of effect. This tutorial uses Particular 2.0, but the work flow and settings should work equally will with previous versions of Particular.
Tutorial, Video Tutorial Michael Park |
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Boris FX
Creating Transitions with BCC 6 AE's Swish Pan Filter Play Video Editors use transitions as a way to cut between scenes, typically creating an animated effect such as a dissolve or blur at the end of the outgoing clip and the beginning of the incoming clip. While most modern NLE systems ship with standard wipe transitions, there are some transition styles that are more of an in-camera effect rather than a synthesized gradient wipe or block dissolve. One of these effects, known as a Swish Pan, is created by panning the camera very quickly in a 180 degree arc, creating the look of a fast blur between the outgoing and incoming clips. Continuing in the tradition of making visual effects easy to create, Boris Continuum Complete 6 AE now includes a Swish Pan transition filter which is available free for registered BCC 6 AE users. In this video tutorial, we'll use the new BCC 6 Swish Pan filter to transition between a pair of clips.
Tutorial, Video Tutorial Paul Ezzy |
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Adobe After Effects
Blowing Flowers Play Video In this video tutorial, CreativeCOW leader, Eran Stern demonstrates how to create flower trails using Trapcode Particular in this special holiday episode. You'll also work with the light emitter and use 3D layer to obscure particles.
Tutorial, Video Tutorial Eran Stern |
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Adobe After Effects
Adjustment Lights Play Video In this After Effects tutorial, Eran Stern teaches you how to control the scattering of light in a composition using adjustment light. Eran creates a 3D world of dancing actors with realistic lights and shadows for a fictional show called 'Born to Dance'.
Tutorial, Video Tutorial Eran Stern |
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Boris FX
Create Extruded Text with Boris Continuum Complete 6 AE Play Video This new video tutorial shows you the basics of using BCC Extruded Text in Adobe After Effects. BCC Extruded Text belongs to the 3D Objects category of filters which is new to Boris Continuum Complete 6. These stunning OpenGL-based filters use vertex and pixel shaders that enable the generation of animated 3D shatter, bulge, bend, taper, twist, ripple, and wave effects. You can also create reflection or texture maps for the generated 3D text - from any image or video clip in the AE timeline.
Tutorial, Video Tutorial Paul Ezzy |
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Adobe After Effects
Creating a Realistic 3d Earth using only AE Play Video In this video tutorial, Creative Cow leader Michael Park shows you how to create a realistic 3d earth, complete with clouds and atmosphere, using only After Effects' built in effects. Special attention will be given to combining multiple instances of the CC Sphere effect to create unique layers with different specular properties for the land and water masses, as well as creating lights from urban centers on the night side of the earth.
Tutorial, Video Tutorial Michael Park |
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Adobe After Effects | The Vehicle Rig Play Video In this tutorial, Creative Cow contributing editor Carl Larsen shows you how to build an expression-based vehicle rig that automatically calculates the rotation of its wheels based on the movement of the vehicle chassis.
Tutorial, Video Tutorial Carl Larsen |
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Apple Final Cut Pro | Vee You: 8 Free Mac Plug-ins for FCP, AE and Motion Play Video VFX artist Roger Bolton has worked on films including The Lord of the Rings, Charlie and The Chocolate Factory and Kingdom of Heaven. He has also created effects for his own use -- in this case, a wide variety of 2D and 3D VU meters, automatically animated by the audio in your project. He now offers these 8 plug-ins to artists using Final Cut Pro, After Effects and Motion -- with no watermarks, no time limits, no price tag. Please note: these plug-ins are MAC ONLY.
Tutorial, Video Tutorial Roger Bolton |
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Trapcode
Creating Advanced Glitter using Expressions with Trapcode Particular Play Video In this tutorial, Creative Cow leader, Michael Park, demonstrates another, more advanced method for creating shimmering glitter particles using Trapcodes Particular. The main advancement is the implementation of 3d rotation of the glitter particles, as well as using expressions to convert the rotation of the particles in all 3 axis to drive a greyscale map, which in turn is used to color the particle using colorama and create the shimmer effect when the particles face the camera.
Tutorial, Video Tutorial Michael Park |
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Adobe After Effects
Creating a Shotgun Blast using 3ds Max and AE: Part 2 Play Video In part two of his shotgun tutorial, Michael Park will demonstrate how to incorporate the 3d footage together with 2d footage in After effects and use different filters to create the distortion surrounding the blast from the barrel of the shotgun and the air distortion trailing the individual shotgun pellets as they race towards the camera. He will also cover some time remapping techniques to add some more interest to your shot.
Tutorial, Video Tutorial Michael Park |
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Adobe After Effects
Creating a Shotgun Blast using 3ds Max and AE: Part 1 Play Video Many people are interested in creating and incorporating 3d generated footage into live action. In this 2 part tutorial, Michael Park will demonstrate how to create a shotgun blast at the camera using 3d rendered particles and distortion trails along with some 2d footage to create a convincing effect. In part 1 of this tutorial, we will create the 3d shotgun pellet geometry and material, as well as the distortion trails to be later used in the after effects composition.
Tutorial, Video Tutorial Michael Park |
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Adobe After Effects | Invisible Cape Play Video In this video tutorial, Creative Cow contributing editor Eran Stern with the help of his brother Yuval will show you a simple method to create the famous invisible look inspired from the movie The Predator.
Tutorial, Video Tutorial Eran Stern |
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Adobe After Effects | Digits Man, part 2 Play Video In this video tutorial, Creative Cow contributing editor Eran Stern will continue to finesse the design of the Digits Man promo. Learn how to create a subtle background using the Shape Tool and spice it further with additional effects and Text animations.
Tutorial, Video Tutorial Eran Stern |
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Adobe After Effects | A Quick Tip for Creating an Animation Play Video In this quick tip for after effects users, CreativeCOW contributing editor, Bob Thompson creates a complex looking animation using only a camera, 3d layer, null object, and some duplicated layers. In only minutes, you can get an animated look with only one layer to worry about to control the motion. Its a quick fix to let you spend more time on other facets of your project workflow.
Tutorial, Video Tutorial Bob Thompson |
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Adobe After Effects
Building a 3D World in After Effects
When a project requires a photo-realistic 3D world, After Effects isnt usually the first program that comes to mind. Typically a 3D modeling/animation program is necessary to create virtual 3D worlds, but in this article CreativeCOW contributing editor Bill O'Neil demonstrates creating a 3D world for a TV spot he was hired to direct and post for the Big Ten Basketball Conference.
Tutorial Bill O'Neil |
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Adobe After Effects
Cool 3D Room Play Video In this video tutorial from Creative COW you will learn how to create a 3D room entirely in Adobe After Effects. Where once it was thought this could only be done using a 3D program like 3ds Max, it can now be done completely in AE.
Tutorial, Video Tutorial Andrew Kramer |
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Adobe After Effects | 3D Layer Warp
In this tutorial, CreativeCOW leader and TV news guy, Jon Okerstrom takes a look at 3D Layer Warp -- one of two new tools from Zaxwerks called 3D Warps. Follow along as Jon creates a paper airplane and shows other fun things you can do with this great new tool.
Tutorial Jon Okerstrom |
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Adobe After Effects
Raytracing in 3D Invigorator
Imitation isn't just the sincerest form of flattery. When it comes to After Effects, building on shared techniques is a great way to push the envelope. Consider Andrew Kramer's recent tutorial on simulating raytraced reflections posted on the COW.Andrew's technique for simulating raytracing is really cool and it works for all sorts of things. Except for 3D. When Jon Okerstrom watched Andrew's tutorial, the first thing he thought of was Zaxwerks Invigorator and ProAnimator. Jon's tecnique follows. Download the demo and follow along.
Tutorial Jon Okerstrom |
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Adobe After Effects | Creating 3D Ribbon Text
In this tutorial Dave Langley demonstrates how to create a 3D ribbon of text that flows smoothly around curves up and down slopes moving around and interacting with other elements using only core tools in After Effects.
Tutorial David Langley |
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Adobe After Effects
3D Toon on Paper
In this tutorial, Mark Val demonstrates creating a character that looks like he's drawn on paper. Mark takes us through the process from storyboard to finish, explaining the pipeline from XSI to After Effects.
Tutorial Mark Val |
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Adobe After Effects
Layered Earth Effect
We are going to build a layered, onion-skin type model of the earth revealing its internal structure. The goal is to create an illustration-like setup that is controlled via expressions and can visually hold up to things you can find in scientific books. Other scientific and statistical data can also easily be illustrated by modifying this setup. Most importantly you will learn something about structuring your layers and compositions in a way that will allow you to manipulate transparencies and mattes without destroying the illusion of 3D.
Tutorial Mylenium |
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Adobe After Effects
More Lighting and Shadows
In part two of our Shadows tutorial, Bill O'Neil continues with an explanation of an effect that he's constantly asked how it was done. He doesn't use 3D -- it's done entirely in After Effects and the coolness of the scene is mostly from the lighting and shadows. As an added bonus, Bill includes his project files for snow and smoke.
Tutorial Bill O'Neil |
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Adobe After Effects
Dressing Up a Scene With Shadows
Bill O'Neil has learned a lot from his gaffers over his years of live action shooting. Simply putting a tree branch in front of a light can create interesting and beautiful shadows on an otherwise plain wall. The trade name for this light obstruction material is cucoloris or ''cookies''. These same practical techniques can be applied in the After Effects 3D world. All we need are lights, obstruction layers (cucoloris) and surfaces to shadow. This tutorial is broken into two parts that highlight two examples of dressing up a scene with shadows. This is part 1.
Tutorial Bill O'Neil |
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Adobe After Effects
SynthEyes 3-D Camera Tracker
If your are unfamiliar with 3D camera tracking software, SynthEyes 3-D Camera Tracker is a tool which will analyze moving 2D video footage by tracking points of reference frame by frame. From this, it can reproduce an accurate 3D camera which matches the properties and movement of the real-world camera you used to shoot the sequence. In this review/tutorial, Karl Holt gives us an indepth look along with a lot of tips for using the software.
Review, Tutorial Karl Holt |
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Adobe After Effects
Shooting for 3D post
This tutorial from Bill O'Neil will focus on media acquisition for creating a 3D world in After Effects as well as offer tips for assembling 2D flat objects in 3D space with the most realism. Alright, how about realism in a surreal world? Read on...
Tutorial Bill O'Neil |
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Adobe After Effects
Flying through a tunnel in After Effects
Flying through a tunnel can be useful for everything from 'wormholes' in sci-fi movies like 'Contact' to the transcontinental phone line in '3 colours red', or even the optic nerve of Edward Norton in 'Fight Club'. To create a Hollywood-level tunnel effect requires a true 3D application, with sophisticated modeling, rendering and 3D camera interaction however, in this tutorial, Chris Zwar mocks up a quick & dirty 2D imitation with the 'Polar Coordinates' filter in After Effects.
Tutorial Chris Zwar |
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Adobe After Effects
Building the Logo and Putting it together in AE: Part 5 of 5
In this final lesson of a 5-part tutorial from Motion Graphics Trainer, Dean Velez, we'll build the logo and put it all together. The entire 5 part tutorial explores creating complex backgrounds using a Photoshop still with the 3D properties of After Effects. We'll also create high end transitions using path tools and various effects as well as eye catching 2D animation using parented layers and resolving text using the track matte features.
Tutorial Dean Velez |
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Adobe After Effects
Building the Spider in AE: Part 4 of 5
In this 5-part tutorial, Motion Graphics Trainer, Dean Velez explores creating complex backgrounds using a Photoshop still with the 3D properties of After Effects. We'll also create high end transitions using path tools and various effects as well as eye catching 2D animation using parented layers and resolving text using the track matte features. In lesson four, we'll build the animated spider.
Tutorial Dean Velez |
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Adobe After Effects
Building the Animated Stroke in AE: Part 3 of 5
In this 5-part tutorial, Motion Graphics Trainer, Dean Velez explores creating complex backgrounds using a Photoshop still with the 3D properties of After Effects. We'll also create high end transitions using path tools and various effects as well as eye catching 2D animation using parented layers and resolving text using the track matte features. In lesson three, we'll build the animated stroke.
Tutorial Dean Velez |
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Adobe After Effects
Creating the 3D Space in AE: Part 2 of 5
In this 5-part tutorial, Motion Graphics Trainer, Dean Velez explores creating complex backgrounds using a Photoshop still with the 3d properties of After Effects. We'll also create high end transitions using path tools and various effects as well as eye catching 2D animation using parented layers and resolving text using the track matte features. In lesson one, we'll prepare the Photoshop still.
Tutorial Dean Velez |
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Adobe After Effects
Creating Liquid LIght by David Zandnerg
In this tutorial, David Zandnerg creates a 'Liquid Light' background element using some basic knowledge about Trapcode 3D Stroke & Shine and Turbulent Displace from Adobe. The important thing to remember is that this tutorial is flexible, so change it as you like to whatever works for you in terms of shape, color and size. Also keep in mind that the tutorial is designed to give you some idea of the simplicity of After Effects for creating abstract art or to just have fun.
Tutorial David Zandnerg |
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Adobe After Effects
Building the Cage: Part 4 of the Golden COW by Serge Hamad
Many of you have seen Serge Hamad's various animations in the After Effects forum at CreativeCOW. In this 5-part tutorial, Serge demonstrates the steps involved in re-creating his "Golden COW." In this tutorial you will be creating the cage around the planet. You will need 3D Stroke from Trapcode as well as Invigorator Pro or Classic for this one. Note that with Invigorator Classic you won't be able to open the provided AEP though. The emphasis in this tutorial is on the use of the transparency mapping technique.
Tutorial Serge Hamad |
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Adobe After Effects
Creating Shockwaves: Part Three of the Golden COW by Serge Hamad
Many of you have seen Serge Hamad's various animations in the After Effects forum at CreativeCOW. In this 5-part tutorial, Serge demonstrates the steps involved in re-creating his "Golden COW." In part two, we create the Aura and the Planet. You'll need Image Lounge and Knoll's Light Factory from Red Giant Software and Zaxwerk's Invigorator. If you don't have these plug-ins, download the demos to follow along.
Tutorial Serge Hamad |
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Adobe After Effects
Creating Planets & Auras: Part Two of the Golden COW by Serge Hamad
Many of you have seen Serge Hamads various animations in the After Effects forum at CreativeCOW. In this 5-part tutorial, Serge demonstrates the steps involved in re-creating his Golden COW. In part two, we create the Aura and the Planet. Youll need Image Lounge and Knolls Light Factory from Red Giant Software and Zaxwerks Invigorator. If you dont have these plug-ins, download the demos to follow along.
Tutorial Serge Hamad |
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Adobe After Effects
Expressions Without the Math
Recently Doug Bassett was working on a promo and tried to follow Fred Lewis' connection scripts but couldn't follow the math. In this article, Doug demonstrates a new approach which uses expressions but without the math...and he finished the promo in a minimal amount of time.
Tutorial Doug Bassett |
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Adobe After Effects
Building Your Own 3D Particle Generator
In this tutorial, Dan Ebberts demonstrates a method of generating motion that is random in both time and space and allows you to quickly assemble a composition with a pleasantly fluid, chaotic movement. Using this particle generator, we'll look at how you might create explosions, smoke, a fire blast, falling snow, and even a liquid-like flow.
Tutorial Dan Ebberts |
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Adobe After Effects
John Fischer demonstrates Building a 3D Grid/Video Screen in After Effects
John Fischer created a much more in-depth version of a combination of tutorials done by www.ayatoweb.com in response to several inquiries in the AE forum at Creativecow. This is a fairly time-intensive tutorial, but the end results are worth it! When you're done you should know much more about track mattes, and some basic 3D camera moves. Hopefully, it will also give you some new ideas to play around with. Enjoy!
Tutorial John Fischer |
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Adobe After Effects
Transparency Maps & Custom Edges in Zaxwerks Invigorator Pro AE
Invigorator is known around the world as the king of ''flying logo'' animations. No one does it better or faster. But Invigorator is capable of a lot more than that. A question posed by a user in the COW's Invigorator forum proves the point. The challenge: how to create a 3D crown. The solution: Use a custom edge and a transparency map. Jon Okerstrom shows you how in this project. Download the files and follow along. You'll need Zaxwerk's Invigorator.
Tutorial Jon Okerstrom |
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Adobe After Effects
Animating a Butterfly
In this tutorial, Marek Doszla shows how to animate a butterfly in After Effects 5.5 starting from a digital picture. Marek puts it in the category of After Effects experiment, however he uses some sophisticated features of After Effects as 3D space, expressions and time remapping that could be useful to beginners or even advanced users in motion graphics.
Tutorial Marek Doszla |
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Adobe After Effects
Layer Mapping in Invigorator
Serge Hamad demonstrates the technique of layer mapping in Zaxwerks Invigorator. This tutorial assumes that you have some previous exposure to the plug-in. If you don't have the plug-in, download the demo so that you can follow along. Serge uses the Pro Version, but you can accomplish the technique with the Classic Version as well.
Tutorial Serge Hamad |
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Adobe After Effects
Animating with the Parenting Features in AE 5.5
An easy way to make any number of layers follow the movements of a single layer is to use the Parenting feature in After Effects 5.5. In this article, Serge Hamad demonstrates the power of parenting in some of the different situations you may encounter in your production studio instead of the usual robotic animation exercises that you may have seen elsewhere.
Tutorial Serge Hamad |
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Adobe After Effects basics | Using Fractal Noise to Create Fire
In this tutorial, Matt Dallos demonstrates using Fractal Noise in After Effects 5.5 to create fire. More specifically, he demonstrates the Bonanza look of a fire burning through a piece of paper. Yes, this effect could be generated in a 3d program or plugins, but why bother when you can do it with filter set in AE. You can also use these same basic steps to create other plasma and liquid type effects.
Tutorial Matt Dallos |
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Adobe After Effects
Using Post Render Actions to Pre-render elements and create proxies in AE 5.5
One of the best ways of speeding your work in AE is to use low- resolutions proxies to substitute your original footage. This will increase the speed while previewing or rendering your work tremendously, especially if you are working with 3D. A proxy can be a lower resolution still or movie and you can replace it by the original footage at any time just by clicking on the respective proxy button on your footage window. In this article, Serge Hamad explains the procedure while creating a 3d ride through a corridor.
Tutorial Serge Hamad |
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Adobe After Effects
Creating Surreal Clouds without Plug-ins
In this tutorial, Jayse will show you another way of creating moving clouds using Adobe After Effects 5 without needing extra plug-ins. If you are unfamiliar with simple 3d in After Effects 5, you may want to read the After Effects 5.0 manual before continuing with this tutorial.
Tutorial Jayse Hansen |
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Adobe After Effects
Simulating a Tornado in After Effects
Mark Simpson uses the masking capabilities of After Effects along with some 3rd party plug-ins to simulate an animated Tornado. This tutorial is in response to the many requests about how to make a Tornado in After Effects. This simple tutorial uses the pen tool to create multiple masks in conjunction with the 'Turbulator' plug-in, to make a quick and dirty Tornado. It can't compete with the advanced particle emitters of a dedicated 3D app, but it is sure to be useful in some instances, where the lack of time or high end 3D tools required for a fully realistic tornado are not available.
Tutorial Mark Simpson |
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Adobe After Effects
Animating the Universal Cow
After Effects 5 has some powerful 3D compositing features and some new tools that make complicated animations a snap. In this tutorial we will use parenting, expressions and Boris 3D text to recreate the Universal movie opening (sort' a). A new way of thinking about layers in AE is required. It's easy to grasp once you stand back from the project a little. Let's proceed.
Tutorial Rick Gerard |
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