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Adobe After Effects
Lens Flare in AE and Premultiplication Explained Play Video Ben reveals not only the easy steps to giving a lens flare an alpha channel for exporting, but also explains what premultiplication means. With this understanding, you may more easily solve some of your trickier compositing problems. In most programs, such as Nuke, Fusion, or Shake, you control premultiplication and predivison manually. Since After Effects does this all for you, it can become very frustrating if you are accustomed to doing this manually and find that you cannot in AE. This tutorial will explain a little background information on how compositing applications create a composite.
Tutorial, Video Tutorial Ben Rollason |
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Boris FX
Save the Shot by Removing Unwanted Objects Play Video You have a perfect clip for the project. The scene is right, the weather is perfect, the camera move is nice, but there is a clearly-recognizable person walking across the street. And you do not have a release from that person or time to ask for one. Not to fear: you can still save the shot with Boris Continuum Complete's Motion Key tool.
Tutorial, Video Tutorial Kevin P McAuliffe |
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Adobe After Effects
Bessie Potter Play Video In this video tutorial, Creative Cow contributing editor Michael Park demonstrates how to make a dark, cloudy Title reveal similar to the one seen in the Movie Which Must Not Be Named. All textures and fonts are available in the project download as well as the final CS4 project file.
Tutorial, Video Tutorial Michael Park |
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Trapcode
Creating a Waterfall Play Video In this video tutorial, Creative Cow leader Michael Park demonstrates how to create a waterfall using After Effects and Trapcode Particular. This tutorial is in response to a couple of posts on the Trapcode Forum of CreativeCOW.net looking for this type of effect. This tutorial uses Particular 2.0, but the work flow and settings should work equally will with previous versions of Particular.
Tutorial, Video Tutorial Michael Park |
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Boris FX
Creating Transitions with BCC 6 AE's Swish Pan Filter Play Video Editors use transitions as a way to cut between scenes, typically creating an animated effect such as a dissolve or blur at the end of the outgoing clip and the beginning of the incoming clip. While most modern NLE systems ship with standard wipe transitions, there are some transition styles that are more of an in-camera effect rather than a synthesized gradient wipe or block dissolve. One of these effects, known as a Swish Pan, is created by panning the camera very quickly in a 180 degree arc, creating the look of a fast blur between the outgoing and incoming clips. Continuing in the tradition of making visual effects easy to create, Boris Continuum Complete 6 AE now includes a Swish Pan transition filter which is available free for registered BCC 6 AE users. In this video tutorial, we'll use the new BCC 6 Swish Pan filter to transition between a pair of clips.
Tutorial, Video Tutorial Paul Ezzy |
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Adobe After Effects
Blowing Flowers Play Video In this video tutorial, CreativeCOW leader, Eran Stern demonstrates how to create flower trails using Trapcode Particular in this special holiday episode. You'll also work with the light emitter and use 3D layer to obscure particles.
Tutorial, Video Tutorial Eran Stern |
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Boris FX
Create Extruded Text with Boris Continuum Complete 6 AE Play Video This new video tutorial shows you the basics of using BCC Extruded Text in Adobe After Effects. BCC Extruded Text belongs to the 3D Objects category of filters which is new to Boris Continuum Complete 6. These stunning OpenGL-based filters use vertex and pixel shaders that enable the generation of animated 3D shatter, bulge, bend, taper, twist, ripple, and wave effects. You can also create reflection or texture maps for the generated 3D text - from any image or video clip in the AE timeline.
Tutorial, Video Tutorial Paul Ezzy |
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Adobe After Effects
Creating a Realistic 3d Earth using only AE Play Video In this video tutorial, Creative Cow leader Michael Park shows you how to create a realistic 3d earth, complete with clouds and atmosphere, using only After Effects' built in effects. Special attention will be given to combining multiple instances of the CC Sphere effect to create unique layers with different specular properties for the land and water masses, as well as creating lights from urban centers on the night side of the earth.
Tutorial, Video Tutorial Michael Park |
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Nuke
Nuke - An Introduction for After Effects Users
Nuke, the new compositing tool from The Foundry, is rapidly becoming a favorite in high-end film production. Its price also offers an easy entry for indie producers who want to create better work, faster and more powerfully. This guided tour of Nuke for AE users, along with tips for leveraging your AE experience in the brave Nuke world of VFX creation will help you discover Nuke.
Review, Tutorial Pete O'Connell |
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Adobe After Effects | The Vehicle Rig Play Video In this tutorial, Creative Cow contributing editor Carl Larsen shows you how to build an expression-based vehicle rig that automatically calculates the rotation of its wheels based on the movement of the vehicle chassis.
Tutorial, Video Tutorial Carl Larsen |
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Adobe After Effects | Creating the Juno Opening Credits Look Play Video The independent film Juno featured one of the most distincitive opening credit sequences in recent memory. It has a wonderful handmade look - which it turned out was created by hand! Whether you have seen Juno or not, Cow leader Simon Bonner shows a much easier way to create unique, handcrafted looks, without the pain.
Tutorial, Video Tutorial Simon Bonner |
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Adobe After Effects | Mystic Text Play Video In this video tutorial, Creative Cow contributing editor Grant Swanson will take you through an effective way of tracking Mystic Text onto a wall or screen. This technique can be used in horror films, commercials, or promos. He will cover the basics of the After Effects paint tools, some basic 2.5D motion tracking, and some simple yet effective compositing techniques.
Tutorial, Video Tutorial Grant Swanson |
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Trapcode
Creating Advanced Glitter using Expressions with Trapcode Particular Play Video In this tutorial, Creative Cow leader, Michael Park, demonstrates another, more advanced method for creating shimmering glitter particles using Trapcodes Particular. The main advancement is the implementation of 3d rotation of the glitter particles, as well as using expressions to convert the rotation of the particles in all 3 axis to drive a greyscale map, which in turn is used to color the particle using colorama and create the shimmer effect when the particles face the camera.
Tutorial, Video Tutorial Michael Park |
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Adobe After Effects
Creating a Shotgun Blast using 3ds Max and AE: Part 2 Play Video In part two of his shotgun tutorial, Michael Park will demonstrate how to incorporate the 3d footage together with 2d footage in After effects and use different filters to create the distortion surrounding the blast from the barrel of the shotgun and the air distortion trailing the individual shotgun pellets as they race towards the camera. He will also cover some time remapping techniques to add some more interest to your shot.
Tutorial, Video Tutorial Michael Park |
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Adobe After Effects
Creating a Shotgun Blast using 3ds Max and AE: Part 1 Play Video Many people are interested in creating and incorporating 3d generated footage into live action. In this 2 part tutorial, Michael Park will demonstrate how to create a shotgun blast at the camera using 3d rendered particles and distortion trails along with some 2d footage to create a convincing effect. In part 1 of this tutorial, we will create the 3d shotgun pellet geometry and material, as well as the distortion trails to be later used in the after effects composition.
Tutorial, Video Tutorial Michael Park |
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Adobe After Effects | Invisible Cape Play Video In this video tutorial, Creative Cow contributing editor Eran Stern with the help of his brother Yuval will show you a simple method to create the famous invisible look inspired from the movie The Predator.
Tutorial, Video Tutorial Eran Stern |
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Adobe After Effects | Digits Man, part 2 Play Video In this video tutorial, Creative Cow contributing editor Eran Stern will continue to finesse the design of the Digits Man promo. Learn how to create a subtle background using the Shape Tool and spice it further with additional effects and Text animations.
Tutorial, Video Tutorial Eran Stern |
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Adobe After Effects
Perspective Corner Pin Effect Play Video In this Tutorial, Creative Cow Leader Aharon Rabinowitz shows you a complete workflow for using Imagineer Systems Mocha with Adobe After Effects to create a perspective corner pin effect - an effect typically used for sign replacement or compositing video on a computer or television screen. Even if youre not using After Effects as your compositing application, you will still find the lesson extremely useful, as it focuses almost entirely on the use of Mochas powerful 2.5D planar tracking system. After Effects users not using Mocha will also find some of the compositing tips at the end very helpful as well.
Tutorial, Video Tutorial Aharon Rabinowitz |
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Adobe After Effects
SynthEyes 3-D Camera Tracker
If your are unfamiliar with 3D camera tracking software, SynthEyes 3-D Camera Tracker is a tool which will analyze moving 2D video footage by tracking points of reference frame by frame. From this, it can reproduce an accurate 3D camera which matches the properties and movement of the real-world camera you used to shoot the sequence. In this review/tutorial, Karl Holt gives us an indepth look along with a lot of tips for using the software.
Review, Tutorial Karl Holt |
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Adobe After Effects
Animating the Universal Cow
After Effects 5 has some powerful 3D compositing features and some new tools that make complicated animations a snap. In this tutorial we will use parenting, expressions and Boris 3D text to recreate the Universal movie opening (sort' a). A new way of thinking about layers in AE is required. It's easy to grasp once you stand back from the project a little. Let's proceed.
Tutorial Rick Gerard |
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Adobe After Effects
Cloud Fly Through
In this tutorial, Richard Rippon will show you how to simulate flying through a cloud bank using After Effects 5 new 3-D capabilities. We will primarily be working with the layers Z position, so we won't even scratch the surface of After Effects 5 new capabilities. To create the clouds we will use After Effects Fractal Noise plug-in and Boris Clouds plug-in, which may be found in Boris AE and Boris Continuum. If you have your own way for making your clouds it should also work.
Tutorial Richard Rippon |
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