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Adobe After Effects
Panning Large Scenes Using Target Layers in 3D Play Video In this follow-on tutorial to his short series on working in 3D space, Andrew Devis shows how to use this simple technique to quickly and accurately pan around large layers/compositions to zoom in to the exact point required each time. You'll use target layers to get the exact coordinates needed for accurate panning - simple but effective!
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Working in 3D Part 4: Finessing Camera Animation Play Video In this final tutorial in a set of four on working in 3D space in After Effects, Andrew Devis builds on the quick and simple camera animation technique demonstrated in the previous tutorial by showing how to finesse your camera animation with various techniques so that you can end up with a professional result very quickly and with very little effort.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Working in 3D Part 3: Simple & Fast Camera Animation Play Video In this third tutorial in a set of four on working in 3D space in After Effects, Andrew Devis demonstrates a very quick and simple camera animation technique which ensures that your camera will always animate toward your layers in 3D space no matter where you have placed them. In the last tutorial in this series, Andrew will show how to finesse that camera animation for excellent results.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Working in 3D Part 2: Setting up a Static 3D Particle System Play Video In this second tutorial in a set of 4 on working in 3D space in After Effects, Andrew Devis shows how to set up a 3D particle system so that all the particles are static for the whole of the composition. The reason why this is done is that as the camera passes the static particles, it helps to enhance or volumize the 3D space adding both interest and parallax into your scene. In the last 2 tutorials, Andrew will show how to set up a very quick and simple camera animation technique and then show how to finesse the animation of that camera for excellent results.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Working in 3D Part 1: Setting up a 3D Scene Play Video In this first tutorial in a set of 4 on working in 3D space in After Effects, Andrew Devis shows how to set up your layers in 3D space and how to view all the layers without ruining your camera view. Andrew sets up 4 layers in 3D space, moving both their positions and rotations. In the next tutorial, Andrew will show how to set up a static 3D particle system which will enhance the 3D effect as the camera eventually animates through 3D space. In the last 2 tutorials, Andrew will show how to use a very quick and simple technique to animate the camera and then how to finesse the animation of that camera for excellent results.
Tutorial, Video Tutorial Andrew Devis |
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Trapcode
Particular Basic Training Session THREE: The 3D Starfield Play Video In this third installment of the Particular Basic Training series, Michael Park will show how to use Particular to create a realistic 3d star field for all of your animation needs. Along the way, he will use and explore some features of Particular including motion blue, high dynamic range, and the physics time factor. As always, the project is available for free download.
Tutorial, Video Tutorial Michael Park |
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Adobe After Effects
Creating the AE Cosmos: The Atom, Part 1 Play Video In this edition of Creating the AE Cosmos, Rob Mize turns his attentions to the quantum universe. Rob demonstrates how to create a dynamic 3D model of an atom using only nulls, expressions and CC Particle World. Part 2 of this tutorial will focus on refining the motion and control of the atom.
Tutorial, Video Tutorial Rob Mize |
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Adobe After Effects
Creating the AE Cosmos: The Sun Play Video Rob Mize shows how to create a dynamic 3D sun in 3D space using only CC Particle World. He then demonstrates the versatility of this effect by adjusting the parameters to animate the sun into a supernova explosion. Look forward to more tutorials from Rob on creating other entities in the AE Cosmos!
Tutorial, Video Tutorial Rob Mize |
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Adobe After Effects
Particle World Transitions: Part 2 Play Video Rob Mize further develops the techniques demonstrated in Part 1 of this tutorial. He applies the Particle World Text to Sand effect to 3D text created using the Shatter Effect, and composites that onto a background. He then reverses the effect, changing sand into an onscreen character who finally, blows away as dust in the wind.
Tutorial, Video Tutorial Rob Mize |
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Adobe After Effects
3D tunnels in AE using FreeForm Pro: Part 1 Play Video Part 1 of this tutorial series on 3D tunnels in AE using FreeForm Pro explores the ability of the new FreeForm Pro plugin to create organic looking 3d tunnels in AE. Whether used for a scifi shot, a medical animated illustration or another fx shot, the tunnels created using FreeForm Pro give you the ability to move around them on the outside and fly inside.
Tutorial, Video Tutorial Tudor "Ted" Jelescu |
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Adobe After Effects
Extruding 3D Text & Shapes 4: Repousse Play Video In this final tutorial on extruding 3D text & shapes in After Effects, Andrew Devis has a look at using Repousse from Photoshop as a way of creating quite detailed 3D text. While having some serious drawbacks, if all you have is the Production Premium or Master Suite then this technique can certainly produce high quality results. However, if shadows are required this may just drive you mad!
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Extruding 3D Text & Shapes 2: The Shatter Method Play Video In this second tutorial on extruding 3D text and shapes in After Effects, Andrew Devis demonstrates how to use the shatter effect to create some stylish and fast rendering 3D text and shapes. In addition to this, Andrew also shows how to apply and animate textures to the extruded items as well as how to create shadows from your creation.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Extruding 3D Text & Shapes 1: The Duplication Method Play Video Extruding 3D text and shapes can be done in a number of different ways in After Effects using either native tools or 3rd party plug-ins. In this first tutorial, Andrew Devis shows how to use the duplication method which uses numerous layers of the same item to create the illusion of depth. Andrew shows the simple expression to use to make the job quick and easy as well as showing how to change the source layer to animate shapes.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Graphs and Charts in After Effects, Part 2 Play Video In Part 2 of Graphs and Charts in After Effects, Rob Mize shows how to use particles (both Trapcode Particular and Particle World) to expand your creative options when generating and animating Bar Graphs, Line Graphs and Pie Charts in 3D space. This tutorial is part two of a two-part series.
Tutorial, Video Tutorial Rob Mize |
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Adobe After Effects
Animating a Camera 3: Controllers & Point of View Play Video In his third tutorial on animating cameras in After Effects, Andrew Devis shows how to build a controller layer to simplify the process of animating the camera rig and what happens when you have the right settings but the wrong layer order. Lastly, Andrew shows how to use the controller layer itself as a way of changing and animating the point of view of the whole camera rig.
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Animating a Camera 1: Camera Difficulties Play Video Cameras are notoriously difficult to get to grips with in After Effects. In this tutorial, Andrew Devis explains some of the behaviors and problems that are common to camera animation and then shows how to do a simple one dimensional animation, while pointing out why that solution cannot be used for more than one dimension (x,y or z rotation).
Tutorial, Video Tutorial Andrew Devis |
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Adobe After Effects
Camera Tracker Review
Bill O'Neil offers his insight into The Foundry's CameraTracker, a powerful tool which allows the user to pull 3D motion tracks and matchmoves -- all inside of AE. Read as Bill dips his toes into the water and begins to experience the possibilities available. He includes three movie samples and screenshots.
Review Bill O'Neil |
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Adobe After Effects
3D from 2D Image Using Displacement Maps Play Video In this video tutorial Tudor "Ted" Jelescu shows how to create 3D / 2.5D movement from a 2D image using displacement maps in Adobe After Effects. He uses similar techniques as Mathew Fuller's "Advanced 2.5D Animation in AE" tutorial to pull depth from 2D images. Tudor uses FreeForm and displacement maps to be able to have a different camera move, one that rotates around the subject.
Tutorial, Video Tutorial Tudor Jelescu |
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Boris FX
Save the Shot by Removing Unwanted Objects Play Video You have a perfect clip for the project. The scene is right, the weather is perfect, the camera move is nice, but there is a clearly-recognizable person walking across the street. And you do not have a release from that person or time to ask for one. Not to fear: you can still save the shot with Boris Continuum Complete's Motion Key tool.
Tutorial, Video Tutorial Kevin P McAuliffe |
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Adobe After Effects
Bessie Potter Play Video In this video tutorial, Creative Cow contributing editor Michael Park demonstrates how to make a dark, cloudy Title reveal similar to the one seen in the Movie Which Must Not Be Named. All textures and fonts are available in the project download as well as the final CS4 project file.
Tutorial, Video Tutorial Michael Park |
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Zaxwerks
Autumn Movies Play Video In this video tutorial, Creative Cow contributing editor Eran Stern designs a high impact motion graphics promo using Zaxwerks 3d serpentine plug-in.
Tutorial, Video Tutorial Eran Stern |
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Trapcode
Creating a Waterfall Play Video In this video tutorial, Creative Cow leader Michael Park demonstrates how to create a waterfall using After Effects and Trapcode Particular. This tutorial is in response to a couple of posts on the Trapcode Forum of CreativeCOW.net looking for this type of effect. This tutorial uses Particular 2.0, but the work flow and settings should work equally will with previous versions of Particular.
Tutorial, Video Tutorial Michael Park |
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Boris FX
Creating Transitions with BCC 6 AE's Swish Pan Filter Play Video Editors use transitions as a way to cut between scenes, typically creating an animated effect such as a dissolve or blur at the end of the outgoing clip and the beginning of the incoming clip. While most modern NLE systems ship with standard wipe transitions, there are some transition styles that are more of an in-camera effect rather than a synthesized gradient wipe or block dissolve. One of these effects, known as a Swish Pan, is created by panning the camera very quickly in a 180 degree arc, creating the look of a fast blur between the outgoing and incoming clips. Continuing in the tradition of making visual effects easy to create, Boris Continuum Complete 6 AE now includes a Swish Pan transition filter which is available free for registered BCC 6 AE users. In this video tutorial, we'll use the new BCC 6 Swish Pan filter to transition between a pair of clips.
Tutorial, Video Tutorial Paul Ezzy |
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Adobe After Effects
Blowing Flowers Play Video In this video tutorial, CreativeCOW leader, Eran Stern demonstrates how to create flower trails using Trapcode Particular in this special holiday episode. You'll also work with the light emitter and use 3D layer to obscure particles.
Tutorial, Video Tutorial Eran Stern |
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Boris FX
Create Extruded Text with Boris Continuum Complete 6 AE Play Video This new video tutorial shows you the basics of using BCC Extruded Text in Adobe After Effects. BCC Extruded Text belongs to the 3D Objects category of filters which is new to Boris Continuum Complete 6. These stunning OpenGL-based filters use vertex and pixel shaders that enable the generation of animated 3D shatter, bulge, bend, taper, twist, ripple, and wave effects. You can also create reflection or texture maps for the generated 3D text - from any image or video clip in the AE timeline.
Tutorial, Video Tutorial Paul Ezzy |
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Adobe After Effects
Creating a Realistic 3d Earth using only AE Play Video In this video tutorial, Creative Cow leader Michael Park shows you how to create a realistic 3d earth, complete with clouds and atmosphere, using only After Effects' built in effects. Special attention will be given to combining multiple instances of the CC Sphere effect to create unique layers with different specular properties for the land and water masses, as well as creating lights from urban centers on the night side of the earth.
Tutorial, Video Tutorial Michael Park |
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Adobe After Effects | The Vehicle Rig Play Video In this tutorial, Creative Cow contributing editor Carl Larsen shows you how to build an expression-based vehicle rig that automatically calculates the rotation of its wheels based on the movement of the vehicle chassis.
Tutorial, Video Tutorial Carl Larsen |
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Adobe After Effects
Creating a Shotgun Blast using 3ds Max and AE: Part 2 Play Video In part two of his shotgun tutorial, Michael Park will demonstrate how to incorporate the 3d footage together with 2d footage in After effects and use different filters to create the distortion surrounding the blast from the barrel of the shotgun and the air distortion trailing the individual shotgun pellets as they race towards the camera. He will also cover some time remapping techniques to add some more interest to your shot.
Tutorial, Video Tutorial Michael Park |
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Adobe After Effects | Invisible Cape Play Video In this video tutorial, Creative Cow contributing editor Eran Stern with the help of his brother Yuval will show you a simple method to create the famous invisible look inspired from the movie The Predator.
Tutorial, Video Tutorial Eran Stern |
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Adobe After Effects | Digits Man, part 2 Play Video In this video tutorial, Creative Cow contributing editor Eran Stern will continue to finesse the design of the Digits Man promo. Learn how to create a subtle background using the Shape Tool and spice it further with additional effects and Text animations.
Tutorial, Video Tutorial Eran Stern |
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Adobe After Effects | A Quick Tip for Creating an Animation Play Video In this quick tip for after effects users, CreativeCOW contributing editor, Bob Thompson creates a complex looking animation using only a camera, 3d layer, null object, and some duplicated layers. In only minutes, you can get an animated look with only one layer to worry about to control the motion. Its a quick fix to let you spend more time on other facets of your project workflow.
Tutorial, Video Tutorial Bob Thompson |
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Zaxwerks
Creative Cow Master Series: Zaxwerks Invigorator Training with Serge Hamad
Need 3D modeling inside Adobe After Effects? Then you need this DVD! Creative COW Leader and Contributing Editor Serge Hamad shares his award-winning motion graphic expertise to unlock the power of the Zaxwerks Invigorator AE plug-in. Even if you've got no 3D modeling experience whatsoever, Serge will show you how easy it can be, and how great it can look. And even advanced AE and Zaxwerks users will find plenty of tips and tricks to work more effectively.
Feature Serge Hamad |
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Adobe After Effects
Cool 3D Room Play Video In this video tutorial from Creative COW you will learn how to create a 3D room entirely in Adobe After Effects. Where once it was thought this could only be done using a 3D program like 3ds Max, it can now be done completely in AE.
Tutorial, Video Tutorial Andrew Kramer |
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Adobe After Effects | Creating 3D Ribbon Text
In this tutorial Dave Langley demonstrates how to create a 3D ribbon of text that flows smoothly around curves up and down slopes moving around and interacting with other elements using only core tools in After Effects.
Tutorial David Langley |
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Adobe After Effects
After Effects 7 new features overview
After a long wait it's finally here - the new version of After Effects. People have been getting nervous already because it seemed like forever when version 6.5 was released, but now that it's here, let's take a look at what the new version has on offer. I work mainly as a 3D artist/ motion graphics artist, so please forgive me if I'm not commenting on some functions that may be of larger importance for your type of work.
Review Mylenium |
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Adobe After Effects
More Lighting and Shadows
In part two of our Shadows tutorial, Bill O'Neil continues with an explanation of an effect that he's constantly asked how it was done. He doesn't use 3D -- it's done entirely in After Effects and the coolness of the scene is mostly from the lighting and shadows. As an added bonus, Bill includes his project files for snow and smoke.
Tutorial Bill O'Neil |
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Adobe After Effects basics
Pseudo-3D Extrusion
Since few After Effects users can do classical cel animation and a lot of them do not have a chance to use a 3D packages cartoon shading, heres a technique from Mylenium that will allow you to create such effects with ease inside After Effects. While its quick and easy to setup and animate, it consumes a lot of time once its time to render for final output. It also requires some major steps in Illustrator or Photoshop.
Tutorial Mylenium |
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Adobe After Effects basics | Maya Camera Import into After Effects
It makes sense to use a 3D program to create a 3D scene; but what if you need to re-use the camera motion info from that scene for advanced compositing? In this tutorial, Ren de la Fuente and Will Scates walk through the basic steps needed to accomplish this using Alias|Wavefronts Maya 4 and Adobe After Effects v 5.5.
Tutorial Rene de la Fuente |
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Adobe After Effects basics
A Beginners course in 3D in AE 5.5
If you have very little knowledge about animating the camera and building a 3D comp, this tutorial is for you. In this tutorial, Bjorn Sjostrom tries to remove any fear toward the 3D tools in After Effects 5.5. He hopes it will give you an relaxed attitude towards animating the camera, and building a 3D corridor where only your imagination can stop you, the sky is not the limit but space is.
Tutorial Bjorn Sjostrom |
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Adobe After Effects basics | Using Fractal Noise to Create Fire
In this tutorial, Matt Dallos demonstrates using Fractal Noise in After Effects 5.5 to create fire. More specifically, he demonstrates the Bonanza look of a fire burning through a piece of paper. Yes, this effect could be generated in a 3d program or plugins, but why bother when you can do it with filter set in AE. You can also use these same basic steps to create other plasma and liquid type effects.
Tutorial Matt Dallos |
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