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MAYA
Iron Man 3: The Trixters Behind Tony Stark's Shiny New Armor
Seventy artists from Trixter worked an entire year to create a formidable 208 VFX shots for Marvel's Iron Man 3. Each new episode in the Iron Man saga details a slick new technology created by the ingenious Tony Stark, and the new installment does not disappoint! Combining the hard surface geometry of the Iron Man suit auto-assembly with the flexibility of the human body was one of the challenges that Trixter brought from previs to believable screen reality.
Editorial, Feature, People / Interview Alessandro Cioffi |
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NAB Expo
NAB 2013: Adobe Introduces Adobe Anywhere
At NAB 2013, Adobe is introducing Adobe Anywhere, a collaborative workflow platform that centralizes projects and allows users to share and change project files. Also new are some powerful new features for Adobe Premiere Pro, including color grading and the ability to "link & locate" clips. A newly designed SpeedGrade also makes color grading tools more familiar to Adobe toolset users, and After Effects celebrates its 20th anniversary.
Editorial, Feature, People / Interview Debra Kaufman |
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Adobe Flash
Adobe Edge Animate/The Missing Manual Software/Book Review
Increasingly, web developers are being asked to create sites that are viewable on tablets and mobile devices, as well as desktops and laptops running Windows, OS X or Linux. One of the challenges in creating a site like that is animation. Flash, for many years the preferred cross-platform animation solution, is no longer supported on many tablets and mobile devices. Michael looks for - and finds - answers within Adobe's Edge Animate.
Review, Editorial Michael Hurwicz |
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Adobe Premiere Pro
IBC 2012: Adobe Provides Broadcast & Media Solutions
Adobe came to IBC 2012 focused on the broadcast industry. The big reveal was its new Adobe Anywhere, a collaborative workflow platform that allows real-time collaboration for remote users of Premiere Pro, After Effects and Prelude. Adobe expanded its partnerships with broadcast solution companies, to over 200. At the show, Adobe also unveiled a new promotional offer for individuals and corporations interested in switching from Apple Final Cut Pro or Avid Media Composer to Adobe Production Premium or Adobe Creative Cloud.
Editorial, Feature Debra Kaufman |
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Cinematography
Behind the Lens: Paul Cameron ASC on Total Recall
Paul Cameron, ASC, just finished work on the remake of Total Recall, directed by Len Wiseman and starring Colin Farrell, Kate Beckinsale and Jessica Biel with Bill Nighy, Bryan Cranston, and John Cho. Cameron was last featured in Creative COW for his work on Henry's Crime. His previous credits include director Michael Mann's Collateral and Tony Scott's Man on Fire.
Feature Paul Cameron, ASC |
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NAB Expo
NAB 2012: Adobe CS6 Release
With the release of Adobe Creative Suite 6 Production Premium, Adobe's booth at NAB 2012 was packed every day of NAB 2012. Editors in particular came to check out all the dramatic changes made to Adobe Premiere Pro, including a redesigned interface that makes it friendly to users of other NLEs.
Feature Debra Kaufman |
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Adobe After Effects
Adobe Creative Cloud Offers Applications, Services, Community
With Creative Cloud, Adobe is switching from a model of software as a product to Software as a Service (SaS). By early 2012, Adobe Creative Cloud is expected to include such applications as After Effects, Premiere and Photoshop. Creative Cloud includes a hub for viewing, sharing and syncing of files, and a subscription with 20GB of cloud storage.
Feature, People / Interview Debra Kaufman |
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Adobe Premiere Pro
Adobe Systems offers path for FCPX editors to switch
As disgruntled Apple Final Cut Pro users search out options for professional video editing, Adobe Systems has been a major beneficiary of the big switch since FCPX hit the market. In her interview with Jim Guerard of Adobe Systems, Debra Kaufman finds the result of Adobe's offering for former FCP users to be a big uptick in pro video users.
People / Interview Debra Kaufman |
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Adobe Flash
Building an Interactive Whiteboard in Flash: Part One Play Video In this tutorial, Justin Junda takes you through the step by step process on how to build and interactive whiteboard. These whiteboard are often seen in drawing applications, scratch pads, and educational sites. This is part one of a two part series. Part one takes you through setting up all the graphical elements within the stage. Then part two shows a user how to connect the graphics to Actionscript using flashes drawing API to make this whiteboard truly interactive.
Tutorial, Video Tutorial Justin Junda |
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Adobe Flash
Inverse Kinematics - Springs Play Video Springs are a new feature for Inverse Kinematics in Flash CS5. In this video tutorial, Creative COW leader Michael Hurwicz shows you a simple technique for implementing springs, as well as several other "tricks and traps" to make your work with Inverse Kinematics in Flash easier, more flexible and more powerful.
Tutorial, Video Tutorial Michael Hurwicz |
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Adobe Flash
Inverse Kinematics - Control Points Play Video Fine-tune your Inverse Kinematics animations in Flash CS5 by working with control points. In this Adobe Flash video tutorial, Creative COW leader Michael Hurwicz shows you how to associate bones with control points, how to move, add and delete control points, and how to adjust control point handles.
Tutorial, Video Tutorial Michael Hurwicz |
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Adobe Flash
Inverse Kinematics Play Video Inverse Kinematics allows you to create structures of bones and joints and use them to animate characters in Flash. Fun and easy! Creative COW leader Michael Hurwicz shows you how in this video tutorial, step by step. Learn some basic ActionScript, too!
Tutorial, Video Tutorial Michael Hurwicz |
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