Creative COW SIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
LIBRARY:TutorialsVideo TutorialsReviewsInterviewsEditorialsFeaturesBusinessAuthorsRSS FeedTraining DVDs

Adobe Premiere Pro Tutorials

FORUM   •   VIDEO TUTORIALS  •   HOT TODAY   •   LIBRARY HOME   •   SUBSCRIBE
Adobe Premiere Pro basics
Premiere Pro CS6: 68 Color 21: Blend Modes 2: Lens Flare

Premiere Pro CS6: 68 Color 21: Blend Modes 2: Lens Flare
  Play Video
In this tutorial, Andrew Devis starts off by showing how to add and change a 'Lens Flare' and then how to use a colored gradient to colorize your footage for added interest. Andrew then goes on to show how to use the 'Cell Pattern' effect as a way to add gentle movement below an image to create more interest - because the eye is drawn to movement.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 67 Color 20: Blend Modes 1

Premiere Pro CS6 Techniques: 67 Color 20: Blend Modes 1
  Play Video
In this tutorial, Andrew Devis starts by showing how to animate an effect from the 'generate' category of effects and then shows how to use 'blend modes' to blend a reasonably flat piece of footage with the animated effect below to give a little more life or interest to the shot.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 66 Color 19: Change to Color

Premiere Pro CS6 Techniques: 66 Color 19: Change to Color
  Play Video
In this tutorial, Andrew Devis shows how to use the 'Change to Color' effect while also showing the importance of masking out the area of the footage that you wish to effect. Once again, the same effect can be had by using secondary color correction in the three way color corrector and once a mask has been created the hue can then be changed. The advantage of the three way version is a greater degree of control while the advantage of the 'Change to Color' effect is speed and ease of use.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 65 Color 18: Leave Color Effect

Premiere Pro CS6 Techniques: 65 Color 18: Leave Color Effect
  Play Video
In this tutorial, Andrew Devis shows how to use the 'Leave Color' effect as well as a simple compositing technique to be able to focus on just the item needing to be shown without having to worry about similar colors in other parts of your shot. While the 'Leave Color' effect is powerful, it is also a simple approach which may or may not work for you depending on the footage you are working with. If you are not getting the results you want with the 'Leave Color' effect, then you may wish to use the secondary color correction techniques shown in previous tutorials to obtain a similar and slightly more controllable result.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 64: Color 17: Day for Night

Premiere Pro CS6 Techniques: 64: Color 17: Day for Night
  Play Video
In this tutorial, Andrew Devis shows a simple method for using footage shot during the day to make a it look like the shot was filmed in the early morning or late evening. Andrew uses a couple of effects to colorize the shot and change its contrast.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 63 Color 16 Levels Effect

Premiere Pro CS6 Techniques: 63 Color 16 Levels Effect
  Play Video
In this tutorial, Andrew Devis shows that there is a levels effect in Premiere Pro which you may have used if you are a Photoshop or After Effects user. However, the levels effect in Premiere Pro can be both hard to find and hard to use, and according to Andrew, should not be your first port of call for brightness & contrast adjustments. That said, Andrew demonstrates how to use the level effect in Premiere Pro as well as showing its short-comings.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 62 Color 15 RGB Curves 2

Premiere Pro CS6 Techniques: 62 Color 15 RGB Curves 2
  Play Video
In this tutorial, Andrew Devis continues to demonstrate the RGB Curves effect showing how it can be used to colorize a shot and quickly change the 'temperature' of a shot. Andrew shows how this effect can be a little hard to control and how multiple points are needed to control the curve and limit the pixels being affected if a specific pixel range needs to be worked on.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 61 Color 14 RGB Curves 1

Premiere Pro CS6 Techniques: 61 Color 14 RGB Curves 1
  Play Video
In this tutorial, Andrew Devis explains the difference between Luma Curve and RGB Curves and shows how to use the RGB Curves to increase the brightness & contrast of a show while also affecting the color channels. In the next tutorial Andrew will show how the RGB Curves effect can be used to colorize a shot.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 60 Color 13: Luma Curve

Premiere Pro CS6 Techniques: 60 Color 13: Luma Curve
  Play Video
In this tutorial, Andrew Devis shows how to use the Luma Curve to achieve very similar results to the Luma Corrector. Both these effects will produce good results for both brightness & contrast although it could be said that the Luma Curve will give some better visual feedback for those who like visual feedback for what they are doing.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 59 Color 12: Luma Corrector

Premiere Pro CS6 Techniques: 59 Color 12: Luma Corrector
  Play Video
In this tutorial, Andrew Devis shows how to use the Luma Corrector to change the brightness and contrast of your shot without flattening the shot. The temptation is to use the 'Brightness & Contrast' effect in Premiere Pro which is a very old effect and shouldn't really be used as it tends to squash or reduce the luma range of a shot thus lowing its quality over all. The Luma Corrector is a much more powerful tool and will work with the shot to improve it and increase the luma range giving you much more control.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 58 Importing Image Sequences

Premiere Pro CS6 Techniques: 58 Importing Image Sequences
  Play Video
In this tutorial, Andrew Devis shows how to import an image sequence into Premiere Pro and also how to help Premiere get the interpretation of the image sequence correct. Particularly with non-square pixel images Premiere will make assumptions that mean the footage will not display properly. Andrew shows how to help Premiere get the interpretation correct, assuming of course that you know what the original frame rate and pixel aspect ratio should be!

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 57 Color 11: Vignettes 2

Premiere Pro CS6 Techniques: 57 Color 11: Vignettes 2
  Play Video
In this tutorial, Andrew Devis shows another method for creating a custom shaped vignette. This approach uses several effects on a layer of black video to allow you to mask the black video to a custom shape to fit the exact area you wish to add a vignette to.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 56 Color TEN Vignettes ONE

Premiere Pro CS6 Techniques: 56 Color TEN Vignettes ONE
  Play Video
In this tutorial, Andrew Devis shows one method of how to create a vignette in on your sequence to darken down distracting areas of the footage so that you can concentrate your audience on the action and not on distracting elements away from the action. This technique is good for well centered footage but not so good if you have action at the side of the screen.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6: 55 Color 9 Secondary Color Correction

Premiere Pro CS6: 55 Color 9 Secondary Color Correction
  Play Video
In this tutorial, Andrew Devis shows how to use the tools in the secondary color corrector to perform some secondary color correction on an over saturated item in the shot. Andrew shows how to create and view a mask that is specific to the color of the item in question and then how to finesse that mask with the various tools in the secondary color correction section. Secondary color correction is an option in quite a few color tools in Premiere Pro, so learning how to use this tool will prove very useful to your editing and color correction and color grading work-flow.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 54 Color EIGHT: Color Corrector

Premiere Pro CS6 Techniques: 54 Color EIGHT: Color Corrector
  Play Video
In this tutorial, Andrew Devis demonstrates the newly redesigned for CS6 Three Way Color Corrector showing it's functionality (with the exclusion of Secondary Color Correction which will be covered in the next tutorial). Andrew shows how to change highlight, midtone and shadow pixels and even how to customize which pixel are included in each range.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 53 Color SEVEN: Skin Tones

Premiere Pro CS6 Techniques: 53 Color SEVEN: Skin Tones
  Play Video
In this tutorial, Andrew Devis shows how to select just a small section of your shot so you can evaluate just that area with the vectorscope. He then goes on to show how to use a second instance of the Fast Color Corrector in conjunction with the vectorscope to change the hue of the shot so that the final color is more real-life.

Tutorial, Video Tutorial
Andrew Devis
What Computer Should I Buy?
ProMAX ONE: Looking at the Hero

ProMAX ONE: Looking at the Hero

ProMAX has put together a beast of a creative workstation designed to serve a host of needs in production, particularly Post, and Walter Biscardi put the beast to a grueling test.

Review, Editorial, Tutorial
Walter Biscardi
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 52 Color SIX: Output Levels

Premiere Pro CS6 Techniques: 52 Color SIX: Output Levels
  Play Video
In this tutorial, Andrew Devis explains the level sliders in the 'Fast Color Corrector,' which help us to set up the contrast of a shot as well as change the brightness of a shot. This way of dealing with brightness and contrast is significantly better than using the 'Brightness & Contrast,' effect which tends to crush your luminance ranges and so degrade your shot. Andrew explains both the input and output sliders and show what a difference they can make to a poorly lit shot.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 51 Color FIVE: Color Cast

Premiere Pro CS6 Techniques: 51 Color FIVE: Color Cast
  Play Video
In this tutorial, Andrew Devis starts to deal with color problems on a shot by introducing some tools within the fast color corrector - specifically looking at the issue of white balance and color cast.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 50 Color FOUR RGB Parade

Premiere Pro CS6 Techniques: 50 Color FOUR RGB Parade
  Play Video
In this tutorial, Andrew Devis introduces the RGB Parade and explains how it can give us information to quickly see how well balanced a shot is and what problems there may be.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 49 Color THREE  The Vectorscope

Premiere Pro CS6 Techniques: 49 Color THREE The Vectorscope
  Play Video
In this tutorial, Andrew Devis introduces the vectorscope and explains what information it gives and how to select specific parts of a shot to see if the color is within legal (broadcast-able) limits.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 48 Color TWO: Color Waveform

Premiere Pro CS6 Techniques: 48 Color TWO: Color Waveform
  Play Video
In this tutorial, Andrew Devis introduces the YC Waveform graph, showing how to select it and explaining what information it gives. Andrew also briefly discusses the IRE 7.5 setup and also shows the difference between NTSC and PAL measurement as well as how PAL mV are shown differently in Premiere Pro (incorrectly) compared to After Effects (correctly).

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 47 Color ONE: Color Correction

Premiere Pro CS6 Techniques: 47 Color ONE: Color Correction
  Play Video
In this tutorial, Andrew Devis starts by explaining the difference between Color Correction and Color Grading, and then goes on to show the reference monitor, the Color Correction workspace and how to find the various scopes available in Premiere Pro CS6.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 46 The Pen Tool

Premiere Pro CS6 Techniques: 46 The Pen Tool
  Play Video
In this tutorial, Andrew Devis shows how to animate in the timeline with the pen tool. Andrew shows how to select different fixed effects in the timeline and shows how they can be animated as well as discussing the potential problems of using this method.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro CS6 Techniques: 45 Corner Pin Effect

Premiere Pro CS6 Techniques: 45 Corner Pin Effect
  Play Video
In this tutorial, Andrew Devis shows how to use the corner pin effect to replace a sign which is in perspective with a Photoshop image using the corner pin effect. Andrew also shows how to nest multiple layers such that Premier Pro sees them as a single laying meaning that they can be animated with a single set of motion controls. Lastly, Andrew also show how to smooth the animation by changing the keyframe type to a keyframe that gives a much smoother and more professional animation.

Tutorial, Video Tutorial
Andrew Devis
Series


Authors

Jon Barrie (6)
Jeff Bellune (1)
Walter Biscardi (1)
Andrew Devis (162)
Paul Ezzy (1)
Lori Freitag (1)
Dan Gordon (1)
Steven Gotz (1)
Richard Harrington (34)
Leonard King (1)
Tim Kolb (1)
Satish Kumar (1)
Timothy Kurkoski (1)
Kevin P. McAuliffe (3)
Aanarav Sareen (13)
Francesco Scartozzi (1)
Mike Velte (1)
Lucas Young (1)
Bob Zelin (1)


Other Tutorials

Adobe After Effects (735)
Adobe After Effects basics (497)
Adobe After Effects Expressions (77)
Adobe After Effects Techniques (195)
Adobe Audition, Soundbooth (34)
Adobe Director (12)
Adobe Dreamweaver (26)
Adobe Encore DVD (33)
Adobe Flash (75)
Adobe Illustrator (38)
Adobe InDesign (18)
Adobe Media Encoder (14)
Adobe OnLocation (20)
Adobe Photoshop (224)
Adobe Photoshop basics (60)
Adobe Premiere Pro (320)
Adobe Premiere Pro basics (230)
Adobe SpeedGrade (11)
Adobe ULTRA (15)
AJA io (17)
AJA Ki Pro (17)
AJA Kona - Mac (28)
AJA Kona - PC (17)
Apple Color (27)
Apple DVD Studio Pro (17)
Apple FCPX or Not: The Debate (89)
Apple FCPX Techniques (41)
Apple Final Cut Pro (208)
Apple Final Cut Pro basics (62)
Apple Final Cut Server (8)
Apple iPad (12)
Apple iPhone (15)
Apple iPod (10)
Apple Motion (61)
Apple OS X (19)
Apple Shake (17)
Apple Soundtrack (14)
Apple Xsan (8)
Archiving and Back-Up (17)
ARRI (54)
Art of the Edit (127)
Assimilate Scratch (13)
Audio Professionals (42)
Autodesk 3ds Max (61)
Autodesk Combustion (43)
Autodesk Smoke (26)
Autodesk Smoke 2013 (16)
Autodesk Toxik (9)
AVID (209)
AVID Editing basics (9)
Blackmagic Cinema Camera (13)
Blackmagic Design (58)
Blender (15)
Boris FX (85)
Broadcast Design (8)
Broadcasting (143)
Business & Marketing (104)
CalDigit (8)
Canon Cameras (24)
Canon EOS DSLR (14)
Cinema 4D (69)
Cinematography (245)
Compression techniques (21)
CoreMelt Plug-ins (15)
Corporate Video (45)
Creative COW Magazine feedback (10)
Creative COW podcasts (9)
DaVinci Resolve (25)
Digital Delivery (17)
Digital Photography (14)
DSLR Video (63)
DVD Authoring (19)
Event Videographers (54)
Field Production (19)
Film History & Appreciation (120)
Genarts Sapphire (8)
HD High-End (102)
HDV Format (40)
IBC Expo (29)
Indie Film & Documentary (168)
JVC cameras/decks (8)
Leitch dpsVelocity (11)
Letters to the COW Team (45)
Lighting Design Pros (19)
Lightwave (11)
Live & Stage Events (45)
Matrox Video Systems (17)
MAYA (58)
Media 100 (35)
Media 100 844/X (10)
NAB Expo (110)
Nuke (11)
Panasonic AF100, DVX100, HMC150 (19)
Panasonic HVX - HPX (P2) (49)
Panasonic VariCam (26)
particle Illusion (16)
Podcasting (11)
RE:Vision Effects (53)
RED Camera (47)
Red Giant plug-ins (8)
SAN - Storage Area Networks (20)
Sony DV (11)
Sony NXCAM (17)
Sony SRW Decks (11)
Sony Vegas (65)
Sony Vegas basics (40)
Sony XDCAM - EX & Related (26)
Sony XDCAM Optical Disc & Related (16)
Stereoscopic 3D (79)
Trapcode (23)
Web Design (24)
Web Streaming - Audio|Video (10)
What Computer Should I Buy? (18)
Windows Hardware & Software (32)
Zaxwerks (21)


FORUMSTUTORIALSMAGAZINESTOCKYARDVIDEOSPODCASTSEVENTSSERVICESNEWSLETTERNEWSBLOGS

Creative COW LinkedIn Group Creative COW Facebook Page Creative COW on Twitter
© 2013 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]