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Adobe Premiere Pro
Audio Recording 2: Recording Narration Play Video In this second audio recording tutorial, Andrew Devis shows how to do the actual recording in Premiere Pro, including how to target tracks, mute tracks, solo tracks with some recording tips; as well as giving us a rendition of 'The Jabberwocky' by Lewis Carroll! Is this a first for Creative COW?
Tutorial, Video Tutorial Andrew Devis |
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Adobe Premiere Pro
Changing Audio From Stereo to Dual Mono Play Video Sometimes when you record you use different microphones on each audio channel of your camera. But, when you get into Premiere Pro, you find that you have one stereo channel and not two mono channels and so you can't edit them as you would like! So how can you change a single stereo channel into two mono channels? In this quick tip tutorial, Andrew Devis demonstrates how to make that change into two mono channels or even two 5.1 channels, as well as how to change a mono track into a stereo track and how to use the preferences to make it automatic if you have lots of clips changing from one thing to another.Changing
Tutorial, Video Tutorial Andrew Devis |
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Adobe Premiere Pro
YC Waveform Graph in Premiere Pro Play Video The YC Waveform graph in Premiere Pro gives us a graphical display of the Luminance (brightness) and Chrominance (color) of our footage and is an essential tool for correcting and improving the look of our image by giving us empirical data about the changes we make rather than just relying on our eyes. In this short tutorial, Andrew Devis introduces the YC Waveform graph and shows how to use it as a reference for brightness adjustment of a shot.
Tutorial, Video Tutorial Andrew Devis |
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Adobe Premiere Pro
Interpreting Footage in Premiere Pro Play Video Sometimes you bring in footage to your project panel to add to a sequence and it just looks wrong! This is because Premiere Pro has interpreted the footage - or made assumptions about the footage - which aren't correct. So how do you tell PP to interpret the footage properly? In this tutorial Andrew Devis shows how to use the 'Interpret Footage' function in PP and then how to use the correctly interpreted footage in a sequence that matches that footage. NOTE: The Interpret Footage function works in previous versions but the the new comp function demonstrated is for CS5 and above.
Tutorial, Video Tutorial Andrew Devis |
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Adobe Premiere Pro
The Vectorscope in Premiere Pro Play Video The vectorscope provides graphical information on the colors in your footage and is an excellent way of checking your footage to find out if it is within broadcast safe limits or if additional work needs to be done. In this Premiere Pro tutorial, Andrew Devis shows how to find the vectorscope in PP, how to interpret the information it gives and how to use regions of interest to check out specific parts of your footage to get a more detailed understanding of its chrominance levels and how any changes you make affect your footage.
Tutorial, Video Tutorial Andrew Devis |
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Adobe Premiere Pro
The 'Default Scale to Frame Size' Preference Option Play Video The 'Default Scale to Frame Size' preference can cause some confusion as it is not always obvious how it works, and how it affects footage in your project. In this brief Premiere Pro tutorial, Andrew Devis explains what effect the preference has on your footage and why things may not always seem to act in the way you think they should when this preference is or isn't selected.
Tutorial, Video Tutorial Andrew Devis |
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Adobe Premiere Pro
Creating a Custom Sequence 2: The Magic Bullet Play Video In the second part of this Premiere Pro CS5+ tutorial series Andrew Devis shows how to create a new sequence which will exactly match your footage even if you have no idea what size, frame rate or pixel aspect ratio (PAR) it may be. With the use of a single drag and drop action a new sequence that matches your footage precisely can be created.
Tutorial, Video Tutorial Andrew Devis |
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Adobe Premiere Pro
Creating a Custom Sequence 1: Using the Numbers Play Video At some point in your video editing career, someone will come to you with footage that is non-standard in some way or other and ask you to deal with it! In this simple tutorial Andrew Devis shows how to create sequences that don't rely on the standard presets that ship with Premiere Pro so that you can deal with that non-standard footage quickly and simply without pulling all your hair out first!
Tutorial, Video Tutorial Andrew Devis |
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Adobe Premiere Pro
Custom Workspaces in Premiere Pro Play Video Have you ever wanted to have one panel in another place on your screen? Or maybe move your tools from the top to the bottom? In this Premiere Pro tutorial, Andrew Devis shows how to customise your workspace to meet your own specific requirements and then how to save that workspace so that you can recall it quickly and simply, to use whenever you need. Learn how to create multiple different workspaces for all the different tasks you undertake in Premiere Pro so that editing becomes ever more intuitive. NB: This is particularly invaluable when more than one person uses your machine and you want to re-set the workspace to your own exacting standards after 'they' have messed it up ;o) ...
Tutorial, Video Tutorial Andrew Devis |
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Adobe Premiere Pro
Using Workspaces in Premiere Pro Play Video In this brief tutorial, Andrew Devis introduces some of the 'built-in' workspaces available in Premiere Pro to make your task of editing quicker and more efficient by giving you all the panels you need with the most effective layout in one simple action, rather than having to search for the panels and play around with the layout of Premiere Pro to get the feel you're looking for.
Tutorial, Video Tutorial Andrew Devis |
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Adobe Premiere Pro
Understanding Nesting: A Key to Efficient Editing Play Video Without nesting, timelines can quickly become unmanageable and impossible to navigate. When timelines are broken up into chunks that reflect the main elements of your story, you can keep control of your production while making quick, realistic editing decisions based on the elements you have in each of your sequences. By using nesting you can quickly and easily build the final product and still have fast and efficient access to all editing decisions. Nesting is an essential part of editing and incredibly valuable for that final color wash to give mood and substance to your production. In this Premiere Pro tutorial, Andrew Devis demonstrates how to use nesting, and how to think about your projects so that they can be edited in the most efficient way.
Tutorial, Video Tutorial Andrew Devis |
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