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AJA Kona - Mac Tutorials

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NAB Expo
Kevin Smith @ NAB

Kevin Smith @ NAB

Thousands of members of Creative COW were at the 2011 NAB Show, and we are pleased to bring you some of their reports. In this entry, Walter Biscardi found that Director Kevin Smith has such passion for his craft, with working as a director during the day and cutting at night, and sharing his edits with the crew the next morning, he energizes all around him. After spending a few moments with Kevin, Walter was ready to go straight to his office and start working!

Feature, People / Interview
Walter Biscardi
NAB Expo
AJA@NAB

AJA@NAB

Thousands of members of Creative COW were at the 2011 NAB Show, and we are pleased to bring you some of their reports. In this entry, we find that Gary Adcock spent quite a bit of time at NAB working in the AJA booth, which showcased the KiPro Mini software update v.2.5, update for the Kona 3G card, new fibre converters and the FS2 frame sync.

Feature
Gary Adcock
NAB Expo
AJA releases 4K for KONA 3G at NAB 2011

AJA releases 4K for KONA 3G at NAB 2011

Thousands of members of Creative COW were at the 2011 NAB Show, and we are pleased to bring you some of their reports. In this entry, Debra Kaufman examines AJA's newest releases and technology advances, with AJA sporting multiple products at NAB 2011 that enhance workflows for today's--and tomorrow's--productions.

Feature
Debra Kaufman
SAN - Storage Area Networks
Fast Enough? Data-Driven Broadcast Infrastructure

Fast Enough? Data-Driven Broadcast Infrastructure

We can always can count on Bob Zelin moving fast enough to keep up with the crazy number of new options for data-driven broadcast infrastructure. Read on for Bob's review of his findings - enthusiastic and exhausted (er.. exhaustive) - at the super-charged, super-fast NAB 2010.

Review, Feature, People / Interview
Bob Zelin
Adobe After Effects
HP DreamColor Monitor as a CRT Replacement

HP DreamColor Monitor as a CRT Replacement

Thanks to its 10-bit color and advanced calibration toolset, the HP DreamColor display has naturally been seen as a strong choice for color grading, animation, and VFX monitoring. Creative COW Contributing Editor Jeremy Garchow has also found it to be a stellar choice for broadcast HD editing, offering exceptional performance at a breakthrough price. There is a little more to the story than that, including some important tips about working the DreamColor into your facility. Read on for Jeremy's real-world report on why he bought the DreamColor, and how he is using it.

Review
Jeremy Garchow
AJA Kona
Up-Converting SD for HD Projects and HD Cross-Conversion Using AJA Kona 3Up-Converting SD for HD Projects and HD Cross-Conversion Using AJA Kona 3

Need SD upconversion for HD projects, and HD cross-conversion? Broadcast editor and Final Cut Pro community leader Shane Ross recently had a DVCPRO HD project shot with the Panasonic Varicam and HVX-200 at 23.98 that had to be converted to 1080psf 23.98 for delivery on HDCAM. After long research and experience with many FCP-compatible cards, he concluded that the AJA Kona 3 was the way to go. It even handles SD upconversion too, all in real time. Read why he chose this specific card, and how he got the job done.

Tutorial, Feature
Shane Ross
Apple Final Cut Pro
Bob Zelin Looks at Dulce Systems Pro EX PCI-Express expanderBob Zelin Looks at Dulce Systems Pro EX PCI-Express expander

WELL, it happened again. Today, I installed the new Dulce Systems Pro EX PCI-Express expander. This product is amazing, and this review will be very short, as it's such a simple product, that has been LONG OVERDUE.

Review
Bob Zelin
AJA io
The long-awaited AJA Io HD!The long-awaited AJA Io HD!

Creative COW Community leader Gary Adcock has also worked closely with a number of industry manufacturers over the years, including AJA. Gary offers a guided tour through the features of the much-anticipated Io HD, and its promise of portable, hardware-supported ProRes editing in virtually every frame size and frame rate.

Review
Gary Adcock
HD High-End
Shane Ross Reports: IBC 2007Shane Ross Reports: IBC 2007

Creative Cow leader Shane Ross saved you a trip to Amsterdam -- further for some Cows than others, but pretty far for most. As always, you can count on Shane to tell you exactly what he thinks about what he saw: AJA, Sony XDCAM EX, Edit Share, and That Other Camera.

Feature
Shane Ross
AJA Kona
Bob Zelin Looks at The AJA GEN10Bob Zelin Looks at The AJA GEN10

The AJA GEN10 is a cost effective and flexible Blackburst and Tri-level Sync Generator. While reminding you of why blackburst and sync are very, very good ideas, Creative Cow leader Bob Zelin takes you through the GEN10's ins and 7 outs.

Review
Bob Zelin
Apple Final Cut Pro
Machine Rooms: The Bob Zelin WayMachine Rooms: The Bob Zelin Way

Walter Biscardi reports on the recent upgrade of his studio by fellow Creative COW leader, Bob Zelin.

Feature
Walter Biscardi
Apple Final Cut Pro
SAS RAID from Dulce SystemsSAS RAID from Dulce Systems

Creative COW Contributing Editor Bob Zelin talks about the latest step in the Serial Attached Storage revolution: full RAID 5 protection with read speeds over 350 mb/sec. from Dulce Systems. At least that's what Dulce claimed. When he heard the rest of what Dulce had to say, Bob simply didn't believe them. When he put those claims to the test, he got a lot more than he bargained for. Will you?

Review
Bob Zelin
AJA Kona - Mac
Cal Digit S2VRHD

Cal Digit S2VRHD

CreativeCOW's Bob Zelin tests a Cal Digit S2VRHD with a host card for a PCI-X computer, and a PCI-E computer. He used the incredible AJA Kona System Test, to evaluate the drive speeds. He was determined to 'break it.' Did he? No. He determined that...''If you want to do uncompressed HD, for a fraction of the price of an Apple Xserve RAID, or other hi end SCSI or Fibre Channel drive arrays, THIS IS YOUR BOX.'' Read the rest to find out why.

Review
Bob Zelin
AJA Kona - Mac
AJA HD10AVA Converter

AJA HD10AVA Converter

CreativeCOW's Bob Zelin discusses how to turn your HDV VTR into a professional product using the amazing AJA HD10AVA converter. It takes the analog component HD signal from your Sony or JVC HDV VTR, and converts it to an HD-SDI signal that can go right into the HD-SDI input of your capture card.

Review
Bob Zelin
Indie Film & Documentary
Formats, Color Bit-Depths, Data Rates and Storage Requirements

Formats, Color Bit-Depths, Data Rates and Storage Requirements

In this chart, Creative COW Magazine shows readers the various data-rates, formats and codecs in use in video production and how much hard drive space is required when using each of these formats.

Tutorial
Ron Lindeboom
Apple Final Cut Pro
Recapturing HDV, Can it be done?

Recapturing HDV, Can it be done?

CreativeCOW.net contributing editor and leader, David Battistella, explores the question of recapturing HDV. He'd seen so many posts, so much talk about HDV format and the problems incurred, so David has taken the time to test a couple of workflows. Here's David's report.

Tutorial
David Battistella
HDV Format
High Definition for the Road

High Definition for the Road

Thanks to formats like DVCPro HD and HDV, High Definition can now be edited pretty much anywhere on just about any computer. Yeah, this is cool and you can really make your friends jealous just cutting away with your super slick laptop. But you know what's really slick? Editing Uncompressed High Definition anywhere. How about an Uncompressed editing workstation in a 25'' square box? No way? Way! Read on to find out about Wally's Traveling Box of Mystery and Intrigue...

Tutorial, Feature
Walter Biscardi
G-Tech
The G-Tech G-Raid

The G-Tech G-Raid

For years Medea Corporation has been the hallmark of reliability when it comes to storage for the media industry. If you wanted big, fast storage with mission critical reliability, Medea was the drive array for you. Now comes its little brother, G-Technology Corporation. In this article, Creativecow leader reviews the G-Tech G-Raid and concludes...''This is the most versatile unit I've ever used with its ability to work seamlessly with anything up to 10bit uncompressed and just remain solid no matter the situation or machine it's connected to. '''

Review
Walter Biscardi
AJA Kona - Mac
AJA Kona SD v2.1

AJA Kona SD v2.1

CreativeCOW leader, Marco Solorio reviews the new AJA Kona SD v. 2.1. For those seeking the latest uncompressed capture card for your Final Cut Pro system, this may be the answer you're looking for. With version 2.1 in public release, this system has unique features that other capture cards can only dream of.

Review
Marco Solorio
Authors

Gary Adcock (2)
David Battistella (1)
Walter Biscardi (4)
Jeremy Garchow (1)
Debra Kaufman (1)
Ron Lindeboom (1)
Shane Ross (2)
Marco Solorio (1)
Bob Zelin (6)


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