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TV & Movie Appreciation
The Toaster and Tim's Vermeer

The Toaster and Tim's Vermeer

The inventor of the NewTek Video Toaster was certain that he figured out the secret behind the uncanny realism of one of the world's greatest painters, and certain he could use the same methods to duplicate it. Really? Yes, really. Join us for a conversation with NewTek founder Tim Jenison on the unexpected intersection of art, technology, obsession and the Video Toaster in the wonderfully provocative documentary called Tim's Vermeer.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
John Dykstra, ASC: VFX Then and Now

John Dykstra, ASC: VFX Then and Now

Creative COW recently had the great pleasure of speaking to visual effects pioneer John Dykstra, whose work first came to prominence on the original Star Wars. Dykstra received his first Academy Award for his work on Star Wars, and, the same year, won an Academy Scientific and Engineering Award for the Dykstraflex motion-control camera that made so many of Star Wars' effects possible. Join us as he shares behind the scenes on Star Wars, speaks about his transition from an artist to a VFX supervisor, and gives us his thoughts on the state of VFX today.

Editorial, Feature, People / Interview
John Dykstra, ASC
TV & Movie Appreciation
Creating the 3D in Gravity

Creating the 3D in Gravity

Gravity, the highly-acclaimed, intensely emotional space thriller, has been hailed as some of the - if not the VERY - best 3D footage ever seen on the big screen. This has led to some surprise when learning that Gravity was NOT shot in 3D. However, it wasn't entirely converted in post either. It featured an innovative and unique workflow that incorporated 3D conversion during production as well as a complex integration with 3D VFX. In a conversation with Prime Focus World, we find out how they did it.

Editorial, Feature, People / Interview
Debra Kaufman
MAYA
Iron Man 3: The Trixters Behind Tony Stark's Shiny New Armor

Iron Man 3: The Trixters Behind Tony Stark's Shiny New Armor

Seventy artists from Trixter worked an entire year to create a formidable 208 VFX shots for Marvel's Iron Man 3. Each new episode in the Iron Man saga details a slick new technology created by the ingenious Tony Stark, and the new installment does not disappoint! Combining the hard surface geometry of the Iron Man suit auto-assembly with the flexibility of the human body was one of the challenges that Trixter brought from previs to believable screen reality.

Editorial, Feature, People / Interview
Alessandro Cioffi
Cinematography
Behind the Lens: Paul Cameron ASC on Total Recall

Behind the Lens: Paul Cameron ASC on Total Recall

Paul Cameron, ASC, just finished work on the remake of Total Recall, directed by Len Wiseman and starring Colin Farrell, Kate Beckinsale and Jessica Biel with Bill Nighy, Bryan Cranston, and John Cho. Cameron was last featured in Creative COW for his work on Henry's Crime. His previous credits include director Michael Mann's Collateral and Tony Scott's Man on Fire.

Feature
Paul Cameron, ASC
Art of the Edit
NAB 2012: Introducing Our Blue Ribbon Award Winners

NAB 2012: Introducing Our Blue Ribbon Award Winners

The only industry award chosen by hundreds of thousands of working professionals and potential customers from around the world.

Editorial
Tim Wilson
DaVinci Resolve
Company 3's DI artist Stephen Nakamura on Prometheus

Company 3's DI artist Stephen Nakamura on Prometheus

Stephen Nakamura, one of a handful of artists who helped to pioneer DI color grading, shares his experience on creating the look for Prometheus as envisioned by director Ridley Scott.

Feature
Stephen Nakamura
NEWS: People in the News
Steve Jobs - A Personal Calendar Entry

Steve Jobs - A Personal Calendar Entry

Steve Jobs was almost unbelievably young when we met him. We talk about him as a visionary now, but then, they called him a whiz kid, the Boy Wonder: 21 when Apple was founded in 1976, 22 when Apple formally incorporated, 25 for Apple's IPO, and 26 when he first made the cover of Time Magazine. Macintosh shipped when Steve was 28.

Editorial
Tim Wilson
COWmunications feedback
Divergence

Divergence

Every now and then, a hype word comes along that actually means something... Divergence is fun for us as media consumers. It’s a nightmare for us as media makers, though. The trick is to embrace the delight consumers find in all this divergence, and to let it soothe the stabbing pain between our eyes as producers. No problem, right? Right.

Editorial
Tim Wilson
Telestream Episode
The ABC Player App for iPad: Start Here

The ABC Player App for iPad: Start Here

ABC has been the first network on virtually every new platform. Here is how their workflow has evolved to reach viewers, wherever and however they’re watching.

Feature, People / Interview
Robert Longwell
Apple iPod
Useful. Fantastic. Essential.

Useful. Fantastic. Essential.

In this article from the Creative COW Magazine, Dave Howell discusses some serious apps and new developments from LiveType to the Apps Store.

Editorial, Feature
Dave Howell
Gridiron Software
Gary Adcock's MacWorld 2008 Wrap-upGary Adcock's MacWorld 2008 Wrap-up

Creative COW Community leader Gary Adcock was one of many COWs at MacWorld. He shares his impressions with us, including one product that will be shaping things for a long time to come. And because it's MacWorld, something cool for your iPod and iPhone.

Feature
Gary Adcock
Compression techniques
Jim Harvey reviews

Jim Harvey reviews

A DVD about compression gets an enthusiastic 5 Cow rating? Really? Really! CreativeCOW.net Contributing Editor Jim Harvey takes you inside the new Creative Cow Master Series DVD by Aharon Rabinowitz, "Creating Web Video: Internet Killed the Video Star." See why Jim thinks this is one of the most essential --- and enjoyable -- training DVDs you can buy.

Review
Jim Harvey
Authors

Gary Adcock (1)
Jim Harvey (1)
Dave Howell (1)
Paul Cameron, ASC (4)
Robert Longwell (1)
Stephen Nakamura (1)
Tim Wilson (4)


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