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Apple Final Cut Pro
Final Cut Help: Keyframing Color Correction
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In this episode of Final Cut Help, Richard Harrington takes a look at keyframing the three way color corrector in FCP. As details change in a movie clip you can have the filter adjust its values over time. This example uses a video of a bird starting in a bright sky and ending in water which is darker, the contrast transition is controlled by keyframing the saturation and color correction.
Tutorial, Video Tutorial
Richard Harrington |
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Apple Final Cut Pro
Fixing Exposure
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In this Final Cut tutorial, Richard Harrington discusses the common problem of backlighting, exposure and what can happen when shooting video outdoors. Proper exposure of all elements in a shoot can be a pain to achieve with a bright sun and blue sky but using the three way color corrector in Final Cut Pro, Richard is able to make all the elements pop.
Tutorial, Video Tutorial
Richard Harrington |
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Apple Final Cut Pro
Final Cut Pro: Correcting White Balance
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In this Final Cut tutorial, Richard Harrington discusses what to do to correct your film when you shoot footage with the wrong white balance setting. This is a common problem if you step outside after shooting inside and you forget to rewhite balance. Richard uses the three way color corrector to do a digital white balance on the clip inside of Final Cut Pro.
Tutorial, Video Tutorial
Richard Harrington |
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Apple Final Cut Pro | Maximum FCP Efficiency with Tabs
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Because Final Cut Pro can do so much, it can be easy to get lost inside its interface as you start to do more and more at once. Let Creative Cow leader and Final Cut Pro expert Walter Biscardi show you how to take back control of your workspace and work more quickly and efficiently with FCPs tabs.
Tutorial, Video Tutorial
Walter Biscardi |
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Apple Final Cut Pro | Part 2: ProRes for HDV, with a splash of Color
As promised, here's part 2 of our preliminary look at The COW's Collected Wisdom on ProRes. The update from last week: 215 ProRes posts in the past week. That's right: the pace of ProRes posts has more than doubled. And they're spread across 11 forums! Nobody can possible keep up with all this!
Except for us. You took the effort to write 215 ProRes posts last week, so we've read each and every one of them and summarized the highlights for you here.
The big stories in part 2: ProRes for HDV, with a splash of Color. We've also got the latest tech notes from Apple, documentation you might have missed, and updates on the latest supported mice.
Tutorial, Feature
Tim Wilson |
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