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Apple Shake Tutorials

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Adobe After Effects
On Set KeyingOn Set Keying

In this article Creative Cow Leader Andrew Shanks plans to go through some of the software options for checking greenscreens on set (Lensfeed, Veescope and Conduit Live).

Review, Feature   05/09/2008
Author: Andrew Shanks
Apple Shake
Apple Shake Video Tutorial: An Introduction to Node-based CompositingApple Shake Video Tutorial: An Introduction to Node-based Compositing

Steve Wright is a visual effects veteran with 70 broadcast television commercials and over 60 feature films credits. Hes also written and taught extensively on many aspects of effects creation. Here, using Apple Shake as an example, Steve introduces the ideas and methods of node-based compositing.

Tutorial, Video Tutorial, Feature   09/04/2007
Author: Steve Wright
Apple Shake
Keying 101: Spill SuppressionKeying 101: Spill Suppression

This tutorial from Creative Cow Leader Andrew Shanks demonstrates various common approaches to getting rid of colour spill after keying.

Tutorial, Video Tutorial   02/27/2007
Author: Andrew Shanks
Apple Shake
Keying 101: Light Wrap and Edge BlendingKeying 101: Light Wrap and Edge Blending

This tutorial from Creative Cow Leader Andrew Shanks shows common techniques to better blend your keyed foreground element with the background plate.

Tutorial, Video Tutorial   02/22/2007
Author: Andrew Shanks
Apple Shake
Keying 101: Edge, Core and Garbage MattesKeying 101: Edge, Core and Garbage Mattes

Going beyond the one click keying technique most beginners use, this tutorial from Creative Cow Leader Andrew Shanks shows a common technique and includes tips for other ways to tackle pulling a key.

Tutorial, Video Tutorial   02/16/2007
Author: Andrew Shanks
Apple Shake
Smoothing DV JaggiesSmoothing DV Jaggies

In this video tutorial, Creative Cow Leader Andrew Shanks demonstrates cleaning up DV/HDV chroma compression artifacts in Shake to allow for better keying.

Tutorial, Video Tutorial   02/13/2007
Author: Andrew Shanks
Indie Film & Documentary
Formats, Color Bit-Depths, Data Rates and Storage RequirementsFormats, Color Bit-Depths, Data Rates and Storage Requirements

In this article, Creative Cows Ron Lindeboom examines how much hard drive space is needed when using the most commonly used formats, data rates, color bit-depths and formats.

Tutorial   11/18/06
Author: Ron Lindeboom
Apple Shake
Morphing in ShakeMorphing in Shake

IIn this third video in the series, Shake is Money, Creative Cow Contributor Michael Mench demonstrates a brief overview of the Morpher Node in Shake.

Tutorial, Video Tutorial   07/17/2006
Author: Michael Mench
Apple Shake
Slow MotionSlow Motion

In this second video in the series, Shake is Money, Creative Cow Contributor Michael Mench demonstrates Slow Motion in Apple Shake.

Tutorial, Video Tutorial   07/10/2006
Author: Michael Mench
Apple Shake
Smooth Cam NodeSmooth Cam Node

In this Apple Shake video tutorial, Creative Cow Contributor Michael Mench begins a series called Shake is Money in which he will discuss how Final Cut Pro editors can quickly learn how to integrate Shake into their workflow for added flexibilty in the studio. In this first video in the series, Michael demonstrates the Smooth Cam Node in Shake.

Tutorial, Video Tutorial   07/03/2006
Author: Michael Mench
Apple Shake
How to become a Feature Film Compositor by John Lafauce Jr.How to become a Feature Film Compositor by John Lafauce Jr.

Have you ever wanted to contribute to building a twenty thousand man army in "Troy", make a mouse fly a plane in "Stuart Little 2", or launch a doomed luxury liner in "Titanic?" You can achieve visual feats you never dreamed possible and accomplish them all through the magic of compositing. Read this article written by John Lafauce Jr., and see... How to become a feature film compositor. A note just to clarify: this article is about high-end 2d/3d compositing for long form media such as films, where the goal is to make the work seamless, integrated and "invisible". Not to be confused with compositing for motion graphics, where the objective is to make the object or design stand out and be "visible" to the viewer.

Tutorial, Feature   02/25/2005
Author: John Lafauce Jr.
Authors

John Lafauce Jr. (1)
Ron Lindeboom (1)
Michael Mench (3)
Andrew Shanks (5)
Steve Wright (1)


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