Creative COW SIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US :: FAQ
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
LIBRARY:TutorialsVideo TutorialsReviewsInterviewsEditorialsFeaturesBusinessAuthorsRSS Feed

Apple Xsan Tutorials

FORUM  •   HOT TODAY   •   LIBRARY HOME   •   SUBSCRIBE
TV & Movie Appreciation
The Toaster and Tim's Vermeer

The Toaster and Tim's Vermeer

The inventor of the NewTek Video Toaster was certain that he figured out the secret behind the uncanny realism of one of the world's greatest painters, and certain he could use the same methods to duplicate it. Really? Yes, really. Join us for a conversation with NewTek founder Tim Jenison on the unexpected intersection of art, technology, obsession and the Video Toaster in the wonderfully provocative documentary called Tim's Vermeer.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
John Dykstra, ASC: VFX Then and Now

John Dykstra, ASC: VFX Then and Now

Creative COW recently had the great pleasure of speaking to visual effects pioneer John Dykstra, whose work first came to prominence on the original Star Wars. Dykstra received his first Academy Award for his work on Star Wars, and, the same year, won an Academy Scientific and Engineering Award for the Dykstraflex motion-control camera that made so many of Star Wars' effects possible. Join us as he shares behind the scenes on Star Wars, speaks about his transition from an artist to a VFX supervisor, and gives us his thoughts on the state of VFX today.

Editorial, Feature, People / Interview
John Dykstra, ASC
TV & Movie Appreciation
Creating the 3D in Gravity

Creating the 3D in Gravity

Gravity, the highly-acclaimed, intensely emotional space thriller, has been hailed as some of the - if not the VERY - best 3D footage ever seen on the big screen. This has led to some surprise when learning that Gravity was NOT shot in 3D. However, it wasn't entirely converted in post either. It featured an innovative and unique workflow that incorporated 3D conversion during production as well as a complex integration with 3D VFX. In a conversation with Prime Focus World, we find out how they did it.

Editorial, Feature, People / Interview
Debra Kaufman
NEWS: People in the News
Remembering Ray Dolby: A Life of Invention

Remembering Ray Dolby: A Life of Invention

Ray Dolby gave his talents and his name to the most significant advances in audio recording, for both the professional film/TV/music industries and consumer products. On the occasion of his death, at age 80, Creative COW tells the story of his life, his engineering achievements and the impact he has had on the creative people in our industry.

Editorial, Feature, People / Interview
Debra Kaufman
MAYA
Iron Man 3: The Trixters Behind Tony Stark's Shiny New Armor

Iron Man 3: The Trixters Behind Tony Stark's Shiny New Armor

Seventy artists from Trixter worked an entire year to create a formidable 208 VFX shots for Marvel's Iron Man 3. Each new episode in the Iron Man saga details a slick new technology created by the ingenious Tony Stark, and the new installment does not disappoint! Combining the hard surface geometry of the Iron Man suit auto-assembly with the flexibility of the human body was one of the challenges that Trixter brought from previs to believable screen reality.

Editorial, Feature, People / Interview
Alessandro Cioffi
Cinematography
Behind the Lens: Paul Cameron ASC on Total Recall

Behind the Lens: Paul Cameron ASC on Total Recall

Paul Cameron, ASC, just finished work on the remake of Total Recall, directed by Len Wiseman and starring Colin Farrell, Kate Beckinsale and Jessica Biel with Bill Nighy, Bryan Cranston, and John Cho. Cameron was last featured in Creative COW for his work on Henry's Crime. His previous credits include director Michael Mann's Collateral and Tony Scott's Man on Fire.

Feature
Paul Cameron, ASC
Art of the Edit
NAB 2012: Introducing Our Blue Ribbon Award Winners

NAB 2012: Introducing Our Blue Ribbon Award Winners

The only industry award chosen by hundreds of thousands of working professionals and potential customers from around the world.

Editorial
Tim Wilson
DaVinci Resolve
Company 3's DI artist Stephen Nakamura on Prometheus

Company 3's DI artist Stephen Nakamura on Prometheus

Stephen Nakamura, one of a handful of artists who helped to pioneer DI color grading, shares his experience on creating the look for Prometheus as envisioned by director Ridley Scott.

Feature
Stephen Nakamura
NEWS: People in the News
Steve Jobs - A Personal Calendar Entry

Steve Jobs - A Personal Calendar Entry

Steve Jobs was almost unbelievably young when we met him. We talk about him as a visionary now, but then, they called him a whiz kid, the Boy Wonder: 21 when Apple was founded in 1976, 22 when Apple formally incorporated, 25 for Apple's IPO, and 26 when he first made the cover of Time Magazine. Macintosh shipped when Steve was 28.

Editorial
Tim Wilson
Business & Marketing
Recalling our First Five Years in Print

Recalling our First Five Years in Print

The Power of Dreaming: Forging Visions that Work. That is the standard that we at Creative COW strive to unite under. In just five years, the COW Magazine has moved from the realms of dreams to a market leader. Read on for founder Ron Lindeboom's personal remembrances and inspiration, and what constantly keeps us at the COW motivated for further achievement -- you, our readers and members.

Editorial, Feature, People / Interview, Project
Ron Lindeboom
Business & Marketing
Are you sure that this is a good idea?

Are you sure that this is a good idea?

When we started with Creative COW Magazine, we mostly knew what we didn't want to do: the tutorials and reviews that were the hallmark of other magazines. Why bother? We already had literally thousands of them online. Instead, we made the same choice that had made such a difference online: focus on people. In fact, we've asked over 120 of them to tell us their stories since we started. Most have never written anything for public consumption before, but their expertise and their passion spring off the page.

Editorial, People / Interview, Project
Tim Wilson
SAN - Storage Area Networks
Fast Enough? Data-Driven Broadcast Infrastructure

Fast Enough? Data-Driven Broadcast Infrastructure

We can always can count on Bob Zelin moving fast enough to keep up with the crazy number of new options for data-driven broadcast infrastructure. Read on for Bob's review of his findings - enthusiastic and exhausted (er.. exhaustive) - at the super-charged, super-fast NAB 2010.

Review, Feature, People / Interview
Bob Zelin
Authors

Paul Cameron, ASC (5)
Ron Lindeboom (1)
Stephen Nakamura (1)
Tim Wilson (4)
Bob Zelin (1)


Other Tutorials

Adobe After Effects (774)
Adobe After Effects basics (509)
Adobe After Effects Expressions (83)
Adobe After Effects Techniques (216)
Adobe Audition, Soundbooth (39)
Adobe Creative Cloud (27)
Adobe Creative Cloud: The Debate (11)
Adobe Director (17)
Adobe Dreamweaver (31)
Adobe Encore DVD (38)
Adobe Flash (80)
Adobe Illustrator (43)
Adobe InDesign (23)
Adobe Media Encoder (19)
Adobe OnLocation (25)
Adobe Photoshop (237)
Adobe Photoshop basics (66)
Adobe Premiere Pro (347)
Adobe Premiere Pro basics (237)
Adobe SpeedGrade (16)
Adobe ULTRA (20)
AJA io (21)
AJA Ki Pro (21)
AJA Kona - Mac (32)
AJA Kona - PC (21)
Apple - Windows on Mac (10)
Apple Color (29)
Apple DVD Studio Pro (20)
Apple FCPX or Not: The Debate (106)
Apple FCPX Techniques (50)
Apple Final Cut Pro (219)
Apple Final Cut Pro basics (65)
Apple Final Cut Server (11)
Apple Garage Band (9)
Apple iPad (15)
Apple iPhone (18)
Apple iPod (13)
Apple LiveType (9)
Apple Logic (8)
Apple MobileMe (8)
Apple Motion (86)
Apple OS X (22)
Apple Shake (20)
Apple Soundtrack (17)
Apple Xsan (12)
Archiving and Back-Up (22)
ARRI (69)
Art of the Edit (175)
Assimilate Scratch (16)
Audio Professionals (47)
Aurora Video Systems (10)
Autodesk 3ds Max (76)
Autodesk Combustion (46)
Autodesk Smoke (30)
Autodesk Smoke 2013 (17)
Autodesk Toxik (10)
AVID (238)
AVID Editing basics (9)
Blackmagic Cinema Camera (20)
Blackmagic Design (73)
Blender (15)
Boris FX (86)
Broadcast Design (9)
Broadcasting (163)
Business & Marketing (116)
CalDigit (8)
Canon Cameras (35)
Canon EOS DSLR (26)
Cinema 4D (72)
Cinematography (296)
Compression techniques (21)
CoreMelt Plug-ins (15)
Corporate Video (45)
Creative COW Magazine feedback (10)
Creative COW podcasts (9)
DaVinci Resolve (33)
Digital Delivery (18)
Digital Photography (14)
DSLR Video (71)
DVD Authoring (19)
Event Videographers (55)
Field Production (23)
Genarts Sapphire (8)
HD High-End (116)
HDV Format (40)
IBC Expo (34)
Indie Film & Documentary (197)
JVC cameras/decks (10)
Leitch dpsVelocity (11)
Letters to the COW Team (46)
Lighting Design Pros (19)
Lightwave (10)
Live & Stage Events (47)
Matrox Video Systems (17)
MAYA (65)
Media 100 (37)
Media 100 844/X (10)
NAB Expo (126)
Nuke (11)
Panasonic AF100, DVX100, HMC150 (21)
Panasonic HVX - HPX (P2) (55)
Panasonic VariCam (30)
particle Illusion (16)
Podcasting (11)
RE:Vision Effects (53)
RED Camera (57)
Red Giant plug-ins (8)
SAN - Storage Area Networks (20)
Sony DV (12)
Sony NXCAM (22)
Sony SRW Decks (12)
Sony Vegas (120)
Sony Vegas basics (99)
Sony XDCAM - EX & Related (28)
Sony XDCAM Optical Disc & Related (16)
Stereoscopic 3D (80)
Trapcode (23)
TV & Movie Appreciation (172)
Web Design (24)
Web Streaming - Audio|Video (11)
What Computer Should I Buy? (20)
Windows Hardware & Software (37)
Zaxwerks (21)


FORUMSTUTORIALSFEATURESVIDEOSPODCASTSEVENTSSERVICESNEWSLETTERNEWSBLOGS

Creative COW LinkedIn Group Creative COW Facebook Page Creative COW on Twitter
© 2014 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]