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Art of the Edit Tutorials

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Cinematography
VFX Soup: Ken Ralston, Jay Redd, VFX for Men in Black 3

VFX Soup: Ken Ralston, Jay Redd, VFX for Men in Black 3

Just in time for the theater release of Men in Black 3, Creative COW had the opportunity to speak with Visual Effects Supervisors, Jay Redd, and five-time Academy Award winner and vfx pioneer Ken Ralston about their adventures with aliens and the Men in Black.

Feature
Debra Kaufman
Art of the Edit
NVIDIA Introduces Virtualization and Remote Computing

NVIDIA Introduces Virtualization and Remote Computing

NVIDIA has debuted its VGX platform, which enables many users to access a virtualized desktop and get the same graphics performance on any connected device. The VGX platform, composed of three new technologies, opens up the possibilities of remote collaboration and cloud-based graphics without a loss of power and with low latency. Though still a proof of concept, the new computing paradigm will move into beta this summer, with partnerships in the offing.

Feature
Debra Kaufman
Broadcasting
Live TV: On a Budget

Live TV: On a Budget

Dylan Reeve and a small group of no-budget podcaster friends decided to embark upon the challenge of broadcasting live election coverage of the New Zealand General Election online in HD. Live trainwreck or success?

Feature
Dylan Reeve
Apple FCPX or Not: The Debate
Colorgrading Round-Up

Colorgrading Round-Up

Dennis Kutchera went to Vegas with a goal - to be tantalized by the new colour-grading options - in essence, to cheat on his beloved Avid. What happens in Vegas, this time, comes back with some great stories.

Feature
Dennis Kutchera
Adobe Premiere Pro
Premiere Pro CS 6.0: First Impressions

Premiere Pro CS 6.0: First Impressions

As a long-time Final Cut Pro user, David Lawrence has been looking for a new NLE, since FCPX isn't an option for his editing style and needs. When word leaked out of a CS6 trial release, David took Premiere Pro 6 for a spin. And WOW! is what his impressions were. Read on for more details.

Editorial
David Lawrence
Apple FCPX or Not: The Debate
Confessions of a Creative Maniac: Unified Theory of Media

Confessions of a Creative Maniac: Unified Theory of Media

Convenience is more important than quality -- I've taught a couple of generations of students that understanding this basic reality is a great way to predict just about any future media trend, and in the case of NAB, it looks like the equation has not lost a molecule of relevance.

Editorial, Feature
David Biedny
Windows Hardware & Software
NAB 2012: HP

NAB 2012: HP

At NAB 2012, HP unveiled its all-in-one HP Z1 workstation. With a 27-inch diagonal screen, Intel Xeon processors and NVIDIA Quadro graphics, the HP Z1 is aimed at both the digital media and entertainment industry and the computer-aided design market.

Feature
Debra Kaufman
Apple FCPX or Not: The Debate
Confessions of an NAB Virgin

Confessions of an NAB Virgin

This is no ordinary NAB recap. This isn't a collection of thoughts about products and software. This is the confession of a small-town starry-eyed NAB virgin, and the adventures and anxieties she finds herself in.

Feature
Kylee Wall
NAB Expo
NAB 2012: AJA Video Systems

NAB 2012: AJA Video Systems

AJA Video Systems brought out the big guns at NAB 2012, including T-TAP, a powerhouse in a small, inexpensive package for delivering 10-bit 2K, HD and SD (with embedded audio) from any compatible Mac. Elsewhere, the company released firmware to support Avid DNxHD and offered a post pathway for the 4K output of the new Canon C500.

Feature
Debra Kaufman
NAB Expo
NAB 2012 is in the books, final thoughts...

NAB 2012 is in the books, final thoughts...

Walter Biscardi went to NAB 2012 with every intention of documenting each day and sharing the vast (and often overwhelming) wealth of information he would glean from the NAB SHOW floor. Well, day one left him needing tons of caffeine, and a lot more sleep - so we're wrapping up now, after a flight home and some time for Walter to catch his breath.

Feature
Walter Biscardi
AVID
Learn Media Composer Lesson 3: Audio Settings

Learn Media Composer Lesson 3: Audio Settings
  Play Video
In this lesson, Kevin P McAuliffe begins at the top of the Settings window by looking at the Audio and Audio Project settings, and how a commonly overlooked setting can really get you into trouble, if you don't know what you're looking for.

Tutorial, Video Tutorial
Kevin P. McAuliffe
NAB Expo
Walter Biscardi: NAB 2012, Day One

Walter Biscardi: NAB 2012, Day One

Sometimes, our first impressions are the most powerful, and as Walter Biscardi walked the NAB floor on Day One, he had some definite strong first impressions. Read about what he saw, and reap vicariously the wealth of new information on sparkly new product releases from NAB 2012.

Feature
Walter Biscardi
Autodesk Smoke
Walter Biscardi: Yes, Autodesk Smoke 2013 Changes Everything

Walter Biscardi: Yes, Autodesk Smoke 2013 Changes Everything

"From the moment I saw Autodesk Smoke 2013, I knew the entire post production world as we knew it had changed." So says Creative COW Contributing Editor Walter Biscardi in an overview that covers Smoke's new editor-centered (and Mac-friendly) interface, ease of use, support for FCP 7 and Avid projects and keyboard mapping, and advanced, integrated effects and color tools -- including several that had previously been available in Autodesk Flame. Oh yeah, a price drop to $3495. See why Walter says, "For the traditional editor, this is completely game-changing."

Feature
Walter Biscardi
Autodesk Smoke
NAB 2012: Autodesk Unveils a New Smoke

NAB 2012: Autodesk Unveils a New Smoke

Autodesk introduced a new Smoke that features an editor-friendly user interface, connected editing and effects, lower system requirements and a much lower price. Aimed at the multi-tasking editor, the new Smoke allows editors to handle all kinds of visual effects tasks on the editing timeline.

Feature
Debra Kaufman
Apple iPad
COACM: The Application is Dead. Long Live the App!

COACM: The Application is Dead. Long Live the App!

While tablets might seem like a bit of a gratuitous topic for media producers, the fact is that the smartphone and tablet markets have created an entirely new reality for software publishers and users, and it seems like the value proposition for application software is forever changed. What does this spell for the future of software development?

Editorial
David Biedny
Art of the Edit
Confessions of a Creative Maniac: Of Wills and Ways

Confessions of a Creative Maniac: Of Wills and Ways

Moving forward into faster and more aggressive technology is no substitute for creative thinking. The simple fact is that we're on the bleeding edge of the sword, we're the ones pushing the whole cart forward with our demands for more speed, more performance, more everything. How much is enough?

Editorial
David Biedny
Art of the Edit
Style, Emotion & Vamping on The Vampire Diaries

Style, Emotion & Vamping on The Vampire Diaries

40 hours of dailies get cut into 42 minutes of rapid edits, extreme angles, heightened drama, elevated emotions and, as needed, elegance.

Feature
Nancy Forner, ACE
Art of the Edit
Company 3 Partners with FutureWorks

Company 3 Partners with FutureWorks

Company 3 - a Digital Intermediate powerhouse in Santa Monica, CA - joined forces with FutureWorks, a Mumbai-based post-production facility, in order to offer its color grading services to Bollywood's feature film and commercial clients.

Feature
Debra Kaufman
Apple FCPX or Not: The Debate
What a Long, Strange Year It's Been!

What a Long, Strange Year It's Been!

Apple imploding. Adobe ascending. Avid opening up. Who could have seen it coming? Here's Walter's look at what happens when the blinders come off.

Feature, People / Interview
Walter Biscardi
Apple FCPX or Not: The Debate
Real World Editing: From Avid to FCP and Back Again

Real World Editing: From Avid to FCP and Back Again

The inside story of reality TV giants Bunim/Murray Productions, and their trip from Avid Media Composer to Apple Final Cut Pro...and back again.

Feature, People / Interview
Mark Raudonis
Cinematography
Cutting Tinker Tailor Soldier Spy

Cutting Tinker Tailor Soldier Spy

Accomplished Swedish editor Dino Jonsäter follows the clues to edit the notoriously complicated story, "Tinker, Tailor, Soldier, Spy," his first Hollywood film.

Feature, People / Interview
Debra Kaufman
Audio Professionals
A Look at Alan Parsons Art & Science of Sound Recording

A Look at Alan Parsons Art & Science of Sound Recording

If you are one of the many people working in film and broadcast that has been wanting to sharpen your skills in audio production -- or just become more aware of its principles and dynamics -- Creative COW's Ronald Lindeboom points to a series that is near to guaranteed to expand your working knowledge of audio.

Review
Ronald Lindeboom
Art of the Edit
The Discovery Process

The Discovery Process

John Lawrence and his team at Image Work Communications are helping clients discover their own stories -- and discovering for themselves how the speed of HP workstations can make a difference when editing on both Mac and Windows.

Feature, People / Interview
John Lawrence
Art of the Edit
Opening My Mind Has Opened Doors

Opening My Mind Has Opened Doors

Richard Harrington describes how he reached the decision to switch from Final Cut Pro to Adobe Premiere Pro and why part of his post-production department is running on Windows.

Feature, People / Interview
Richard Harrington
MAYA
VFX Soup: Tintin VFX Supe Joe Letteri Talks 3D and Mocap

VFX Soup: Tintin VFX Supe Joe Letteri Talks 3D and Mocap

Four-time VFX Oscar-winner Joe Letteri describes the advanced technology behind Steven Spielberg's The Adventures of Tintin, discussing his own adventures with virtual cameras, motion capture, 3D, and three years of pre-production with the team at Weta Digital.

Feature, People / Interview
Debra Kaufman
Series


Authors

Timothy Allen (1)
Dave Anselmi (1)
Charlie Austin (1)
David Biedny (3)
Walter Biscardi (11)
Kevin Blank (1)
Joseph W. Bourke (1)
Gare Cline (1)
Mike Cohen (1)
Andrew Devis (1)
Dan Dome (1)
Mike Fink (1)
Nancy Forner, ACE (1)
Marisu Fronc (1)
Jeremy Garchow (1)
Brian Gardner (1)
Jiggy Gaton (1)
Nick Griffin (1)
Richard Harrington (1)
Chris Healer (1)
Joe Huggins (1)
John David Hutton (1)
Mitch Jacobson (1)
David Jahns (1)
Jim Kanter (1)
Debra Kaufman (50)
Helmut Kobler (1)
Tim Kolb (2)
Dennis Kutchera (3)
Carl Larsen (1)
David Lawrence (1)
John Lawrence (1)
Ron Lindeboom (3)
Kevin P. McAuliffe (2)
James Moll (1)
Stephen Nakamura (1)
Eugen Olsen (1)
Mark Raudonis (1)
Dylan Reeve (1)
Jacob Rosenberg (1)
Zed Saeed (1)
Ryan Salazar (3)
Marco Solorio (1)
Walter Soyka (1)
Dave Stump (1)
Kylee Wall (5)
Tim Wilson (8)
Steve Wright (1)
Bob Zelin (1)


Other Tutorials

Adobe After Effects (736)
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Adobe Audition, Soundbooth (34)
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Adobe Photoshop basics (60)
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Adobe ULTRA (15)
AJA io (17)
AJA Ki Pro (17)
AJA Kona - Mac (28)
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Apple Color (27)
Apple DVD Studio Pro (17)
Apple FCPX or Not: The Debate (89)
Apple FCPX Techniques (41)
Apple Final Cut Pro (208)
Apple Final Cut Pro basics (62)
Apple Final Cut Server (8)
Apple iPad (12)
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Apple Xsan (8)
Archiving and Back-Up (17)
ARRI (54)
Art of the Edit (129)
Assimilate Scratch (13)
Audio Professionals (42)
Autodesk 3ds Max (65)
Autodesk Combustion (43)
Autodesk Smoke (26)
Autodesk Smoke 2013 (16)
Autodesk Toxik (9)
AVID (214)
AVID Editing basics (9)
Blackmagic Cinema Camera (13)
Blackmagic Design (59)
Blender (15)
Boris FX (85)
Broadcast Design (8)
Broadcasting (145)
Business & Marketing (104)
CalDigit (8)
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Canon EOS DSLR (14)
Cinema 4D (69)
Cinematography (247)
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CoreMelt Plug-ins (15)
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Creative COW Magazine feedback (10)
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DaVinci Resolve (25)
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IBC Expo (29)
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MAYA (59)
Media 100 (35)
Media 100 844/X (10)
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Nuke (11)
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particle Illusion (16)
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What Computer Should I Buy? (18)
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Zaxwerks (21)


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