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TV & Movie Appreciation
Contemporary Living Network: Fresh Ideas, Fresh Content

Contemporary Living Network: Fresh Ideas, Fresh Content

Longtime Creative COW Contributor, Walter Biscardi, Jr. recently announced the upcoming launch of Contemporary Living Network, a digital network focusing on positive lifestyle edutainment. For him, it's a natural progression from production to creating a new home for all original content. We asked Walter to tell us about CLN and his crowd funding campaign for "Ice Cream Nation," one of the first series to be featured on the new network.

Editorial, Feature, People / Interview
Walter Biscardi
Art of the Edit
GoPro Workflows for Editing Pros

GoPro Workflows for Editing Pros

GoPro footage is making its way into nearly every broadcast project that editor Shane Ross has been working on. It's even showing up in feature film production, so no matter what you're cutting, you're going to work with GoPro soon, if you're not already. Drawing on his real-world experience figuring this out on broadcast deadlines, Shane offers practical advice for editors using Avid Media Composer, Adobe Premiere Pro CC, and Apple FCPX.

Editorial, Feature, People / Interview
Shane Ross
Art of the Edit
Shane Ross Rebuilds His Bay with Thunderbolt

Shane Ross Rebuilds His Bay with Thunderbolt

Broadcast editor and longtime Creative COW leader Shane Ross was onlining a series for MSNBC on Avid Symphony, and noticed a funny thing: his MacBook Pro was outpacing his Mac Pro tower. Follow his adventures as he uses a variety of new products to rebuild the heart of his suite around Thunderbolt and his MacBook Pro.

Editorial, Feature, People / Interview
Shane Ross
Art of the Edit
Distributing Creativity: The Growth of Cloud-based Workflows

Distributing Creativity: The Growth of Cloud-based Workflows

The cloud can mean a lot of things, and in some cases, it can mean nearly nothing. This can make it hard to even know what we're talking about. The "real" parts are getting more real all the time, though, for everything from collaboration to computation. Creative COW Contributing Editor Kylee Wall has been looking into the ways that the cloud in its many meanings is already transforming TV & film production today, and she has some ideas about where things might be going from here.

Editorial, Feature, People / Interview
Kylee Wall
AVID
Unbreakable Conform for Avid Symphony & DaVinci Resolve

Unbreakable Conform for Avid Symphony & DaVinci Resolve

There's nothing easy about roundtripping MXF files between Avid Symphony and DaVinci Resolve, especially if you want to keep handles intact. Longtime online editor Scott Freeman has come up with a way to actually make it easy, while automatically taming media management beasts. Best of all, the time savings are stunning: 8 hour conforms can be done in 4, and 40-hour media management marathons can be accomplished in seconds. Here are the steps for that, and so many other things that become possible as a result.

Editorial, Feature
Scott Freeman
NAB Expo
The Social Media at NAB

The Social Media at NAB

Finding the latest gadgetry and innovative technological advances at NAB Show is a great reason to converge with 98,000 or so of your closest friends and colleagues. Tech aside (and there was some COOL tech), social media has made a tremendous impact on the way we visit NAB - a subject that Walter Biscardi Jr. found intriguing.

Editorial, Feature, People / Interview
Walter Biscardi
AVID
Avid Goes Everywhere with Collaborative Workflow Tools

Avid Goes Everywhere with Collaborative Workflow Tools

Flexible workflows put sharing and collaboration at the forefront of Avid's redefined toolset, and a subscription-based Media Composer options put the software within reach for many content creators.

Editorial, Feature, People / Interview
Kylee Wall
AVID
Avid Dips Their Toes into the Subscription Waters

Avid Dips Their Toes into the Subscription Waters

Now Avid is dipping their toes into the subscription model and for editors everywhere, this is a GREAT development. Avid offering the subscription model plays well into the small shop / independent editor / independent post house extremely well

Editorial, Feature, People / Interview
Walter Biscardi
Art of the Edit
Post Etiquette 4: Keep Calm and Carry On

Post Etiquette 4: Keep Calm and Carry On
  Play Video
Working under pressure is sometimes unavoidable in video production. Don't lose your cool!

Tutorial, Video Tutorial
Walter Biscardi
Art of the Edit
Post Etiquette 3: Attitude? Yep I Have One

Post Etiquette 3: Attitude? Yep I Have One
  Play Video
The way you interact with your client can help create a better environment for collaboration.

Tutorial, Video Tutorial
Walter Biscardi
Art of the Edit
Post Etiquette 2: Engage Your Client

Post Etiquette 2: Engage Your Client
  Play Video
Don't turn your back on your client! Instead, create an ideal environment for collaboration.

Tutorial, Video Tutorial
Walter Biscardi
Art of the Edit
Post Etiquette 1: Clean Your Room!

Post Etiquette 1: Clean Your Room!
  Play Video
Mom always said clean your room! Walter Biscardi, Jr explains why a clean edit suite still matters - especially when clients pay a visit.

Tutorial, Video Tutorial
Walter Biscardi
Cinematography
Technology 2014 | Production, Post & Beyond: Part TWO

Technology 2014 | Production, Post & Beyond: Part TWO

What were the big technology trends in media and entertainment over the past year? What's going to be significant in the coming year? Those are questions that many of us are asking, so we went to some of our savviest Creative COW contributors to ask their opinions of where we've been and where we're going. Here in Part 2, our conrtibutors offer in-depth insights. (See Part 1 for a broader industry overview.)

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Technology 2014 | Production, Post & Beyond: Part ONE

Technology 2014 | Production, Post & Beyond: Part ONE

What were the big technology trends in media and entertainment over the past year? What's going to be significant in the coming year? Those are questions that many of us are asking, so we went to some of our savviest Creative COW contributors to ask their opinions of where we've been and where we're going. Here in Part 1, we offer an overview of their perspectives. (See Part 2 for their additional insights.)

Editorial, Feature, People / Interview
Debra Kaufman
TV & Movie Appreciation
The Hunger Games: Catching Fire with Editor Alan E. Bell

The Hunger Games: Catching Fire with Editor Alan E. Bell

When we last touched base with editor and longtime Creative COW member and community leader, Alan Edward Bell, ACE, he had just finished cutting The Amazing Spider-Man. For The Hunger Games: Catching Fire, we find him reunited with director Francis Lawrence, for whom he edited Water for Elephants. Bell talks about the challenges of editing Catching Fire and some of the gear choices he made to improve the pipeline's efficiency.

Editorial, Feature, People / Interview
Debra Kaufman
Art of the Edit
Ender's Game: The Set-to-Screen Color Pipeline

Ender's Game: The Set-to-Screen Color Pipeline

With 1500 VFX plates, 900 final VFX shots and 350,000 R3D source VFX frames spread across more than a year's work and a hundred different people, Light Iron colorist and co-founder Ian Vertovec and CEO Michael Cioni needed to create an efficient data management and color pipeline for Ender's Game. In this case study, Light Iron takes you step by step through the collaboration and innovation that fueled this demanding project.

Feature
COW News
TV & Movie Appreciation
Creating the 3D in Gravity

Creating the 3D in Gravity

Gravity, the highly-acclaimed, intensely emotional space thriller, has been hailed as some of the - if not the VERY - best 3D footage ever seen on the big screen. This has led to some surprise when learning that Gravity was NOT shot in 3D. However, it wasn't entirely converted in post either. It featured an innovative and unique workflow that incorporated 3D conversion during production as well as a complex integration with 3D VFX. In a conversation with Prime Focus World, we find out how they did it.

Editorial, Feature, People / Interview
Debra Kaufman
AVID
Learn Media Composer Lesson 93: Add Logos to Credit Crawls

Learn Media Composer Lesson 93: Add Logos to Credit Crawls
  Play Video
In this lesson, Kevin P McAuliffe shows you how to add logos to your title crawls, by introducing Photoshop to your Media Composer workflow. What might seem to be limitations inside of Media Composer can bypassed by unitizing the Marquee Title Tool! Once you see how easy this technique is, you'll be adding logos to every one of your title crawls.

Tutorial, Video Tutorial
Kevin P McAuliffe
NEWS: People in the News
Remembering Ray Dolby: A Life of Invention

Remembering Ray Dolby: A Life of Invention

Ray Dolby gave his talents and his name to the most significant advances in audio recording, for both the professional film/TV/music industries and consumer products. On the occasion of his death, at age 80, Creative COW tells the story of his life, his engineering achievements and the impact he has had on the creative people in our industry.

Editorial, Feature, People / Interview
Debra Kaufman
Broadcasting
IBC 2013 Wrap Up

IBC 2013 Wrap Up

Broadcast Engineer Ryan Salazar wraps up his perspective on IBC 2013, the premier annual event for professionals engaged in the creation, management and delivery of entertainment and news content worldwide.

Editorial, Feature, People / Interview
Ryan Salazar
AVID
Learn Media Composer: Michael Bay Film Look Part 1

Learn Media Composer: Michael Bay Film Look Part 1
  Play Video
In this lesson, Kevin P McAuliffe shows all the Symphony editors out there how to create a Michael Bay inspired film look right from within their Symphony timeline. Everything that is shown in this tutorial is designed to get you excited to stay in your NLE which not only saves you time, but will make you more money in the end!

Tutorial, Video Tutorial
Kevin P McAuliffe
Adobe After Effects
Fans OCCUPY Conan With Self-Produced Parodies

Fans OCCUPY Conan With Self-Produced Parodies

Lead editor Dan Dome and editors Robert Ashe, Jr., Chris Heller and David Grecu all put together OCCUPY Conan, a fan-sourced episode of the popular late night show. It's harder than it sounds, and that's why the Conan Editing Team is now up for an Emmy for Outstanding Multicam Editing for a Comedy Series.

Editorial, Feature, People / Interview
Debra Kaufman
AVID
Learn Media Composer Lesson 92: FrameFlex

Learn Media Composer Lesson 92: FrameFlex
  Play Video
In this lesson, Kevin P McAuliffe takes a look at the new FrameFlex feature inside of Media Composer 7. Ideal for working with large frame sizes inside of HD and SD timelines, this new feature is almost a hidden gem, as it's automatically added to your clips, once you drop them in the timeline. The trick for you is knowing how to harness its power.

Tutorial, Video Tutorial
Kevin P McAuliffe
AVID
Learn Media Composer Lesson 91: Transfer Modes

Learn Media Composer Lesson 91: Transfer Modes
  Play Video
In this lesson, Kevin P McAuliffe talks about Transfer Modes, or Blend Modes as they are more commonly referred to, and how even though most editors think that you cannot work with them inside of Media Composer, you actually have the tools right at your fingertips...you probably just don't realize it.

Tutorial, Video Tutorial
Kevin P McAuliffe
AVID
Learn Media Composer Lesson 90: Intro to Audio Effects

Learn Media Composer Lesson 90: Intro to Audio Effects
  Play Video
In this lesson, Kevin P McAuliffe introduces the Audio EQ tool, as well as the Audio Suite Plug-ins. These great tools let you create audio effects like the "telephone" effect, as well as letting you speed up and slow down audio, to make it fit wherever you need it to, in your timeline.

Tutorial, Video Tutorial
Kevin P McAuliffe
Series


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