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Blackmagic Cinema Camera Tutorials

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Blackmagic Design
Blackmagic Introduces New Ultra HD Film and Studio Cameras

Blackmagic Introduces New Ultra HD Film and Studio Cameras

Continuing what has become true Blackmagic Style, the company introduced a variety of products to cover the full range of content creation -- including film and studio cameras and a film scanner.

Editorial, Feature, People / Interview
Kylee Wall
Cinematography
Rodney Charters, ASC, CSC Brings Blackmagic to Dallas

Rodney Charters, ASC, CSC Brings Blackmagic to Dallas

Rodney Charters, ASC, CSC is probably best known for his work as cinematographer on the groundbreaking international hit 24. The most recent of his many jobs since then is TNT's Dallas, where he has shot 36 episodes so far, and directed three. Creative COW Contributing Editor Debra Kaufman spoke to Rodney about his work on both sides of the lens, including his use of the Blackmagic Design Pocket Cinema Camera to complement the production's ARRI Alexas.

Editorial, Feature, People / Interview
Debra Kaufman
Social Media
How Are You Doing? Really...

How Are You Doing? Really...

In an industry where mental health is hard to come by, Kylee Wall reminds us how important it is to ask ourselves, and our peers, "How are you doing?". When's the last time you answered truthfully?

Editorial, Feature
Kylee Wall
Indie Film & Documentary
With Paul Mazursky, It's All Crap!

With Paul Mazursky, It's All Crap!

When Paul Mazursky decided to create a series of intimate conversations with Mel Brooks, Leonard Nimoy and his many other industry friends, Cinematographer Bill Megalos came on board to produce. In this article, Bill talks about the choices he made with regard to camera, lighting and direction to make compelling interviews with a limited budget.

Editorial, Feature, People / Interview
Bill Megalos
Field Production
“Before I forget: don’t wear any underwear.”

“Before I forget: don’t wear any underwear.”

Before coming to Creative COW, before his lives in product marketing and product management at Avid and Boris FX, Creative COW Editor-in-Chief Tim Wilson ran a video production company. In one especially memorable adventure, he found himself quite literally up to his armpits in alligators. He had no idea that this was going to happen when the day began. At the time, he was focused on a brand new fear: getting sliced in half by burning underwear.

Editorial, Feature, People / Interview
Tim Wilson
TV & Movie Appreciation
Creating the 3D in Gravity

Creating the 3D in Gravity

Gravity, the highly-acclaimed, intensely emotional space thriller, has been hailed as some of the - if not the VERY - best 3D footage ever seen on the big screen. This has led to some surprise when learning that Gravity was NOT shot in 3D. However, it wasn't entirely converted in post either. It featured an innovative and unique workflow that incorporated 3D conversion during production as well as a complex integration with 3D VFX. In a conversation with Prime Focus World, we find out how they did it.

Editorial, Feature, People / Interview
Debra Kaufman
Broadcasting
Will 2014 Be the Year of 4K?

Will 2014 Be the Year of 4K?

UltraHD, or 4K, has been making an appearance at trade shows for the last couple of years. At this year's IBC in Amsterdam, the demonstrations and products pushed forward the idea that 4K is a possibility for TV distribution and general production and post. Creative COW takes a look at the offerings and the opportunities.

Editorial, Feature, People / Interview
Debra Kaufman
Broadcasting
IBC 2013 Wrap Up

IBC 2013 Wrap Up

Broadcast Engineer Ryan Salazar wraps up his perspective on IBC 2013, the premier annual event for professionals engaged in the creation, management and delivery of entertainment and news content worldwide.

Editorial, Feature, People / Interview
Ryan Salazar
Archiving and Back-Up
NAB 2013: Bob Zelin: The Evolution & Revolution

NAB 2013: Bob Zelin: The Evolution & Revolution

Calling Bob Zelin one of the industry's most respected voices of engineering and systems experience is an understatement. (We might also have to add "most feared.") For over 20 years, he has been at the leading edge of building next-generation post houses and broadcast facilities using the latest, greatest, and most affordable new technology. He's also been around long enough to have seen through an awful lot of hype, so when Bob drops the "R" word, it's because he really believes it's revolutionary himself. His coverage of the 2013 NAB Show is once again don't-miss reading.

Editorial, Feature
Bob Zelin
NAB Expo
NAB 2013: Blackmagic Design Debuts an UltraHD Workflow

NAB 2013: Blackmagic Design Debuts an UltraHD Workflow

At the Blackmagic Design, UltraHD/4K reigned supreme. The company not only introduced a 4K camera, the Blackmagic Production Camera, but a range of products that create an entire UltraHD workflow. Blackmagic Design has been focusing on 6G-SDI technology for multiple products including the ATEM Production Studio 4K live production studio, Blackmagic Audio Monitor and ATEM Studio Converter 2, all of which support UltraHD resolution. In addition, Blackmagic introduced its Pocket Cinema Camera, a compact Super 16 digital cinema camera with 13 stops of dynamic range, and DaVinci Resolve 10, both priced under $1,000.

Editorial, Feature
Debra Kaufman
NAB Expo
NAB 2013: Day Four With Ryan Salazar

NAB 2013: Day Four With Ryan Salazar

Only Ryan's own words suffice, "WOW! Has this been a SPECTACULAR Show or what?!?! It was intense... I interviewed Vince Pace of the Cameron | Pace Group and Marc Hamaker of Autodesk, among many others during the Show! I feasted my eyes upon so many wonderful innovations that I can't wait for them to be released throughout the coming year! I had my own TV Crew, courtesy of NAB LIVE! 2013, and I came face-to-face with a shark! It was all I had hoped for and definitely MORE!"

Editorial, Feature
Ryan Salazar
NAB Expo
NAB 2013: Day Three With Ryan Salazar

NAB 2013: Day Three With Ryan Salazar

Wrapping up day three of NAB with Ryan Salazar finds a look at GoPro, Blackmagic 4K Production Camera, Adobe, Pelican Cases, Induro and more.

Editorial, Feature
Ryan Salazar
NAB Expo
Tips for Attending NAB From A Convention Veteran

Tips for Attending NAB From A Convention Veteran

Walter Biscardi tells us, "Once again, springtime is upon us, so of course, it's time for the annual National Association of Broadcasters convention. Last year y'all seemed to like the before you go tips, so may I present the 2013 edition of 'Tips from an NAB Veteran to make the best use of your time'."

Editorial, Feature
Walter Biscardi
Cinematography
The Camera Is An Eye - Not A Vacuum Or A Gun

The Camera Is An Eye - Not A Vacuum Or A Gun

This article is intended to be a friendly guidepost for all shooters who wish to improve their craft. At the highest level, you, the shooter, are involved in one of the greatest art forms the world has ever known. At the lowest level, you, the shooter, are still involved in one of the greatest art forms the world has ever known. Find out how to channel your "Inner-Welles" and create the majestic poetry we all crave from your art.

Editorial, Feature
David Allison
Cinematography
The Aesthetics of High Frame Rate Cinema

The Aesthetics of High Frame Rate Cinema

Any change in the way we watch movies creates a heated debate, from the introduction of sound and color to digital acquisition and stereoscopic 3D. Now, the subject of debate is High Frame Rate cinema and, naturally, the debate is emotional. From watching hundreds, maybe thousands, of movies, we all have an idea of what a movie ought to look like, and for some people, HFR doesn't fit into the picture. Other moviegoers are excited about HFR's potential -- but to fulfill it, filmmakers and technologists have a lot of work ahead of them.

Editorial
Debra Kaufman
Cinematography
The Hobbit & The Dawn of High Frame Rate Cinema

The Hobbit & The Dawn of High Frame Rate Cinema

The technology wizards of the film/TV industry have been talking about High Frame Rate cinema for a long time; indeed, Douglas Trumbull's Showscan at 60 fps presaged the current interest over 30 years ago. But it took director Peter Jackson to take the plunge for mainstream cinema, declaring he would shoot The Hobbit in 48 fps to get momentum going. In about a year's time, manufacturers made the gear, theater exhibitors updated their movie theaters, and the studios prepared for one of the most audacious technology debuts that cinema has seen. Creative COW goes behind the scenes to see what it took for you to see The Hobbit in 48 fps.

Editorial, Feature, People / Interview
Debra Kaufman
Cinematography
Setting Standards for High Frame Rate Digital Cinema

Setting Standards for High Frame Rate Digital Cinema

Dave Stump, ASC, is a co-chair of the SMPTE Working Group on High Frame Rate Cinema. The upcoming releases of The Hobbit and Avatar 2 have highlighted a number of issues that the entire filmmaking community is going to have deal with, including exhibitors. A winner of an Academy Award for Technical Achievement as well as a cinematographer, Dave speaks from a variety of perspectives as he describes the early days of progress towards standards for High Frame Rate cinema.

Editorial, Feature, People / Interview
Dave Stump, ASC
Blackmagic Cinema Camera
The Blackmagic Cinema Camera: In Production and Comparison

The Blackmagic Cinema Camera: In Production and Comparison

Calling the Blackmagic Cinema Camera "eagerly anticipated" is an understatement. This camera priced at only $2995 has offered the promise of something truly special since it was announced. OneRiver Media owner Marco Solorio has spent 20 years living just ahead of the curve for both technology and creativity, and here puts both to work in the most comprehensive overview of the Blackmagic Cinema Camera to date. He takes the Cinema Camera through its paces, including some less-than-ideal conditions. There's a neutral grade to keep things fair, and Marco also intentionally left in the rolling shutter and vibration artifacts he found so that you can see what the footage REALLY looks like. Marco even offers comparison footage taken by the Canon 5D Mk III. You definitely don't want to miss this one.

Editorial, Feature
Marco Solorio
Film History & Appreciation
The VFX Files: Nancy St. John of Prime Focus Vancouver

The VFX Files: Nancy St. John of Prime Focus Vancouver

A pioneer in digital visual effects, Nancy St. John most recently worked on Men in Black 3, as Prime Focus' Executive Producer. Her career has spanned the beginnings of digital visual effects at Digital Productions and Robert Abel & Associates in Hollywood to Vancouver or "Hollywood North." She shares her experiences with Creative COW.

People / Interview
Nancy St. John
Cinematography
Behind the Lens: Paul Cameron ASC on Total Recall

Behind the Lens: Paul Cameron ASC on Total Recall

Paul Cameron, ASC, just finished work on the remake of Total Recall, directed by Len Wiseman and starring Colin Farrell, Kate Beckinsale and Jessica Biel with Bill Nighy, Bryan Cranston, and John Cho. Cameron was last featured in Creative COW for his work on Henry's Crime. His previous credits include director Michael Mann's Collateral and Tony Scott's Man on Fire.

Feature
Paul Cameron, ASC
Blackmagic Design
The Blackmagic Cinema Camera: Can It Run with the Big Boys

The Blackmagic Cinema Camera: Can It Run with the Big Boys

Marco Solorio of OneRiver Media takes another look into Blackmagic Design's new Cinema Camera to see how this camera further excels. With the camera sporting 13 stops of dynamic range through a 12-bit RAW data structure, there's one aspect of production where it truly might be able to hang with the "big boys."

Editorial, Feature
Marco Solorio
DSLR Video
Is the New Blackmagic Cinema Camera the HDSLR Killer?

Is the New Blackmagic Cinema Camera the HDSLR Killer?

Marco Solorio of OneRiver Media dissects Blackmagic Design's new Cinema Camera to see if it is in fact, the much-anticipated HDSLR-killer everyone's been waiting for over the years. But with a comparatively smaller sensor size and radical body design, does it fit the bill as the killer we all want?

Review, Feature
Marco Solorio
Authors

David Allison (1)
Walter Biscardi (1)
Paul Cameron, ASC (8)
Bill Megalos (1)
Ryan Salazar (3)
Marco Solorio (3)
Dave Stump, ASC (1)
Kylee Wall (2)
Tim Wilson (1)
Bob Zelin (1)


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