| | | |
Apple FCPX Techniques
FCPX For Broadcast News
Michael Garber has spent hundreds of hours learning the ins and outs of editing broadcast news features with Final Cut Pro X. He describes a workflow that takes advantage of the best that FCPX's new approaches have to offer, while being honest about its limitations. Every editor already working with FCPX, or still just considering it, will benefit from Michael's experience.
Editorial, Tutorial, Feature
Michael Garber |
| | | | |
| | | |
MAYA
Iron Man 3: The Trixters Behind Tony Stark's Shiny New Armor
Seventy artists from Trixter worked an entire year to create a formidable 208 VFX shots for Marvel's Iron Man 3. Each new episode in the Iron Man saga details a slick new technology created by the ingenious Tony Stark, and the new installment does not disappoint! Combining the hard surface geometry of the Iron Man suit auto-assembly with the flexibility of the human body was one of the challenges that Trixter brought from previs to believable screen reality.
Editorial, Feature, People / Interview
Alessandro Cioffi |
| | | | |
| | | |
Tiffen DFX Filters
Tiffen DFX 3.0: Color Grading, Lab Processes, & More
Whatever your level of expertise with color grading, you are going to want to try Tiffen DFX after reading this review. In a sentence, it is one of the most useful, if not the most useful plugin you will find to extend the color correction capabilities of your editing software, solve picture problems and add creative looks to your production without a steep learning curve.
Review
Dennis Kutchera |
| | | | |
| | | |
Apple FCPX or Not: The Debate
FCPX On Air. Coming Soon
Former skeptic John Davidson was right there with everyone else when FCPX was released who deemed it a complete disappointment for broadcast pros. Many updates and much experimentation later, he's now a believer: he has FCPX not only running on shared storage for broadcast work, but for John, it does so even better than FCP 7 ever did. Here he introduces a 5-part series, taking you step-by-step from project set-up to delivery, ready to help other broadcast pros get moving with FCPX.
Editorial, Feature
John Davidson |
| | | | |
| | | |
Apple FCPX Techniques
SHOOT>EDIT with RED and FCP X
Embracing FCP X and the RED Camera System from the earliest releases has been proven a successful choice for filmmaker David Battistella, whose enticing respect for the RED/FCPX workflow shines through from detailed explanation to his finished work. Everything we dreamed RED could be in post is beginning to unfold with the new FCP X update.
Editorial, Feature
David Battistella |
| | | | |
| | | |
Cinematography
Behind the Lens: Paul Cameron ASC on Total Recall
Paul Cameron, ASC, just finished work on the remake of Total Recall, directed by Len Wiseman and starring Colin Farrell, Kate Beckinsale and Jessica Biel with Bill Nighy, Bryan Cranston, and John Cho. Cameron was last featured in Creative COW for his work on Henry's Crime. His previous credits include director Michael Mann's Collateral and Tony Scott's Man on Fire.
Feature
Paul Cameron, ASC |
| | | | |
| | | |
Apple FCPX Techniques
Raising The Bar On Non-Broadcast Output: Mastering and Encoding with Video Purifier and x264
Consider this: you’re taking your pristine, carefully crafted video file--the product of countless hours of work--and running it through a process that will literally throw away up to 90% of the information! In this tutorial, David shares a simple workflow he uses to prepare finished video files for non-broadcast delivery. Using these tools and settings, he's able to create master files that look better than their edited source, and encoded files that are virtually indistinguishable from their masters.
Tutorial
David Lawrence |
| | | | |
| | | |
NEWS: People in the News
Steve Jobs - A Personal Calendar Entry
Steve Jobs was almost unbelievably young when we met him. We talk about him as a visionary now, but then, they called him a whiz kid, the Boy Wonder: 21 when Apple was founded in 1976, 22 when Apple formally incorporated, 25 for Apple's IPO, and 26 when he first made the cover of Time Magazine. Macintosh shipped when Steve was 28.
Editorial
Tim Wilson |
| | | | |
| | | |
Apple FCPX Techniques
Controlling Final Cut X with an iPad
Play Video
Need to make a quick edit while on the road or export a project from a remote location? Using an iPad, Skype, SoundFlower, LogMeIn.com, and your primary Final Cut station you can edit from anywhere you have network connection. While not the only way to complete this task, the described method provides stability, flexibility, and quality. This tutorial describes the setup and basic functionality of the involved tools.
Tutorial, Video Tutorial
Sam McGuire |
| | | | |
|
|
