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Broadcast Video | Broadcast Quality at Bargain Prices
Brand new to the market and loaded with high-end features, Flanders Scientific has introduced four high definition LCD panels specifically developed for the pro market. With the help of the COW's Walter Biscardi, Jr. and senior telecine colorist Ron Anderson, Nick Griffin offers a first look at these high definition broadcast monitors from FSI.
Review, Feature 04/10/2009 Author: Nick Griffin |
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Cinematography | Finding the Heart of the ARRI D-20
With HD, Thomas says he ''has the ability to finesse color, exposure and contrast in the color correction suite. I used to look down my nose at video but RAW 4:4:4 is more creative, efficient.'' In this Creative COW Magazine article, Thomas Burstyn takes a look at the Arriflex D-20 as he films Sci-Fi's Tin Man.
02/26/2008 Author: Thomas Burstyn |
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Sony CineAlta - XDCAM | Mastering the Sony PMW-EX1
In this review, CreativeCOW's Jim Harvey takes a hard look at Mastering the Sony PMW-EX1 from Vortex Media. See why he says: ...''if you are planning on purchasing a SONY PVM-EX1, or want to learn more about tapeless workflow and acquisition, this Workshop course will be an invaluable addition to your knowledge base.''
Review 02/21/2008 Author: Jim Harvey |
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Sony EX Series XDCAM | A Creative Cow Real-time Report: EX1 vs. PD170
In this Creative COW Real Time Report, Don Greening puts the Sony DSR-PD170, long-acknowledged to be a low-light champ, against the newcomer, the PMW EX-1 head to head in a low-light test. Will the upstart unseat the champ? Read on....
Review, Feature 12/19/2007 Author: Don Greening |
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Apple Final Cut Pro | Really? Capture HDV to ProRes in FCP? Over FireWire?! Yes!
One of the features that snuck into the new edition of Final Cut Studio is that you can now capture HDV directly to ProRes over FireWire! There are a couple of issues you'll want to consider, but Chris Poisson, a Cow member since 2001, takes you step by step through a process that can make a big difference to the way you edit HDV in Final Cut Pro from now on.
Tutorial 12/10/2007 Author: Chris Poisson |
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Compression techniques | Jim Harvey reviews "Creating Web Video"
A DVD about compression gets an enthusiastic 5 Cow rating? Really? Really! CreativeCOW.net Contributing Editor Jim Harvey takes you inside the new Creative Cow Master Series DVD by Aharon Rabinowitz, "Creating Web Video: Internet Killed the Video Star." See why Jim thinks this is one of the most essential --- and enjoyable -- training DVDs you can buy.
Review 10/10/2007 Author: Jim Harvey |
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HD High-End | Shane Ross Reports: IBC 2007
Creative Cow leader Shane Ross saved you a trip to Amsterdam -- further for some Cows than others, but pretty far for most. As always, you can count on Shane to tell you exactly what he thinks about what he saw: AJA, Sony XDCAM EX, Edit Share, and That Other Camera.
Feature 09/18/2007 Author: Shane Ross |
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Adobe After Effects | Interlacing Progressive Footage
Weve all heard of de-interlacing footage, but what about re-interlacing? Marco Solorio of OneRiver Media shows us how -- and why -- to create interlaced footage from a progressive source. The results are picture perfect!
Tutorial 09/10/2007 Author: Marco Solorio |
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CalDigit | CalDigit HDPro: RAID 5 and Beyond!
Creative Cow Leader Shane Ross shares the great news: both performance and protection with CalDigits new HDPro RAID! Supporting RAID 0, 1, 5, and 6, the HDPro even works with your laptop. Its the answer to Shanes prayers. He thinks it might be the answer to yours too.
Review 09/04/2007 Author: Shane Ross |
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Art of the Edit | Ergonomics for COWs
The question was asked in the Avid Editing COW: 'After eight years of working on a computer, my wrist hurts within an hour. Anyone else getting carpel tunnel? What can I do to prevent major damage?' Dave Anselmi, a T'ai Ch'i Instructor for over 10 years and whose friend is an Ergonomics Specialist, was quick to the rescue with this great advice.
Tutorial 08/29/07 Author: Dave Anselmi |
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HDV Format | Demystifying HDV Workflows
Creative COW Leader Tim Kolb uses his HDV expertise to explore the technology behind HDV, and show how it applies inside Final Cut Pro and other NLEs, with a special focus on longer projects. As Tim notes, this is a modified version of a post he made in the HDV forum responding to a question about FCP, but anyone who wants to know about editing HDV needs to check this out.
Tutorial, Feature 07/28/2007 Author: Tim Kolb |
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Apple Final Cut Pro | SAS RAID from Dulce Systems
Creative COW Contributing Editor Bob Zelin talks about the latest step in the Serial Attached Storage revolution: full RAID 5 protection with read speeds over 350 mb/sec. from Dulce Systems. At least that's what Dulce claimed. When he heard the rest of what Dulce had to say, Bob simply didn't believe them. When he put those claims to the test, he got a lot more than he bargained for. Will you?
Review 07/19/2007 Author: Bob Zelin |
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Cinematography | The Easy Slate System
In this article, CreativeCOW.net contributing editor Jim Harvey takes a look at the Easy Slate Professional Slating System. Jim likes the way it looks, and thinks that it makes him more attentive to the small details that he used to let slip past. It's a simple idea with a clever implementation.
Review 06/15/2007 Author: Jim Harvey |
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HDV Format | Building the Perfect HDV Key
In the first of our Creative COW Magazine Web Extras, we begin with Stephen Smiths outstanding article on setting up an area for proper keying from the May-June 2007 edition. His article covers every option for setting up and lighting perfect keys. Here, we look at the best advice around The COWs online communities for pulling keys from HDV footage.
Tutorial, Feature 06/15/2007 Author: Tim Wilson |
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Cinematography | The Harbortronics DigiSnap 2000 Series Intervalometer
In this article, CreativeCOW.net contributing editor Jim Harvey takes a look at the The Harbortronics DigiSnap 2000 Series Intervalometer to create some time lapse photography, and concludes that adding a DigiSnap 2000 series intervalometer to his equipment kit is just good business sense.
Review 05/07/2007 Author: Jim Harvey |
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HD High-End | Building a Modern Professional Editing Room
In this Creative COW magazine article Bob Zelin discusses what it takes to build a professional, modern, nonlinear editing machine room. Bob covers storage, monitors, scopes, audio mixers, routing, power, cables and more.
Tutorial, Feature 01/16/2007 Author: Bob Zelin |
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AJA Kona | Cal Digit S2VRHD
CreativeCOW's Bob Zelin tests a Cal Digit S2VRHD with a host card for a PCI-X computer, and a PCI-E computer. He used the incredible AJA Kona System Test, to evaluate the drive speeds. He was determined to 'break it.' Did he? No. He determined that...''If you want to do uncompressed HD, for a fraction of the price of an Apple Xserve RAID, or other hi end SCSI or Fibre Channel drive arrays, THIS IS YOUR BOX.'' Read the rest to find out why.
Review 01/16/2007 Author: Bob Zelin |
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AJA Kona | AJA HD10AVA Converter
CreativeCOW's Bob Zelin discusses how to turn your HDV VTR into a professional product using the amazing AJA HD10AVA converter. It takes the analog component HD signal from your Sony or JVC HDV VTR, and converts it to an HD-SDI signal that can go right into the HD-SDI input of your capture card.
Review 12/19/06 Author: Bob Zelin |
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HDV Format | Sony Vegas 7
In this article, CreativeCOW.net contributing editor Jim Harvey reviews Sony Vegas 7 and concludes, ''...It Just Keeps Getting Better. For the money, you 'd be hard pressed to find a better editing program.''
Review 12/08/2006 Author: Jim Harvey |
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Apple Final Cut Pro | Working with HDV in Final Cut Pro
You can work successfully with HDV in Final Cut Pro, provided you know the secrets and the limits. In this Final Cut Pro tutorial from The Creative COW Magazine, Jerry Hofmann reveals what you need to know to work with high definition video in Final Cut.
Tutorial 10/05/2006 Author: Jerry Hofmann |
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Adobe OnLocation | Serious Magic DV Rack HD 2.0 reviewed
DV Rack and later, HDV Rack have proven to be valuable pieces of software for Emmy Award winner, Tim Kolb's field production activities, but like others, Tim is moving through the HD transition. Enter DV Rack 2.0. Tim determines that this version has some important improvements.. Read the rest of Tim's review.....
Review 10/05/2006 Author: Tim Kolb |
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Lighting Design Pros | HandsOnHDV: How to Setup, Light & Shoot Great Looking Interviews
In this article, CreativeCOW.net contributing editor Jim Harvey takes a look at one of the newest titles from HandsOnHDV called How to Setup, Light & Shoot Great Looking Interviews and has determined that this is a 5 cow instructional DVD that you really can't be without.
Review 07/05/2006 Author: Jim Harvey |
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HDV Format | HandsOn HDV Training DVD for Sony HDR-HC1
In this article, CreativeCOW.net contributing editor Jim Harvey reviews HandsOn HDV Training DVD for Sony HDR-HC1. HandsOn HDV has produced a DVD training for trhe new Sony HC1, which Jim finds ''...very Informative for the target market and a well produced package.''
Review 02/13/2006 Author: Jim Harvey
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HDV Format | Taking Sony's HDV Camera to the Outer Limits of Performance
Sony has made a big splash in the video world with the release of their HDV camcorder the HVR-Z1U. By itself, it is capable of images that will amaze even the most jaded video professional. But as with all things, there's always room for improvement. By not having a microphone or wide angle supplied, you can choose better components that will enhance the performance of an already incredible camera. In this article, CreativeCOW.net contributing editor Jim Harvey walks CreativeCOW members through what they need to build the Ultimate Z1U set up.
Feature 11/22/2005 Author: Jim Harvey
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Apple Final Cut Pro | Recapturing HDV, Can it be done?
CreativeCOW.net contributing editor and leader, David Battistella, explores the question of recapturing HDV. He'd seen so many posts, so much talk about HDV format and the problems incurred, so David has taken the time to test a couple of workflows. Here's David's report.
Tutorial 10/28/2005 Author: David Battistella |
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HDV Format | HDV/DV Rack by Serious Magic
There are times when a piece of software or hardware comes along that changes your thinking about what tools are critical in your work. DV Rack was one of those pieces for Emmy Award winner, Tim Kolb. The ability to have accurate and comprehensive image and audio quality measurement via FireWire anywhere you can power a laptop changed the way Tim thought about acquiring video. With the arrival of the HDV Power Pak upgrade module, the same technical control is now available for those of us shooting HDV. Read the rest of Tim's review.....
Review 08/19/2005 Author: Tim Kolb |
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HDV Format | High Definition for the Road
Thanks to formats like DVCPro HD and HDV, High Definition can now be edited pretty much anywhere on just about any computer. Yeah, this is cool and you can really make your friends jealous just cutting away with your super slick laptop. But you know what's really slick? Editing Uncompressed High Definition anywhere. How about an Uncompressed editing workstation in a 25'' square box? No way? Way! Read on to find out about Wally's Traveling Box of Mystery and Intrigue...
Tutorial, Feature 07/29/2005 Author: Walter Biscardi |
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HDV Format | Sony FX1-Z1U Made Easy
CreativeCOW leader and Video enthusiast Steven Gotz takes a look at the Elite Video tutorials Sony FX1-Z1U Made Easy and concludes ''..these training DVDs really cover all of the necessary topics for anyone who has purchased, or is thinking of purchasing either one of these Sony HDV camcorders.''
Review 07/19/2005 Author: Steven Gotz |
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G-Tech | The G-Tech G-Raid
For years Medea Corporation has been the hallmark of reliability when it comes to storage for the media industry. If you wanted big, fast storage with mission critical reliability, Medea was the drive array for you. Now comes its little brother, G-Technology Corporation. In this article, Creativecow leader reviews the G-Tech G-Raid and concludes...''This is the most versatile unit I've ever used with its ability to work seamlessly with anything up to 10bit uncompressed and just remain solid no matter the situation or machine it's connected to. '''
Review 06/27/2005 Author: Walter Biscardi |
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HDV Format | HDV vs HD: A Primer
Emmy Award winner, Tim Kolb discusses HDV and its place in the greater scope of HD production formats. Since the inception of the HDV format, we have seen many responces regarding the HDV format and how it fits alongside HDCam, DVCProHD, XDCam and other formats in the greater scope of the HD picture. In this article (which is taken from an HDV Format forum responce), Creative Cow's Tim Kolb gives what we feel is an exemplary job of dissecting the subject and clarifying the many components of the HD universe, HDV being one of those parts....
Tutorial, Feature 06/06/2005 Author: Tim Kolb |
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Cinematography | Vortex Media Warm Cards
In this article, CreativeCOW.net contributing editor Jim Harvey reviews Vortex Media Warm Cards and states, ''You know you do it. We all do it. It's not something that we brag about. It's not even something that we think about too much. White Balancing. Sure some guys carry a worn out piece of white paper, or they use the foamcore to set the camera. We've balanced on walls, notepaper, even the fat guy's t-shirt. It gets us by and we get on with the show. But as we are all professionals, shouldn't we have a professional system to white balance out gear and do it consistently? Well, we do and we can.'' Read on to discover an effective answer to your white balancing dilemmas.
Review 05/17/2005 Author: Jim Harvey |
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HDV Format | Sony HVR-Z1U and HDR-FX1: First Impressions
CreativeCOW.net contributing editor Jim Harvey just made the leap to HDV by acquiring one of SONYs new HDV Cameras the HVR-Z1U. Then he was faced with learning his new camera. In this article, Jim takes a look at HandsOnHDV and has determined that they have put together the definitive training DVD for Sonys New HDV Cameras.
Review 05/09/2005 Author: Jim Harvey |
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HDV Format | Sony HVR-Z1U: First Impressions
CreativeCOW.net contributing editor Jim Harvey just made the leap to HDV by acquiring one of SONY's new HDV Cameras the HVR-Z1U. He was torn between the FX1 and the Z1 wondering if the added features would be worth the money. In this article, Jim gives us his first impressions of the Sony HVR-Z1U.
Review 04/29/2005 Author: Jim Harvey |
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HDV Format | Sony HDR-FX1 -- an IBC preview
In this pre-IBC 2004 first look, Creative Cow's Ron Lindeboom explores some of the just announced capabilities of Sony's new HDR-FX1 Handycam -- a camcorder that Sony says is targeted to give consumers "HD quality for their personal content." But many independent filmmakers who have ignored JVC's first-to-market HDV camcorders are sure to give Sony's new HDR-FX1 a second glance. Cow members attending IBC 2004 can get a first glimpse of this new Sony camcorder which is being shown in Amsterdam at the Sony booth.
Editorial 08/15/2004 Author: Ron Lindeboom |
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