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Cinematography
Behind the Lens: Bobby Bukowski, Cinematographer
Bobby Bukowski offers an inside look at one of the first features shot with ARRI Alexa ProRes, and how the camera completely reshaped the cinematographer's approach to 360-lighting. Bobby also talks about the DP's role as one of the characters on a set where actors don't rehearse, and preparation is the key.
Feature, People / Interview
Debra Kaufman |
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Cinematography
Behind the Lens: Paul Cameron, ASC
"Henry's Crime", described by DP Paul Cameron, ASC as a "fable of sorts...with a folkloric beauty" is the topic as Debra Kaufman interviews Paul Cameron. Facing challenges such as limited budget, a short shooting schedule, difficult lighting and -20 degrees Fahrenheit weather all add to the mystique of a film playing out in a "classics style" storybook effect and elegant cinematography. Join Paul and Debra for a look behind making this fascinating tale come to life.
Feature, People / Interview
Debra Kaufman |
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RED Camera
Reproducing Rainbows: Color in the Digital Environment
As digital photography and cinematography reach further into the digital media landscape, and your captured images can be viewed on a vast range of media, the need for standardizing color has become more invaluable than ever. Imagine trying to get a consistent hue of green or blue or teal across multiple platforms.
So, it becomes easy to understand why it's important to have a color reference chart for each new scenes' lighting conditions. All of the formats carry specific gamma and color spaces to reproduce color. The chart is the point of agreement. In this review, David Battistella reviews the RED Cambook from DSC Labs, which readily addresses these concerns. Read on for David's findings...
Editorial
David Battistella |
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Lighting Design Pros | Lighting with Shadows
In this extended version of his article in the Creative Cow Visual Effects Issue, lighting expert and instructor Rick Wise draws on his decades of experience to illustrate how shadows can be the most important part of how a scene is lit. Learn how to control the direction and quality of your lighting design to add texture, dimension, and force to your images.
Feature
Rick Wise |
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Lighting Design Pros | Westward Ho!
A wild ride of an edit: shot on film, projected onto five screens. In this Creative COW Magazine article Mike Sullivan discusses some of the problems such as lighting and color interaction he faced in a project he did for National Historic Trails Interpretive Center in Casper, Wyoming.
People / Interview
Mike Sullivan |
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Adobe After Effects | Poets of the Fall/Stobe Harju Music Videos
Creative COW Magazines Music Video issue featured a look at the making of Poets of the Falls Carnival of Rust, one of the most imaginative music videos we have seen. Created in Helsinki, Finland by director Stobe Harju and director of photography Eki Halkka, you can read about the making of Carnival of Rust in our free Music Video issue, and here in this magazine extras page you will find links to the videos, interview podcasts, more on the band, their music, as well as the music videos of Stobe and Eki.
Editorial, Feature, People / Interview
Eki Halkka |
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Cinematography | Inside HBOs The Wire
Set in Baltimore, Maryland, The Wire will begin its fifth and final season in January 2008 on HBO. As different from standard TV as it gets, the show has received the highest levels of critical acclaim, being referred to by multiple reviewers as the best show on television. In its last issue of 2006 Time Magazine ranked The Wire first on its list of 10 Best TV Shows. And Finally recognized as the best series on TV. Sorry, Tony (Soprano), was Newsweeks description. Creative COWs Nick Griffin spent time on set earlier this year and interviewed one of the shows Producers. Heres his inside glimpse into The Wire and its production.
Editorial, Feature, People / Interview
Nick Griffin |
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Digital Photography | Dean Collins On Lighting
CreativeCOW leader, Mike Gondek examines Dean Collins On Lighting: Live at Brooks Institute of Photography 1991 and published by Software Cinema. Although, this was presented in 1991, Mike believes the content is timeless material.
Review
Mike Gondek |
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Lighting Design Pros
Low Cost Professional Lighting Solutions
In this article, Leo Ticheli looks at some of the lower-cost options for acheiving beautifully lit professional lighting design for your shoots. These solutions aren't the 'G.E. bulb in a cardboard box' solutions that some try to point to as acceptable low-cost lighting -- but if you are looking for true professional lighting done on a budget, then Leo has some great information for you...
Tutorial, Feature
Leo Ticheli |
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