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Apple Final Cut Pro | A Digibeta Quality Edit Suite in a bag - Could it be done using the MXO2?
When CreativeCOW's Peter Wiggins first started editing in facility houses in the eighties, an edit suite was a room full of large control panels next to a room with racks and racks of mainframes. Recently he decided to issue a challenge: Build a broadcast DigiBeta quality edit suite that will fit in a computer bag and will go through airport security. Read on to find out how he did it.
Review, Feature 02/26/2009
Author: Peter Wiggins |
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Sony Vegas | Vegas 8 Pro, Raylight and Windows Vista
Creative Cow Leader Michael Hurwicz looks at DVFilm's Raylight plug-in, which provides transparent support for Panasonic MXF files in Sony Vegas. Testing Vegas Pro 8 running under Microsoft Vista, Michael finds Raylight to be an elegant and reliable solution.
Review 01/30/2008
Author: Michael Hurwicz |
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Apple Final Cut Pro | Matrox MXO: Broadcast Monitoring on a Desktop Monitor
Creative Cow Leader Shane Ross wasnt convinced that the Matrox MXO could really provide the CRT-accurate monitoring through an Apple Cinema Display he demands for his HD broadcast workflows. After working with it for nearly a year, through multiple upgrades and in a variety of configurations, he tells you here why hes convinced now.
Review 11/28/2007
Author: Shane Ross |
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AJA Kona | Bob Zelin Looks at The AJA GEN10
The AJA GEN10 is a cost effective and flexible Blackburst and Tri-level Sync Generator. While reminding you of why blackburst and sync are very, very good ideas, Creative Cow leader Bob Zelin takes you through the GEN10's ins and 7 outs.
Review 09/04/2007
Author: Bob Zelin |
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G-Tech | The G-Tech G-Raid
For years Medea Corporation has been the hallmark of reliability when it comes to storage for the media industry. If you wanted big, fast storage with mission critical reliability, Medea was the drive array for you. Now comes its little brother, G-Technology Corporation. In this article, Creativecow leader reviews the G-Tech G-Raid and concludes...''This is the most versatile unit I've ever used with its ability to work seamlessly with anything up to 10bit uncompressed and just remain solid no matter the situation or machine it's connected to. '''
Review 06/27/2005
Author: Walter Biscardi |
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Adobe After Effects | Matrox Parhelia with Adobe After Effects 6.0
The Matrox Parhelia board has been around for about a year now, and an in-depth evaluation of its functionality in conjunction with After Effects was long overdue. With After Effects 6.0 on its way, Barend Onneweer takes a look at the value of this popular animation and compositing application with the Parhelia graphics board.
Review 07/13/2003
Author: Barend Onneweer |
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Matrox Video Systems | Matrox RTX100
Bob Bonniol takes a good look at the new RTX line of cards for the video editor from Matrox in this article about the Matrox RT.X 100.
Review 03/12/2003
Author: Bob Bonniol |
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