Creative COW SIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
LIBRARY:TutorialsVideo TutorialsReviewsInterviewsEditorialsFeaturesBusinessAuthorsRSS FeedTraining DVDs

MAYA Tutorials

FORUM   •   VIDEO TUTORIALS  •   HOT TODAY   •   LIBRARY HOME   •   SUBSCRIBE
MAYA
MAYA Secrets of the Pros

MAYA Secrets of the Pros

Joaquin Kino Gil, noted film effects artist and host team leader of Creative Cow's Maya forum, reviews ''Maya: Secrets of the Pros,'' edited by John Kundert-Gibbs and published by Sybex. While he points out a few weaknesses of the book, he still gives it Five Cows, our top rating, because not only will it give you a great education in the software itself -- but in many pro-level aspects of effects production and workflow strategy as well. Kino says much of this book would be applicable to any serious animator and regardless of tool or version. This is high praise indeed from a guy whose own body of work includes Godzilla, Contact and Starship Troopers and many others.

Review
Joaquin Gil
MAYA
3D Graphics & Animation, Second Edition

3D Graphics & Animation, Second Edition

Eric J. Calcagnino takes a look at 3D Graphics & Animation Second Edition written by Mark Giambruno and published by New Riders Publishing.

Review
Eric Calcagnino
MAYA
Erwin Santacruz Reviews: Maya 4: Fundamentals

Erwin Santacruz Reviews: Maya 4: Fundamentals

CreativeCOW leader, Erwin Santacruz examines a new book by New Riders called Maya 4: Fundamentals by Jim Lammers and Lee Gooding.

Review
Erwin Santacruz
MAYA
Kino Gil reviews: Deep Paint 3D with Texture Weapons

Kino Gil reviews: Deep Paint 3D with Texture Weapons

Kino Gil, noted film effects artist and host team leader of Creative Cow's Maya forum, gives his impressions of Right Hemisphere's 'Deep Paint 3D with Texture Weapons'. Kino takes a quick look at the history of digital Paint FX technology and then jumps into some of the reasons that Deep Paint is an FX Pro power tool. He gives an honest view of some of the strengths and weaknesses of the system and concludes that Deep Paint 3D ''...is the nicest paint program I have used in a long time. I plan to make it into my main paint application.''

Review
Joaquin Gil
MAYA
Impressionist Paint FX using Fur

Impressionist Paint FX using Fur

Have you ever thought that you'd like to create something like a painted effect in Maya, but that you didn't want to use Paint Effects? In this tutorial, Christopher Cherubini demonstrates using Fur to create an Impressionist look to the scene. The theory behind this method is to drive the color of your shader, and in turn your fur without lights, putting all the lighting control into the shader.

Tutorial
Christopher Cherubini
Authors

Brian Barnes (1)
Chad Briggs (4)
Eric Calcagnino (1)
Alvaro Castaneda (5)
Aharon Charnov (1)
Christopher Cherubini (1)
Nelson Cruz (2)
Arkadiy Demchenko (4)
Sean Fennell (1)
Joaquin Gil (7)
David Heijl (1)
Michael Hurwicz (10)
John David Hutton (4)
Debra Kaufman (2)
Mike Kroes (1)
Jannis Labelle (1)
Chris Lupetti (1)
Chris Martin (1)
Greg Neumayer (1)
Aharon Rabinowitz (1)
Erwin Santacruz (1)
Curtis Thompson (1)
Adam Tracksler (1)
David Roth Weiss (1)
Lucas Young (1)


Other Tutorials

Adobe After Effects (642)
Adobe After Effects basics (423)
Adobe After Effects Expressions (59)
Adobe After Effects Techniques (122)
Adobe Audition, Soundbooth (21)
Adobe Dreamweaver (18)
Adobe Encore DVD (26)
Adobe Flash (65)
Adobe Illustrator (30)
Adobe InDesign (11)
Adobe OnLocation (13)
Adobe Photoshop (204)
Adobe Photoshop basics (50)
Adobe Premiere Pro (198)
Adobe Premiere Pro basics (126)
Adobe ULTRA (8)
AJA io (10)
AJA Ki Pro (10)
AJA Kona - Mac (20)
AJA Kona - PC (9)
Apple Color (22)
Apple DVD Studio Pro (13)
Apple FCPX or Not: The Debate (51)
Apple FCPX Techniques (31)
Apple Final Cut Pro (190)
Apple Final Cut Pro basics (56)
Apple iPad (8)
Apple iPhone (11)
Apple Motion (46)
Apple OS X (15)
Apple Shake (13)
Apple Soundtrack (10)
ARRI (34)
Art of the Edit (78)
Audio Professionals (34)
Autodesk 3ds Max (43)
Autodesk Combustion (31)
Autodesk Smoke (10)
AVID (111)
AVID Editing basics (9)
Blackmagic Design (38)
Blender (15)
Boris FX (82)
Broadcast Design (8)
Broadcasting (109)
Business & Marketing (88)
CalDigit (8)
Canon Cameras (21)
Canon EOS DSLR (8)
Cinema 4D (63)
Cinematography (168)
Compression techniques (21)
CoreMelt Plug-ins (15)
Corporate Video (45)
Creative COW Magazine feedback (10)
Creative COW podcasts (9)
DaVinci Resolve (18)
Digital Delivery (11)
Digital Photography (13)
DSLR Video (54)
DVD Authoring (19)
Event Videographers (51)
Field Production (14)
Film History & Appreciation (75)
HD High-End (86)
HDV Format (40)
IBC Expo (21)
Indie Film & Documentary (126)
JVC cameras/decks (8)
Leitch dpsVelocity (11)
Letters to the COW Team (45)
Lighting Design Pros (18)
Lightwave (10)
Live & Stage Events (39)
Matrox Video Systems (15)
MAYA (55)
Media 100 (35)
Media 100 844/X (10)
NAB Expo (77)
Nuke (10)
Panasonic AF100, DVX100, HMC150 (15)
Panasonic HVX - HPX (P2) (44)
Panasonic VariCam (22)
particle Illusion (16)
Podcasting (11)
RE:Vision Effects (51)
RED Camera (33)
Red Giant plug-ins (8)
SAN - Storage Area Networks (15)
Sony DV (10)
Sony NXCAM (13)
Sony SRW Decks (11)
Sony Vegas (56)
Sony Vegas basics (35)
Sony XDCAM - EX & Related (24)
Sony XDCAM Optical Disc & Related (16)
Stereoscopic 3D (59)
Trapcode (23)
Web Design (21)
Web Streaming - Audio|Video (10)
Windows Hardware & Software (23)
Zaxwerks (21)


FORUMSTUTORIALSMAGAZINESTOCKYARDVIDEOSPODCASTSEVENTSSERVICESNEWSLETTERNEWSBLOGS

Creative COW LinkedIn Group Creative COW Facebook Page Creative COW on Twitter
© 2012 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]