Check out These Great Articles!
Stephen Smith ~ How to Add Video, Photo and Audio Assets to your Digital Toolbox
Bob Zelin ~ Bob Zelin Looks at Dulce Systems Pro EX PCI-Express expander
Jeremy Garchow ~ The Sonnet D800 RAID: Speed and Safety
Jim Harvey ~ Jim Harvey reviews "Creating Web Video"
Bob Zelin ~ Bob Zelin Looks at The AJA GEN10
Shane Ross ~ CalDigit HDPro: RAID 5 and Beyond!
Dave Anselmi ~ Ergonomics for COWs
John David Hutton ~ Evoluent Vertical Mouse
Tim Kolb ~ Demystifying HDV Workflows
Bob Zelin ~ SAS RAID from Dulce Systems
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Art of the Edit
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Ergonomics for COWs
The question was asked in the Avid Editing COW: 'After eight years of working on a computer, my wrist hurts within an hour. Anyone else getting carpel tunnel? What can I do to prevent major damage?' Dave Anselmi, a T'ai Ch'i Instructor for over 10 years and whose friend is an Ergonomics Specialist, was quick to the rescue with this great advice.
Tutorial |
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G-Tech
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The G-Tech G-Raid
For years Medea Corporation has been the hallmark of reliability when it comes to storage for the media industry. If you wanted big, fast storage with mission critical reliability, Medea was the drive array for you. Now comes its little brother, G-Technology Corporation. In this article, Creativecow leader reviews the G-Tech G-Raid and concludes...''This is the most versatile unit I've ever used with its ability to work seamlessly with anything up to 10bit uncompressed and just remain solid no matter the situation or machine it's connected to. '''
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Adobe Premiere basics
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LaCie Bigggest Disk F800
Creative COW leader Walter Biscardi reviews the LaCie Biggest F800 and concludes that ''.... LaCie has targeted the F800 squarely at the DV marketplace by bringing these users a large capacity unit with a very small footprint. If your workflow is primarily DV, HDV or DVCPro HD and you're looking for a lot of storage with considerable real-time functionality, this is definitely a unit to consider.''
Review |
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Art of the Edit
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The Sonnet D800 RAID: Speed and Safety
Jeremy Garchow's business is growing. So was his storage, and the potential for disaster. SATA array are less expensive, but were they safe, even with redundancy? With the Sonnet D800 he's got a terabyte of uncompressed HD, with full protection, for a great price. Read on to see the details of his set-up, and see if SATA and the Sonnet D800 will work as well for you as it has for Jeremy.
Review, Feature |
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Corporate Video
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Media 100 Producer: Media 100's software-only editor
Creative Cow's Nick Griffin, a longtime Media 100 user, switched to Final Cut Pro a few years ago. Here, he explores Media 100 Producer, a new software-only editor from Media 100. Media 100 Producer offers a mobile and scalable editing environment as well as FireWire I/O and Panasonic P2 acquisition capabilities. Ideal for in-the-field or mobile editing, editors using Media 100 Producer can shoot using their Panasonic P2 camera and immediately begin editing. In addition, Media 100 Producer can use media captured by Apple Final Cut Pro and Media 100 and output via FireWire or export to DVD or web. Nick explores this latest offering from Media 100 and gives it 4-1/2 Cows out of five. Why? read on...
Review |
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Media 100 | Media 100 HD
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Media 100: Walking the Razor's Edge
Reg Harris, longtime contributor and co-founder of the WWUG, explores the future of Media 100 and compares it to the stories told by other businesses -- both successes and failures. He looks at some of the principles involved in the struggle Media 100 faces and explores some of the delimmas faced by all businesses who work to redefine themselves in the face of changing markets. If you are wondering whether or not you want to but that next upgrade, he has some things for you to consider as you make your own decision...
Editorial |
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Compression techniques
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Jim Harvey reviews "Creating Web Video"
A DVD about compression gets an enthusiastic 5 Cow rating? Really? Really! CreativeCOW.net Contributing Editor Jim Harvey takes you inside the new Creative Cow Master Series DVD by Aharon Rabinowitz, "Creating Web Video: Internet Killed the Video Star." See why Jim thinks this is one of the most essential --- and enjoyable -- training DVDs you can buy.
Review |
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Adobe Premiere basics
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Great Titles with the DV Codec
In this article, Philip Hodgetts gives us a few hints on how to make great titles with the DV Codec. In most cases, if you're using the DV Codec, you'll find that your titles at best will be good. If you want great quality, then you will need to follow most of these guideliness that Philip discusses but NOT compress to the DV Codec.
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Adobe After Effects
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Jerry Hofmann reviews StageTools
MovingPicture from StageTools is a dedicated program made for panning and zooming high resolution photographs for inclusion into projects edited in all the popular NLE's. In this article, Jerry Hofmann gives his impression of this great tool.
Review |
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Windows Hardware & Software
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Evoluent Vertical Mouse
It starts as a slight twinge in the shoulder, or a prickle in the wrist, a dime-sized knot in the forearm or a tingling somewhere up and down the arm. Whatever the symptoms, the cause is usually the same - RSI or repetitive strain injury or its widely publicized brother, carpal tunnel syndrome. In this article, John David Hutton takes a look at the new Evoluent Vertical Mouse. It could be the answer to protecting yourself from carpal tunnel and other strains.
Review |
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HDV Format
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Demystifying HDV Workflows
Creative COW Leader Tim Kolb uses his HDV expertise to explore the technology behind HDV, and show how it applies inside Final Cut Pro and other NLEs, with a special focus on longer projects. As Tim notes, this is a modified version of a post he made in the HDV forum responding to a question about FCP, but anyone who wants to know about editing HDV needs to check this out.
Tutorial, Feature |
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Media 100 | Media 100 HD
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Back-To-Back Graphics in Media 100
In this article, broadcast editor Dave LaRonde looks at ways to use back to back graphics in Media 100 and explores ways to save valuable project disk space while using them. He quotes the oft quoted Law of Digital Media, which says: You can never have too much storage. It should also have a corollary: If you don't have lots of storage, anything you can do to save it is a good thing.
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Indie Film & Documentary
Media 100 | Media 100 HD
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Media 100's 'Lossless' Compression: What Does It Mean?
With Media 100's recent announcement and unveiling of its 'lossless' compression protocol, many users have expressed a lot of dismay and frustration at the news. Some have expressed support. What are the facts and why is this a good thing for some and a frustrating bit of news for others? Who is right and what lies at the heart of this latest bit of news from Marlboro, Massachusetts? In this article, Ron Lindeboom digs through the aftermath of the NAB news and with help from Philip Hodgetts and other noted industry leaders, gives this summery for those interested...
Editorial, Feature |
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Media 100 844/X
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Media 100's Blood Secrets by John Molinari
In 'Blood Secrets' the founder of Media 100 Inc., John Molinari, laid out the vision and the driving force that fuels Media 100. Even today in 2001, seven years after it was first published, it gives a clear and open window into the company that has changed the video industry so markedly.
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CalDigit
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CalDigit HDPro: RAID 5 and Beyond!
Creative Cow Leader Shane Ross shares the great news: both performance and protection with CalDigit's new HDPro RAID! Supporting RAID 0, 1, 5, and 6, the HDPro even works with your laptop. It's the answer to Shane's prayers. He thinks it might be the answer to yours too.
Review |
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Corporate Video
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MediaFiler 2.0
MediaFiler 2.0 is a professional database software designed for the video production industry. It's an easy way to catalog, track, label, and organize your whole library of tapes and disks. In this article, Creative Cow Leader Aanarav Sareen takes a look at the software for use in his own production environment and determines that it is everything they say it is.
Review |
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Broadcast Video
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A Primer on NLE Video Quality
In this article, Ron Shook attempts in a relatively non-techy way to put some perspective on a range of quality issues inherent in today's Non-Linear Editing technology. Perhaps as you shop for your next NLE or the services of an NLE/editor, you will have a better background for asking significant questions and separating the important stuff from the selling hype.
Editorial, Tutorial |
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Adobe Premiere Pro
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TBC Crossfire X-K3 Non-linear Editing Console
DESCRIPTIONWith people continually asking, "what edit desk do you use?" here at the COW forums, Creative Cow forum leader, Marco Solorio hopes to settle this question once and for all with his in-depth review of TBC's Crossfire X-K3 edit console. If you're in the market for a new editor's console or are just curious to know what's "out there", this should give you all the information you need to base your own judgment.
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Adobe Premiere Pro
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Marco Solorio reviews Post Holes Prematted Stock Clips
Don't have time or budget to shoot various people in a blue or green screen studio cyk? Also don't have the time or the software to create a perfect chromakey and/or rotoscope to pull that perfect matte? If this is the case, Post Holes may be the solution you're looking for. Marco Solorio reviews their latest 2-disk DVD set available on NTSC SD.
Review |
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Apple Final Cut Pro
AJA Kona
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Bob Zelin Looks at The AJA GEN10
The AJA GEN10 is a cost effective and flexible Blackburst and Tri-level Sync Generator. While reminding you of why blackburst and sync are very, very good ideas, Creative Cow leader Bob Zelin takes you through the GEN10's ins and 7 outs.
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Apple Final Cut Pro
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SAS RAID from Dulce Systems
Creative COW Contributing Editor Bob Zelin talks about the latest step in the Serial Attached Storage revolution: full RAID 5 protection with read speeds over 350 mb/sec. from Dulce Systems. At least that's what Dulce claimed. When he heard the rest of what Dulce had to say, Bob simply didn't believe them. When he put those claims to the test, he got a lot more than he bargained for. Will you?
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