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Media 100 Tutorials

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Adobe Premiere Pro basics
LaCie Bigggest Disk F800

LaCie Bigggest Disk F800

Creative COW leader Walter Biscardi reviews the LaCie Biggest F800 and concludes that ''.... LaCie has targeted the F800 squarely at the DV marketplace by bringing these users a large capacity unit with a very small footprint. If your workflow is primarily DV, HDV or DVCPro HD and you're looking for a lot of storage with considerable real-time functionality, this is definitely a unit to consider.''

Review
Walter Biscardi
Adobe Premiere Pro
TBC Crossfire X-K3 Non-linear Editing Console

TBC Crossfire X-K3 Non-linear Editing Console

With people continually asking, "what edit desk do you use?" here at the COW forums, Creative Cow forum leader, Marco Solorio hopes to settle this question once and for all with his in-depth review of TBC's Crossfire X-K3 edit console. If you're in the market for a new editor's console or are just curious to know what's "out there", this should give you all the information you need to base your own judgment.

Review
Marco Solorio
Adobe Premiere Pro
Marco Solorio reviews Post Holes Prematted Stock Clips

Marco Solorio reviews Post Holes Prematted Stock Clips

Don't have time or budget to shoot various people in a blue or green screen studio cyk? Also don't have the time or the software to create a perfect chromakey and/or rotoscope to pull that perfect matte? If this is the case, Post Holes may be the solution you're looking for. Marco Solorio reviews their latest 2-disk DVD set available on NTSC SD.

Review
Marco Solorio
Adobe Premiere Pro basics
Great Titles with the DV Codec

Great Titles with the DV Codec

In this article, Philip Hodgetts gives us a few hints on how to make great titles with the DV Codec. In most cases, if you're using the DV Codec, you'll find that your titles at best will be good. If you want great quality, then you will need to follow most of these guideliness that Philip discusses but NOT compress to the DV Codec.

Tutorial
Philip Hodgetts
Adobe Premiere Pro basics
A Primer on NLE Video Quality

A Primer on NLE Video Quality

In this article, Ron Shook attempts in a relatively non-techy way to put some perspective on a range of quality issues inherent in today's Non-Linear Editing technology. Perhaps as you shop for your next NLE or the services of an NLE/editor, you will have a better background for asking significant questions and separating the important stuff from the selling hype.

Editorial, Tutorial
Ron Shook
Adobe After Effects
Jerry Hofmann reviews StageToolsJerry Hofmann reviews StageTools

MovingPicture from StageTools is a dedicated program made for panning and zooming high resolution photographs for inclusion into projects edited in all the popular NLE's. In this article, Jerry Hofmann gives his impression of this great tool.

Review
Jerry Hofmann
Media 100 844/X
Media 100's Blood Secrets by John Molinari

Media 100's Blood Secrets by John Molinari

In 'Blood Secrets' the founder of Media 100 Inc., John Molinari, laid out the vision and the driving force that fuels Media 100. Even today in 2001, seven years after it was first published, it gives a clear and open window into the company that has changed the video industry so markedly.

Feature
John Molinari
Media 100 | Media 100 HD
Media 100: Walking the Razor's EdgeMedia 100: Walking the Razor's Edge

Reg Harris, longtime contributor and co-founder of the WWUG, explores the future of Media 100 and compares it to the stories told by other businesses -- both successes and failures. He looks at some of the principles involved in the struggle Media 100 faces and explores some of the delimmas faced by all businesses who work to redefine themselves in the face of changing markets. If you are wondering whether or not you want to but that next upgrade, he has some things for you to consider as you make your own decision...

Editorial
Reg Harris
Media 100 | Media 100 HD
Back-To-Back Graphics in Media 100

Back-To-Back Graphics in Media 100

In this article, broadcast editor Dave LaRonde looks at ways to use back to back graphics in Media 100 and explores ways to save valuable project disk space while using them. He quotes the oft quoted Law of Digital Media, which says: You can never have too much storage. It should also have a corollary: If you don't have lots of storage, anything you can do to save it is a good thing.

Tutorial
Dave LaRonde
Media 100 | Media 100 HD
Media 100's 'Lossless' Compression: What Does It Mean?

Media 100's 'Lossless' Compression: What Does It Mean?

With Media 100's recent announcement and unveiling of its 'lossless' compression protocol, many users have expressed a lot of dismay and frustration at the news. Some have expressed support. What are the facts and why is this a good thing for some and a frustrating bit of news for others? Who is right and what lies at the heart of this latest bit of news from Marlboro, Massachusetts? In this article, Ron Lindeboom digs through the aftermath of the NAB news and with help from Philip Hodgetts and other noted industry leaders, gives this summery for those interested...

Editorial, Feature
Ron Lindeboom
Authors

Dave Anselmi (1)
Walter Biscardi (3)
Cowdog (1)
Jeremy Garchow (1)
Nick Griffin (4)
Reg Harris (1)
Jim Harvey (1)
Philip Hodgetts (1)
Jerry Hofmann (1)
Michael Hurwicz (1)
John David Hutton (1)
Tim Kolb (1)
Dave LaRonde (1)
Ron Lindeboom (2)
Kevin P. McAuliffe (2)
John Molinari (1)
Floh Peters (3)
Shane Ross (1)
Aanarav Sareen (1)
Ron Shook (1)
Stephen Smith (1)
Marco Solorio (2)
Bob Zelin (3)


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