RED Camera Tutorials

Check out These Great Articles!

Dylan Reeve ~ Under the Gun with RED One
Andrew Shanks ~ On Set Keying
Gary Adcock ~ Shooting with RED: Testing, testing...
Craig Meadows ~ Dress for Success with RED
Mathieu Marano ~ Seeing RED in Montreal: A Creative COW Real Time Report
Jeremy Garchow ~ The Sonnet D800 RAID: Speed and Safety
Shane Ross ~ Shane Ross Reports: IBC 2007

	Gary Adcock view bio RED Camera Shooting with RED: Testing, testing... CreativeCOW leader Gary Adcock's experience shooting both film and HD gives him a unique perspective as he takes you along for thorough testing with the new RED camera. In part 1 of this series, he focuses on the camera's benefits and shortcomings of the camera itself, as well as some of the challenges shooting with it. Feature back to top

	Jeremy Garchow view bio Art of the Edit The Sonnet D800 RAID: Speed and Safety Jeremy Garchow's business is growing. So was his storage, and the potential for disaster. SATA array are less expensive, but were they safe, even with redundancy? With the Sonnet D800 he's got a terabyte of uncompressed HD, with full protection, for a great price. Read on to see the details of his set-up, and see if SATA and the Sonnet D800 will work as well for you as it has for Jeremy. Review, Feature back to top

	Mathieu Marano view bio RED Camera Seeing RED in Montreal: A Creative COW Real Time Report None of the RED cameras have yet made their way into an owner's hands in Montreal, so Mathieu Marano helped arrange an introduction for the Final Cut Montreal user group. In this Creative COW Real Time Report, he shares the details of that meeting, as well as his first experiences with RED post-production workflow. Since this is a real time report, stay tuned for updates as Mathieu and the producers of Montreal learn more. Review back to top

	Craig Meadows view bio RED Camera Dress for Success with RED Not all production with the RED camera is Hollywood-scale. Craig Meadows is in a smaller market, doing mostly local and regional spots. Even though he's only had his RED for a short time, he tells you here about how it works, its workflow, and how it's already making a big difference for his clients. Feature back to top

	Dylan Reeve view bio RED Camera Under the Gun with RED One Dylan Reeve and a small team of New Zealand filmmakers had 48 hours to get their assignment, write a script, direct, shoot and post their film, then hand in the finished show...oh yeah, and refine their RED shooting and editing skills under the gun while trying to beat out 230 other teams! Sound wild? You have no idea.... Feature back to top

	Shane Ross view bio HD High-End Shane Ross Reports: IBC 2007 Creative Cow leader Shane Ross saved you a trip to Amsterdam -- further for some Cows than others, but pretty far for most. As always, you can count on Shane to tell you exactly what he thinks about what he saw: AJA, Sony XDCAM EX, Edit Share, and That Other Camera. Feature back to top

	Andrew Shanks view bio Adobe After Effects On Set Keying In this article Creative Cow Leader Andrew Shanks plans to go through some of the software options for checking greenscreens on set (Lensfeed, Veescope and Conduit Live). Review, Feature