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RED Camera
Exposing the RED: Perfect Exposure, Every TimeExposing the RED: Perfect Exposure, Every Time

Director DP, REDtrepreneur, early adopter and obsessed student of the RED camera system David Battistella takes a closer look at how to hit the sweet spot on the RED sensor. David shows how understanding REDs inner workings will help you expose your scene just right, every time.

Feature   09/16/2008
Author: David Battistella
RED Camera
Under the Gun with RED OneUnder the Gun with RED One

Dylan Reeve and a small team of New Zealand filmmakers had 48 hours to get their assignment, write a script, direct, shoot and post their film, then hand in the finished show...oh yeah, and refine their RED shooting and editing skills under the gun while trying to beat out 230 other teams! Sound wild? You have no idea....

Feature   07/08/2008
Author: Dylan Reeve
Adobe After Effects
On Set KeyingOn Set Keying

In this article Creative Cow Leader Andrew Shanks plans to go through some of the software options for checking greenscreens on set (Lensfeed, Veescope and Conduit Live).

Review, Feature   05/09/2008
Author: Andrew Shanks
RED Camera
Shooting with RED: Testing, testing...Shooting with RED: Testing, testing...

CreativeCOW leader Gary Adcock's experience shooting both film and HD gives him a unique perspective as he takes you along for thorough testing with the new RED camera. In part 1 of this series, he focuses on the camera's benefits and shortcomings of the camera itself, as well as some of the challenges shooting with it.

Feature   03/10/2008
Author: Gary Adcock
RED Camera
RED: Early Workflow FindingsRED: Early Workflow Findings

In this real world video production RED Camera review from The Creative COW Magazine, Assron Zander discusses how The Brooks Institute students put RED ONE through the paces of a student production. Here are their findings.

Review   02/11/2008
Author: Aaron Zander
RED Camera
Dress for Success with REDDress for Success with RED

Not all production with the RED camera is Hollywood-scale. Craig Meadows is in a smaller market, doing mostly local and regional spots. Even though he's only had his RED for a short time, he tells you here about how it works, its workflow, and how it's already making a big difference for his clients.

Feature   01/31/2008
Author: Craig Meadows
RED Camera
Seeing RED in Montreal: A Creative COW Real Time ReportSeeing RED in Montreal: A Creative COW Real Time Report

None of the RED cameras have yet made their way into an owner's hands in Montreal, so Mathieu Marano helped arrange an introduction for the Final Cut Montreal user group. In this Creative COW Real Time Report, he shares the details of that meeting, as well as his first experiences with RED post-production workflow. Since this is a real time report, stay tuned for updates as Mathieu and the producers of Montreal learn more.

Review   01/20/2008
Author: Mathieu Marano
Art of the Edit
The Sonnet D800 RAID: Speed and SafetyThe Sonnet D800 RAID: Speed and Safety

Jeremy Garchow's business is growing. So was his storage, and the potential for disaster. SATA array are less expensive, but were they safe, even with redundancy? With the Sonnet D800 he's got a terabyte of uncompressed HD, with full protection, for a great price. Read on to see the details of his set-up, and see if SATA and the Sonnet D800 will work as well for you as it has for Jeremy.

Review, Feature   10/17/2007
Author: Jeremy Garchow
HD High-End
Shane Ross Reports: IBC 2007Shane Ross Reports: IBC 2007

Creative Cow leader Shane Ross saved you a trip to Amsterdam -- further for some Cows than others, but pretty far for most. As always, you can count on Shane to tell you exactly what he thinks about what he saw: AJA, Sony XDCAM EX, Edit Share, and That Other Camera.

Feature   09/18/2007
Author: Shane Ross
Authors

Gary Adcock (1)
David Battistella (1)
Jeremy Garchow (1)
Mathieu Marano (1)
Craig Meadows (1)
Dylan Reeve (1)
Shane Ross (1)
Andrew Shanks (1)
Aaron Zander (1)


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