| | | |
Cinematography
KICKSTART THEFT: Filmed on Sony F65
Cinematographer Vilmos Zsigmond, ASC and director Frederic Goodich, ASC got together to push the new Sony F65 to its limits. The result is Kickstart Theft, a short film based on De Sica's classic The Bicycle Thieves, which was shot in downtown Los Angeles in a range of challenging lighting and shooting conditions.
Editorial, Feature, People / Interview Debra Kaufman |
| | | | |
| | | |
HD High-End
NAB 2012: OConnor
Fluid head pioneer OConnor, part of Vitec Videocom, a Vitec Group company, unveiled a 30L carbon fiber tripod, O-Focus Dual Mini follow focus unit, and Universal Camera Baseplate at NAB 2012. Attendees also had the chance to experience hands-on the Ultimate 1030D and Ultimate 1030Ds fluid heads.
Feature Debra Kaufman |
| | | | |
| | | |
ARRI
Codex Digital Offers Full Support for ARRI Alexa Studio
Codex Digital now offers full support for ARRI's Alexa Studio with Codex ARRIRAW Plus and the Codex Onboard recorders, which can record up to 48 frames per second of ARRIRAW from the Alexa Studio in 4:3, using Codex' new high speed Data Packs. The company is also readying the debut of the Codex Vault at NAB 2012.
Feature Debra Kaufman |
| | | | |
| | | |
Cinematography
The Sony F65 CineAlta Digital Cinema Camera
The latest member of the Sony CineAlta family of digital cinema cameras is the F65. One of the hottest cameras at NAB 2011, new details include pricing and availability, as well as a closer look at its impressive and unique features, including a rotary shutter option, and full support for IIF-ACES workflows.
Feature Debra Kaufman |
| | | | |
| | | |
NAB Expo
Codex Digital debuts on-set lab for RED, ARRI and Sony
Thousands of members of Creative COW were at the 2011 NAB Show, and we are pleased to bring you some of their reports. In this entry, Debra Kaufman found at NAB 2011, Codex Digital unveiled The Vault, a standalone solution with its own internal drives, providing a single, standardized workflow for productions employing multiple camera systems. IIF/ACES dailies workflow also demonstrated.
Feature Debra Kaufman |
| | | | |
| | | |
NAB Expo
Inexpensive archiving for tapeless media
Thousands of members of Creative COW were at the 2011 NAB Show, and we are pleased to bring you some of their reports. In this entry, blogged from NAB 2011, Shane Ross had a mission, which was to search for a reasonably priced archiving solution of tapeless media that all of us not-so-big production and post production people could afford. Look now at Prime CACHE-A and Pro CACHE-A, BRU by the Tolis Group, and Edit Bay Production Desktop with this talented editor.
Feature Shane Ross |
| | | | |
| | | |
Cinematography
Dreams of Freedom
Centered around flight as a metaphor for freedom, the "Storyville Live" project and the short film "Flyboy" contribute to ending the very real and ongoing slavery of millions.
Feature, Project Stephen Campbell |
| | | | |
| | | |
HD High-End
Band Pro One World 2010 Trade Show
These days, many video-oriented trade shows are struggling with declining attendance, reduced scopes and the nagging fear of irrelevance when customers can get so much information online. So how has the Band Pro One World managed to attract big-name vendors and over 500 attendees? Helmut Kobler attends and shares with COW members his experience at what felt like more of a "friendly mixer" where you can easily talk to vendors and friends, and see great products close up.
Review, Editorial, Project Helmut Kobler |
| | | | |
| | | |
Field Production
Backing Up Solid-State Cards In The Field
If you shoot video to solid-state cards, two products from Nexto and Panasonic make it easy to back those cards up in the field. At over $2,000, these gadgets aren't exactly cheap, but they can save a lot of time and effort. The Panasonic in particular can make a solid-state workflow feasible for just about any project.
Review Helmut Kobler |
| | | | |
| | | |
Cinematography
Camera and Lens Round-Up
Gary Adcock explores and reviews many of the high-end cameras, lenses, monitors, and camera support gear introduced at NAB 2010 in this acquisition and display report.
Review, Feature, People / Interview Gary Adcock |
| | | | |
| | | |
Panasonic HVX - HPX (P2)
ShotPut Pro V3 by Imagine Products, Inc.
ShotPut Pro streamlines an important part of tapeless, solid-state workflows: offloading the media cards to a hard drive or other volume. Creative COW leader Helmut Kobler has been using Shotput for a couple of years now, and reviews its latest update on the Mac (a Windows version works the same way).
Review Helmut Kobler |
| | | | |
| | | |
Sony CineAlta - XDCAM | The Sony PMW-EX1 XDCAM EX Camera: A Closer Look
Creative Cow Contributing Editor Dylan Reeve says that the EX1 is another Sony breakthrough. A truly professional camera, the XDCAM EX1 offers format and workflow advantages previously unseen in other small cameras. Dylan will show you how the camera works, and how the footage works with your favorite NLE, while also looking ahead to the PMW-EX3.
Review Dylan Reeve |
| | | | |
| | | |
Sony EX Series XDCAM
Mastering the Sony PMW-EX1
In this review, CreativeCOW's Jim Harvey takes a hard look at Mastering the Sony PMW-EX1 from Vortex Media. See why he says: ...''if you are planning on purchasing a SONY PVM-EX1, or want to learn more about tapeless workflow and acquisition, this Workshop course will be an invaluable addition to your knowledge base.''
Review Jim Harvey |
| | | | |
| | | |
Sony EX Series XDCAM | On Location with the Sony PMW-EX1 XDCAM EX
In this Creative COW Real Time Report, Don Greening takes us along on his very first shoot with his brand new Sony XDCAM EX camera on location in British Columbia. Upon return to his nice warm studio, Don also takes us through his very first look at the footage on his plasma TV, and his first edit in Final Cut Pro.
Review, Feature Don Greening |
| | | | |
|
|