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Sony Vegas basics Tutorials

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Event Videographers
How to Add Video, Photo and Audio Assets to your Digital Toolbox

How to Add Video, Photo and Audio Assets to your Digital Toolbox

Who doesn't love high quality free stuff? Let Creative COW Contributing Editor Stephen Smith be your maitre d'. He'll provide a menu that will show you some of the best places to get free video, photo and audio assets that will benefit every media professional.

Feature
Stephen Smith
Sony Vegas
Excalibur 6.0 Custom Command for Sony Vegas Pro 8

Excalibur 6.0 Custom Command for Sony Vegas Pro 8

If you read the review of Excalibur 4.5 from Jim Harvey in 2005, you know that he liked the plug in very much. So much so that he gave it the full 5 cows. So it will come as no surprise that Jim likes the newest edition as well. In this review, Jim points out that there are some very nice and useful additions to the toolset that will interface seamlessly with the new Vegas Pro 8 editing package.

Review
Jim Harvey
Sony Vegas
Vegas Pro 8 Collection

Vegas Pro 8 Collection

In this review, CreativeCOWs Jim Harvey takes a look at The Vegas Pro collection which combines Vegas Pro 8, DVD Architect Pro 4.5, and Dolby(R) Digital AC-3 encoding software to offer an integrated environment for all phases of professional video, audio, DVD, and broadcast production.

Review
Jim Harvey
Sony Vegas
Sony Vegas 8: What's New, What's Required & More

Sony Vegas 8: What's New, What's Required & More

Edward started the Vegas + DVD Tips, Tricks, and Scripts newsletter to cover all topics from the beginning basics to the more advanced features. The goal is to provide extended information on individual topics beyond what a quick forum answer could cover and to provide a repository of information for quick access. The September issue introduces the new features in the much-anticipated Sony Vegas 8.

Review, Feature
Edward Troxel
Adobe After Effects
Interlacing Progressive FootageInterlacing Progressive Footage

Weve all heard of de-interlacing footage, but what about re-interlacing? Marco Solorio of OneRiver Media shows us how -- and why -- to create interlaced footage from a progressive source. The results are picture perfect!

Tutorial
Marco Solorio
HDV Format
Demystifying HDV Workflows

Demystifying HDV Workflows

Creative COW Leader Tim Kolb uses his HDV expertise to explore the technology behind HDV, and show how it applies inside Final Cut Pro and other NLEs, with a special focus on longer projects. As Tim notes, this is a modified version of a post he made in the HDV forum responding to a question about FCP, but anyone who wants to know about editing HDV needs to check this out.

Tutorial, Feature
Tim Kolb
Apple Final Cut Pro
SAS RAID from Dulce Systems

SAS RAID from Dulce Systems

Creative COW Contributing Editor Bob Zelin talks about the latest step in the Serial Attached Storage revolution: full RAID 5 protection with read speeds over 350 mb/sec. from Dulce Systems. At least that's what Dulce claimed. When he heard the rest of what Dulce had to say, Bob simply didn't believe them. When he put those claims to the test, he got a lot more than he bargained for. Will you?

Review
Bob Zelin
Indie Film & Documentary
Formats, Color Bit-Depths, Data Rates and Storage Requirements

Formats, Color Bit-Depths, Data Rates and Storage Requirements

In this chart, Creative COW Magazine shows readers the various data-rates, formats and codecs in use in video production and how much hard drive space is required when using each of these formats.

Tutorial
Ron Lindeboom
G-Tech
The G-Tech G-Raid

The G-Tech G-Raid

For years Medea Corporation has been the hallmark of reliability when it comes to storage for the media industry. If you wanted big, fast storage with mission critical reliability, Medea was the drive array for you. Now comes its little brother, G-Technology Corporation. In this article, Creativecow leader reviews the G-Tech G-Raid and concludes...''This is the most versatile unit I've ever used with its ability to work seamlessly with anything up to 10bit uncompressed and just remain solid no matter the situation or machine it's connected to. '''

Review
Walter Biscardi
Adobe Premiere Pro basics
LaCie Bigggest Disk F800

LaCie Bigggest Disk F800

Creative COW leader Walter Biscardi reviews the LaCie Biggest F800 and concludes that ''.... LaCie has targeted the F800 squarely at the DV marketplace by bringing these users a large capacity unit with a very small footprint. If your workflow is primarily DV, HDV or DVCPro HD and you're looking for a lot of storage with considerable real-time functionality, this is definitely a unit to consider.''

Review
Walter Biscardi
HDV Format
HDV vs HD: A Primer

HDV vs HD: A Primer

Emmy Award winner, Tim Kolb discusses HDV and its place in the greater scope of HD production formats. Since the inception of the HDV format, we have seen many responces regarding the HDV format and how it fits alongside HDCam, DVCProHD, XDCam and other formats in the greater scope of the HD picture. In this article (which is taken from an HDV Format forum responce), Creative Cow's Tim Kolb gives what we feel is an exemplary job of dissecting the subject and clarifying the many components of the HD universe, HDV being one of those parts....

Tutorial, Feature
Tim Kolb
SAN - Storage Area Networks
Charles McConathy discusses video system configuration

Charles McConathy discusses video system configuration

In this article, veteran pundit and respected industry system integrator Charles McConathy of Promax Systems Inc., gives users a look at the ins and outs of what goes into successfully configuring a nonlinear video editing system. Charles explores issues for both Mac and Windows users, the latest storage and BUS technologies, ''gotchas!'', as well as issues that plague users when choosing the right solution. He includes caveats and work-arounds, as well as a FAQ for many questions he regularly hears from users.

Tutorial
Charles McConathy
Adobe Premiere Pro basics
Great Titles with the DV Codec

Great Titles with the DV Codec

In this article, Philip Hodgetts gives us a few hints on how to make great titles with the DV Codec. In most cases, if you're using the DV Codec, you'll find that your titles at best will be good. If you want great quality, then you will need to follow most of these guideliness that Philip discusses but NOT compress to the DV Codec.

Tutorial
Philip Hodgetts
Adobe Premiere Pro basics
A Primer on NLE Video Quality

A Primer on NLE Video Quality

In this article, Ron Shook attempts in a relatively non-techy way to put some perspective on a range of quality issues inherent in today's Non-Linear Editing technology. Perhaps as you shop for your next NLE or the services of an NLE/editor, you will have a better background for asking significant questions and separating the important stuff from the selling hype.

Editorial, Tutorial
Ron Shook
Adobe Premiere Pro
SpiceMaster AVX - Tasty Stuff Indeed - by Dennis Kutchera

SpiceMaster AVX - Tasty Stuff Indeed - by Dennis Kutchera

Dennis Kutchera explores Pixelan Software's SpiceMaster plug-in with special emphasis on what it brings to Avid users who can now add SpiceMaster AVX to their systems. Those using other systems will also benefit from Dennis's exploration as he looks at many of the functions and benefits of the SpiceMaster system. He points out some of his favourite features as well as some tips and work-arournds to get around limitations in the Avid plug-in architecture.

Review
Dennis Kutchera
Authors

Frederic Baumann (2)
Walter Biscardi (2)
Andrew Devis (1)
Lori Freitag (1)
Jim Harvey (3)
Philip Hodgetts (1)
Michael Hurwicz (7)
Debra Kaufman (4)
Tim Kolb (2)
Dennis Kutchera (1)
Ron Lindeboom (1)
Charles McConathy (1)
John Rofrano (1)
Ron Shook (1)
Stephen Smith (2)
Marco Solorio (1)
Edward Troxel (1)
Roy van der Westen (6)
Bob Zelin (2)


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