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Adobe Premiere Pro Video Tutorials


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Art of the Edit
Post Production: Pixel vs. DPI for Graphics

Post Production: Pixel vs. DPI for Graphics
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In this Post Production Quick Tip: Walter explains why pixel size matters over dpi when you create graphics for video.

Tutorial, Video Tutorial
Walter Biscardi
Art of the Edit
Post Etiquette 4: Keep Calm and Carry On

Post Etiquette 4: Keep Calm and Carry On
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Working under pressure is sometimes unavoidable in video production. Don't lose your cool!

Tutorial, Video Tutorial
Walter Biscardi
Art of the Edit
Post Etiquette 2: Engage Your Client

Post Etiquette 2: Engage Your Client
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Don't turn your back on your client! Instead, create an ideal environment for collaboration.

Tutorial, Video Tutorial
Walter Biscardi
Art of the Edit
Post Etiquette 3: Attitude? Yep I Have One

Post Etiquette 3: Attitude? Yep I Have One
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The way you interact with your client can help create a better environment for collaboration.

Tutorial, Video Tutorial
Walter Biscardi
Art of the Edit
Post Etiquette 1: Clean Your Room!

Post Etiquette 1: Clean Your Room!
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Mom always said clean your room! Walter Biscardi, Jr explains why a clean edit suite still matters - especially when clients pay a visit.

Tutorial, Video Tutorial
Walter Biscardi
Adobe Premiere Pro basics
Premiere Pro Techniques: 110 Preset & Custom Lumetri Looks

Premiere Pro Techniques: 110 Preset & Custom Lumetri Looks
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In this tutorial, Andrew Devis goes through a new option that will be coming with the next release of Adobe Premiere Pro called Lumetri Looks - which gives you the option to apply .Look files created in Adobe SpeedGrade directly to your footage in Premiere Pro. While this option at first glance seems to only offer the ability to apply presets already created, there is also a way in which you can create your own grades in SpeedGrade, save them as .Look files and then apply those custom grades to your footage or to an adjustment layer in Premiere Pro CS_Next. In this tutorial, Andrew shows the new option and how it may be used with SpeedGrade CS_Next to create, save and apply your own custom looks.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro basics
Premiere Pro Techniques: 109 Timeline Panel Change in CC

Premiere Pro Techniques: 109 Timeline Panel Change in CC
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In this short tutorial for Premiere Pro's new CC version, Andrew Devis goes over some of the changes and improvements to the timeline panel for the next version of Premiere Pro so that you can get up and running with it quickly and smoothly.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
RE:Match Non-matching Cameras in Premiere Pro

RE:Match Non-matching Cameras in Premiere Pro
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In this tutorial Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro. A typical approach to dealing with say a white balance issue would be to apply the fast color corrector and use the white balance picker, but this can be very hit and miss, while RE:Match deals with the whole image using another image or clip as the reference to match too. This very powerful effect can save a great deal of time for an everyday problem and so earn its cost back very quickly as well as giving excellent and fast results. There is another tutorial showing how this effect works in After Effects as there is a slightly different way the two applications deal with reference images.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CC: 108 Multi-Cam Synched by Audio

Premiere Pro CC: 108 Multi-Cam Synched by Audio
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In this tutorial, Andrew Devis looks at the next version of Premiere Pro and shows how it can now automatically synchronise footage in a bin by various options including timecode and AUDIO! Andrew uses multiple clips and allows Premiere Pro to synchronise these clips using audio and shows us in real time how long this process takes based on a 48 min talk and 11 clips! Andrew also goes on to show some of the changes that have taken place in the headers for video and audio tracks as well as a change in how to make multi-cam edits in the up-coming next version of Premiere Pro - valuable information for anyone working with multiple cameras.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 90 Export 5: Media Encoder 2

Premiere Pro CS6 Techniques: 90 Export 5: Media Encoder 2
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In this second tutorial on Media Encoder, Andrew Devis shows how to create preset groups for customers to ensure that you always export the same file types and minimize the risk of choosing the wrong presets when outputting multiple different sequences. Andrew also shows how to customize a preset to meet specific needs such as different frame rates or frame sizes etc and save that preset and add it to a preset group for the customer you created it for. Andrew then shows how to quickly select a smaller portion of the sequence so that you can test your output settings on a much smaller section of the sequence you want to export.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 86 Export 1: Dynamic Link

Premiere Pro CS6 Techniques: 86 Export 1: Dynamic Link
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In this tutorial, Andrew Devis shows how to get a sequence from Premiere Pro into either Encore or After Effects using the 'dynamic link' function. Dynamically linking a sequence to either Encore or After Effects will mean that any changes made to the sequence in Premiere Pro will be automatically updated in the program it is linked to (Encore or After Effects). Andrew demonstrates both a simple 'drag and drop' as well as a menu driven approach to setting up dynamic link.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 87 Export 2: Export Settings

Premiere Pro CS6 Techniques: 87 Export 2: Export Settings
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In this tutorial, Andrew Devis starts by talking about the 'Send to SpeedGrade' option and then moves on to discuss the selection settings (left hand side) in the Export Settings dialogue box.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 88 Export 3: Export Settings 2

Premiere Pro CS6 Techniques: 88 Export 3: Export Settings 2
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In this tutorial, Andrew Devis goes through and explains many of the options on the right hand side of the Export Settings dialogue box.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 89 Export 4: Media Encoder 1

Premiere Pro CS6 Techniques: 89 Export 4: Media Encoder 1
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In this tutorial, Andrew Devis shows how to use the Media Encoder to render out several different versions of a Premiere Pro sequence using easy to find and select presets. Andrew shows how to add sequences without even having to have Premiere Pro open and then change the preset to another one of your choice and add extra outputs to suit your customers' needs.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 91 Export 6: Media Encoder 3

Premiere Pro CS6 Techniques: 91 Export 6: Media Encoder 3
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In this third tutorial on Media Encoder, Andrew Devis shows how to create and use 'Watch Folders' which are folders linked inside of Media Encoder which 'watch' for any footage item that is dropped into them and then encodes that footage item to any other output type of your choice. Andrew shows how to create and set up your watch folders as well as explaining some of the limitations of watch folders as they presently work.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 92 Time 1: Clip Speed/Duration

Premiere Pro CS6 Techniques: 92 Time 1: Clip Speed/Duration
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In this tutorial, Andrew Devis shows another of the time options inside of Premiere Pro (having previously shown the rate-stretch tool in an earlier tutorial). Starting with the Speed/Duration option Andrew goes through the various ways to apply it and the advantages and limitations that it has.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 93 Time 2: Time Remapping

Premiere Pro CS6 Techniques: 93 Time 2: Time Remapping
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Time remapping is hands-down the most powerful time changing effect in Premiere Pro and also great fun to work with once you know how to use it. In this tutorial Andrew Devis shows how to vary the time of a clip, how to ease that change, how to ease into a hold keyframe and then ease back out again. He then goes on to show how to make the whole clip carry on to play backwards and how to ease the change between playing one direction and the next.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 94 Time 3: Posterize Time

Premiere Pro CS6 Techniques: 94 Time 3: Posterize Time
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The 'Posterize Time' effect can be used to set a frame rate for a piece of footage or a nested sequence. However, in this tutorial, Andrew Devis shows how to use it as a special effect to create dramatic looks for your footage or to give the impression that the footage was taken on an older camera which worked at a different (usually lower) frame rate. (Note: Although it is possible to animate this effect, it can cause unpredictable results and so any keyframes created will be hold key frames giving instant transitions rather than gradual changes).

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 95 Time 4: Playing with Echoes

Premiere Pro CS6 Techniques: 95 Time 4: Playing with Echoes
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In this tutorial, Andrew Devis shows how to use the Echo effect and goes through its settings showing how to get the best out of this powerful effect. Andrew also talks a little about filming with the aim of using the Echo effect on the final product.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 96 Time 5: 'Burn-in' Timecode

Premiere Pro CS6 Techniques: 96 Time 5: 'Burn-in' Timecode
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The timecode effect is often used to generate lower quality versions of footage with timecode 'burnt in' so that producers can give exact times for specific edits and selections. In this tutorial, Andrew Devis shows how to use the 'Timecode' effect to generate timecode for a sequence and to show both media and clip timecodes for a piece of footage in the sequence.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 97 Track Matte Key

Premiere Pro CS6 Techniques: 97 Track Matte Key
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In this tutorial, Andrew Devis shows how to use the Track Matte Key effect to pixel out a face to keep a character anonymous. Andrew also shows how to use the circle effect with fast blur to create a soft matte to use with the Track Matte Key effect.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 98 Ultra Key Part 1

Premiere Pro CS6 Techniques: 98 Ultra Key Part 1
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The Ultra Key in Premiere Pro is a way of quickly and efficiently 'Green/Blue Screening' or 'Chroma Keying' footage elements shot against a colored background. In this tutorial, Andrew Devis shows a slightly more advanced way to set up to use the Ultra Key in Premiere Pro which involves matting out areas of the footage that either have items to be removed or have nothing but the chroma color in them (i.e. no action in those areas). Andrew goes through the process of creating a matte that just has the item to be keyed while keeping a good soft edge to the footage by using other effects in Premiere Pro. He then creates the final matted piece and applies the Ultra Key and goes on to shows how to adjust that matte after the Ultra Key has been applied.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 99 Ultra Key Part 2

Premiere Pro CS6 Techniques: 99 Ultra Key Part 2
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The Ultra Key in Premiere Pro is a way of quickly and efficiently 'Green/Blue Screening' or 'Chroma Keying' footage elements shot against a colored background. In this second tutorial, Andrew Devis goes on to show how to use the Ultra Key settings and how you can use presets to help understand how certain parameters work. Andrew goes on to show how to deal with edge issues and then how to use another effects to simulate a 'light wrap' effect which brings the color of the background into the edge/alpha channel of the keyed object. Andrew finishes by showing how to deal with parts of the matte that have become semi-transparent during the keying process.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 100 Creative Black & White

Premiere Pro CS6 Techniques: 100 Creative Black & White
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Although there are some obvious ways to create black and white footage in Premiere Pro, the usual approaches can often leave a lot to be desired in terms of creativity and artistic influence. So, in this tutorial, Andrew Devis shows how to use an little known effect to make stunning and creative black and white productions in Premiere Pro which can add a great deal to the artistic credibility of your work.

Tutorial, Video Tutorial
Andrew Devis
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 101 Exposure & Lighting Effects

Premiere Pro CS6 Techniques: 101 Exposure & Lighting Effects
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In this tutorial, Andrew Devis goes through an under-used effect in Premiere Pro which can be a real shot-saver by giving you the option to completely re-light a scene with multiple lights if needed. In this tutorial, Andrew shows how to use the effect to create a volumetric lighting effect for one shot and then to save a shot which suffers from being taken in a very bright environment and lastly a shot what has issues with being too dark in places. As well as being able to re-light a shot this effect also offers an exposure control which although somewhat linked to an ambient light is still a very useful feature to have in Premiere Pro.

Tutorial, Video Tutorial
Andrew Devis
Series


Video Tutorials

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Adobe Photoshop basics (47)
Adobe Premiere Pro (224)
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Adobe SpeedGrade (2)
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Apple FCPX or Not: The Debate (15)
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Apple Soundtrack (6)
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Trapcode (14)
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